Musicians longing for the legendary Roland RE-201 in a modern format will be delighted by the Boss RE-202 Space Echo Effect, a reimagined tape-echo effect that updates this classic with new features tailored to today's production techniques. Faithfully recreating the warm character and sonic quirks that made the original so massively popular, this new version offers a wealth of options including tape, echo, and reverb styles to provide a wealth of vintage sonic possibilities.

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Recreates Roland RE-201 Space Echo    Multihead Tape Echo with 4 Memory Slots    Expanded Delay Time, Stereo Reverb    Saturation and Wow & Flutter Controls    Choose New or Aged Tape Conditions    Selectable Input Modes, True Stereo I/O    Tap Tempo and Carryover Functions    127 Memories via External MIDI    Dry/Wet Mix Controls    Expandable with External Control Options

• Authentically recreates the sound and behavior of the legendary Roland RE-201 Space Echo
• Classic multihead tape echo sound with expanded delay time 
• Original three-head configuration plus additional tape head for 12 unique echo combinations
• Independent stereo reverb section with original spring reverb type plus hall, plate, room, and ambience
• Saturation control for adding magnetic tape compression and preamp coloration
• Wow & Flutter control for introducing varying levels of natural tape modulation     
• Choose between new and aged tape conditions
• Selectable input modes for optimum performance with instruments and line-level gear
• Warp and Twist effects with footswitch control
• Select between the unprocessed analog dry signal or the modeled sound of the original Space Echo preamp
• Four onboard memories plus the current panel settings
• Save and select 127 memories via external MIDI program change
• Tap tempo and carryover functions
• True stereo input and output
• Expandable control via external footswitches, an expression pedal, or MIDI

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today's CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colors the sound with varying amounts of tape saturation and compression. In addition, motor-speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that's subtle and continually evolving.

The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean single delays or various head combinations for dense rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analog preamp circuitry was another key ingredient in the Space Echo's rich sonic recipe.

Realized through the latest technologies and exhaustive analysis of several vintage RE-201s—including a pristine original unit from the BOSS and Roland factory archive—the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

While previous BOSS designs captured the true sonic flavor and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, our engineers have fully reproduced all the complex, nonlinear behaviors that contribute to the RE-201’s immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring-reverb character, and more.

The RE-202 delivers the full vintage vibe of the RE-201—without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behavior is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviors of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob. And with the expressive Wow & Flutter control, you can conjure all the natural modulation characteristics that are essential to the Space Echo sound.

The RE-202 includes many new features that extend the Space Echo for today’s musicians. Twice the delay time is available, along with a fourth virtual tape head that unlocks five additional sound combinations. There’s also an echo type that changes the distance between the heads, something not possible with the original. In contrast with the mono RE-201, the RE-202 provides true stereo I/O and selectable operation for guitar or line-level devices. For the dry sound, you can choose between the warm and fat RE-201 preamp tone or a clean signal with zero processing.

Also included is a stereo version of the original spring reverb sound from the RE-201, along with hall, plate, room, and ambience types for additional versatility. Expressive Warp and Twist effects are available as well, allowing you to launch the sound into outer space with the press of a footswitch while performing.

To complement its vintage heart and soul, the RE-202 has all the modern features you'd expect from an advanced delay pedal. There are four onboard memories for storing and recalling favorite sounds, and 123 more are accessible via MIDI program change. Tap tempo is also on hand as well as selectable delay carryover when switching memories. It's also possible to mute the dry signal for parallel effect setups and studio usage. Expanded control is available via external footswitches, an expression pedal, and MIDI, including real-time operation of multiple parameters at once.

Related Questions and Answers

Q: 1. What are the audio specifications for the Sonnet Echo 11?

A: The Sonnet Echo 11 Thunderbolt 4 Dock has 1 x 1/8" / 3.5 mm Headphone/Microphone Combo Jack.

Q: 2. IS THIS A SINGLE, EXTERNAL UNIT? or is it made to slide into some type of dock or larger unit? thanks!

A: The Sonnet DuoModo Echo I Module is meant to be used in a Sonnet DuoModo enclosure like the Sonnet DuoModo Single-Module Desktop Enclosure, B&H # SODMENC1MD, or Sonnet DuoModo Dual-Module Rackmount Enclosure, B&H # SODMMODE1.

Q: 3. "It's also backward compatible with Thunderbolt 2 and Thunderbolt Macs when used with an adapter." Question is what adaptor will connect my 2013 MBA to this dock?

A: Because the device is self powered, Yes, it will work with a Thunderbolt 3 to Thunderbolt 2 adapter.

Q: 4. can I adapt a digital back (mamiya leaf) on it?

A: I contacted Linhof with your inquiry. They state that you may purchase the Linhof Stitching Slide for Graflok Back, B&H # LISSGB, along with the Linhof Mamiya 645 AF/AFD Type Back Adapter Plate for Linhof M679 or M679cs with Universal Adapter, B&H # LI645AFAM, for use with Mamiya/Leaf or Phase One digital backs. They also asked if you wanted a groundglass with sensor marks? The Linhof Groundglass Adapter for Stitching Slide, B&H # LI001690S, would work with the stitching slide they list above. They also asked what size sensor or which model digital back are you using? Unfortunately, this was not listed in your response. As such, it may be better to ask such specific questions similar to the above (especially when adapting an item from a different brand to another brand) by e-mailing us at prophoto@bhphotovideo.com for assistance with your inquiry.

Q: 5. Will this work for Dell monitors?

A: The Gabor Mainmast DMS-202 Desktop Dual-Monitor Stand for 17 to 27" Displays BH #GADMS202 will work with Dell monitors that conform to the mount's specifications.

Q: 6. What are the dimensions?

A: The Specifications tab for the Vinten 3440-202 Soft Tripod Case - for Vision ENG Skid, B&H # VI3440202, lists the exterior dimensions as ø: 10.2 x L: 30.5" (ø: 26.0 x L: 77.5 cm), and the interior dimensions as ø: 9.8 x L: 30.0" (ø: 24.8 x L: 76.2 cm). The weight is listed as 6.5 lbs (2.95 kg).

Q: 7. Does this dock provide enough power for ssd drives on its three thunderbolt 4 ports?

A: Yes, the Thunderbolt 4 ports on the Sonnet Echo 11 Thunderbolt 4 Dock will supply enough power for almost all external SSDs that use USB-C or Thunderbolt connection.

Q: 8. does this camera have a revolving back for portrait and landscape?

A: It is not revolving, 4 x 5" Vertical/Horizontal quickchange.

Q: 9. Using an M1 Max, will this work with an UltraStudio Monitor 3G Playback Device used to convert to SDI for an external reference monitor?

A: The Sonnet Echo 11 Thunderbolt 4 Dock should work. It has 3 Thunderbolt 3 ports to connect the Black Magic UltraStudio Monitor 3G to. The Black Magic UltraStudio Monitor 3G would support sending 3G SDI signals to an external display.

Q: 10. Can this be used to extend my display by plugging into the USB C port but having an HDMI output, which I can then use in conjunction with the HDMI port on my NUC?

A: As others said, Yes you shouldn't have any issues doing that.