The Camplex 12-Channel LC Single-Mode Fiber Tactical Snake comes in a reel of 1500'. It is a ruggedized multi-channel fiber optic cable designed for multiple deployments for field production in outside broadcast, rental houses, and more. It is a highly flexible tight-buffered tactical cable with internal aramid strength members for crush resistance in high-traffic areas (if handled properly) and a polyurethane outer sheath designed to withstand crushing by both military tanks and outside broadcast vehicles. All assemblies are multi-stage machine polished and tested for <0.55 dB RL with test results for each channel supplied with each cable.

The Tactical Fiber Snake Reel includes Schill fiber optic cable reels with connector protection cavity and hinged latching door. The Schill reel has been carefully selected to ensure proper support and critical bend radius required by fiber optic cables.

Built with OCC multichannel tactical cable & heavy-duty connectors with dust caps

Individual channels ruggedized with Techflex protection & 24" fanout

Compact, round cable design for ease of transportation and deployment

Designed for use in adverse environments where reduced size and weight are important

Helically stranded cable core for flexibility, deployment survivability, and mechanical protection of the optical fibers

Cable has been tested and is suitable for use in military data communications applications

Can be used outdoors for temporary deployment directly on the ground in all terrains, including severe environments

Suitable for outside broadcast, industrial, mining, and petrochemical environments (chemical resistant)

Crush-resistant and resilient with a thick layer of aramid strength members

Polyurethane jacketed for abrasion, cut, and chemical resistance

Meets MIL-PRF-85045 specifications

Related Questions and Answers

Q: 1. what are the stereo aux returns?

A: The stereo aux returns are the master returns for aux 1 and 2. If you use aux 1 and 2 for a stereo cue mix if you dont bring up the stereo returns for aux 1 and 2. No one will hear the cue mix.

Q: 2. What are the costs of end caps for this model? Thanks!

A: We are sorry to say that Elasco does not offer end sets for any of the their Dropover systems. For End Sets you will need to look at their Cable Guard Products instead. For instance if you purchased the LG2125 Two-Channel Lite Guard Cable Protector then we have an end set for that. Here are links to both.https://bhpho.to/2NUHdV1https://bhpho.to/2LmC9qC

Q: 3. Will this device convert a mic level signal to line level?

A: Yes, the MP-1 inputs a mic level signal and outputs a line level signal.

Q: 4. Does this version have a field replaceable battery?

A: Yes, it is. As a matter of fact, the first thing you have to do upon receiving the mic is to open the back and connect the provided battery. It takes all of 15 seconds. B

Q: 5. what cables do I need to hook this up to my 70d??

A: Looks like you'll need to purchase a XLR F to 3.5mm (mono) male cable. The output of the SD MM-1 is Line level. So, the cable will need to be the type that can attenuate line level down to Mic level for the 70D to receive.

Q: 6. How long does the battery last under continuous usage? That is, how many hours of use on one charge?

A: I have used it for 6+ hour training sessions. I typically put it back in the stand during breaks but have not had any problems with the charge.

Q: 7. If I used this preamp with a recorder (TASCAM DR-40) at what setting should I put the audio gain in the recorder? I will be using it with a pro camcorder two, which has its own audio gain manual control, what gain setting should I use there too? Or should I adjust it while monitoring until I reach my sweet spot ?I'm still in the learning process.Thanks in advance :)

A: Hi - I use this preamp with a Tascam DR-60D Mark II recorder, so I'm guessing your DR-40 works similarly. The SoundDevices preamp sends out a line signal -- not a microphone signal -- so you would set the audio recorder input to line. (Page 48 of your manual has instructions on this.) You will not need to use gain on the recorder (and, in fact, I'm pretty sure that the recorder will not offer gain for a line signal). In my work with this preamp, I've found that the preamp gain dial on the preamp is the main setting to focus on. (If you're monitoring audio through the recorder, then the mon gain and phones dials on the preamp are irrelevant.) Depending on the type of mic you're connecting to the preamp, a preamp gain setting of 36-50 dB should work well, with an input level on the recorder of about 50%. Hope this helps!

Q: 8. Does this version have the field replaceable battery?

A: Yes, it is. As a matter of fact, the first thing you have to do upon receiving the mic is to open the back and connect the provided battery. It takes all of 15 seconds. B

Q: 9. The interior dimension of the bag appear to be smaller than the size of mixer. Does the bag fit?

A: Yes the bag fits the mixer. Forced perspective can be deceiving.

Q: 10. If I buy this MM1 device, can I use it with the MIX PRE-3 II or do I no longer need it? Please help

A: Sound Devices MM-1 Single-Channel Portable Microphone Preamp provides a standalone preamp option with line level output for use in a variety of situations. If the Sound Devices MixPre-3 had a dedicated line level input, this unit might prove useful to use alongside.