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Blackmagic Design Hyperdeck Extreme 4k Hdr

Blackmagic Design Hyperdeck Extreme 4k Hdr
  • Product Code: ga110147
  • Availability: In Stock

$8,985.00 $11,321.10

Add a playback and recording deck to your broadcast studio, live production, or digital signage environment with the HyperDeck Extreme 4K HDR from Blackmagic Design. The HyperDeck Extreme 4K supports up to UHD 4K video and allows you to save H.265 files and utilize 3D LUTs, internal cache, and HDR support for video playback.

The HyperDeck features a 7" capacitive touchscreen LCD screen that provides a clean image and controls, scopes, and monitoring tools that you can control and configure with a swipe or a button press. It features 12G-SDI and HDMI inputs and outputs, two CFast media slots for recording, and allows you to record your video stream to an optional disk via USB Type-C.

If you want to fit streaming into your legacy production rack, the HyperDeck can be controlled via RS-422 as traditional broadcast decks. The unit also features a 3G-SDI monitor output, component analog audio and video inputs, 3-pin XLR inputs and outputs, timecode I/O, and reference I/O. The unit also supports built-in media caching that can be upgraded to avoid cards and disks filling up and losing data.

Large LCD with Touchscreen Deck Controls    Physical Controls, Two CFast Card Slots    12G-SDI, HDMI, and Legacy Analog    Fast USB Type-C Disk Port; 10G Ethernet    PCIe Cache Card Slot    H.265 Recording/Playback, ProRes Support    Rec. 2020/709 Support, HDR Scopes    SDI/HDMI Auto HDR Detection    Multichannel SDI and Analog Audio    Load and Save 3D LUTs

General
CompatibilityBlackmagic Design ATEM Mini
Inputs / Outputs
USB I/O1 x USB-C 3.0 / 3.1/3.2 Gen 1 Female Output
Video I/O1x BNC (12G-SDI) Input
2x BNC (12G-SDI) Output
1x BNC (Component) Input
1x HDMI 2.0 Input
1x HDMI 2.0 Output
1x BNC (3G-SDI) Monitor Output
1x USB-C Output
Audio I/O4x XLR 3-Pin Input
4x XLR 3-Pin Output
1x 2RCA Input
Power
Power SourceAC Input (Built-In)
AC Input Power100 to 240 VAC, 50 / 60 Hz
DC Input Power 12 VDC
Power Consumption190 W
Environmental
Operating Temperature32 to 72°F / 0 to 40°C
Operating Humidity0 to 90% (Non-Condensing)
Storage Temperature-4 to 140°F / -20 to 60°C
Storage Humidity0 to 90% (Non-Condensing)
Physical
Dimensions13.15 x 8.28 x 5.14" / 33.4 x 21.03 x 13.06 cm
Weight7.94 oz / 225 g
Packaging Info
Package Weight9.39 lb
Box Dimensions (LxWxH)20.9 x 11.2 x 6.9"

HyperDeck Extreme 4K features the trusted reliability of HyperDeck combined with new innovations such as space-saving H.265 files, optional internal cache, 3D LUTs, and HDR support. With the ability to record up to native 4K in H.265, you get reduced storage costs and amazing image quality. The large touchscreen ensures a perfect view of your recording as well as control over all deck settings.

Powerful Ultra HD touchscreen HyperDeck records and plays H.265 and ProRes files in all SD, HD, and Ultra HD standards up to 2160p60. It includes scopes and upgradable cache, plus SDI, HDMI, and analog video.

HyperDeck Extreme has an innovative 7" capacitive LCD touchscreen user interface with deck controls as well as a large screen to view your recording. It features two media slots, 12G-SDI I/O, HDMI I/O analog connections for archiving, USB Type-C external disk recording, plus a front panel speaker and headphone jack.

With its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player, and for recording ISO cameras. The analog inputs allow you to record from old videotapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. You can even use it as a field recorder as it includes HDMI, SDI, and analog inputs with built-in scopes and 3D LUTs.

HyperDeck Extreme Control lets you connect to legacy broadcast decks, set an in and an out point, then edit. Just add HyperDeck Extreme and HyperDeck Extreme Control to each legacy deck to keep them all archiving constantly with just one operator. It's even possible to edit across formats by using Teranex Express to convert tapes from SD to HD in one step. You can control a wide range of decks, including Digital Betacam, 1" C format, and Betacam SP.

CFast media support allows you to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus there are two CFast card slots so you can swap out any full cards even during recording, allowing infinite length recording. CFast cards are perfect for broadcast because they are small, high-speed, and affordable.

HyperDeck Extreme features a wide range of video and audio connections such as multi-rate 12G-SDI for SD, HD, and Ultra HD 4K devices. The latest 10G Ethernet is included for high-speed upload using FTP protocols. HyperDeck even includes both AC and XLR power connections.

Be ready for the latest HDR workflows with support for the latest HDR standards with an extremely bright screen with a wide color gamut. The built-in scopes even change to HDR scopes when working in HDR formats. Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards.

Multiple languages are fully supported so you don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, and Turkish.

The most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Extreme features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders.

A wide range of Blackmagic Design products is available to use with HyperDeck Extreme, including the HyperDeck Extreme Control for adding traditional broadcast deck controls. Plus, since it uses the industry-standard RS-422 deck control protocol so it works with any broadcast deck. Add the Blackmagic MultiDock 10G to use regular SSDs for compatibility with media from other HyperDeck models. HyperDeck Extreme is also a perfect mastering recorder with the ATEM Constellation 8K, or for clip playback and ISO recording. For monitoring, the Teranex SDI to HDMI 8K allows broadcast monitoring on a television, and it also has monitor calibration, 3D LUTs, and on-screen scopes.

Related Questions and Answers

Q: 1. Will I be able to control both of the drives on my Hyperdeck Studio 4K Pro Independently?

A: The unit will only control one drive at a time.

Q: 2. Can this record 4 different 4k cameras at once? if so what are the codec options for that?

A: No, it can only record 1 input at a time in ether ProRes or H.265.

Q: 3. I see this device cannot record multiple cameras at once...so what is this device used for?

A: Unit will only support one unit at a time. Following unit is used for 8K recorder featuring a large display with standard touchscreen deck controls for viewing recordings.

Q: 4. can you save and playback individual clips with this device along with the recorder?

A: Blackmagic Design HyperDeck Extreme Control BH #BLHDEC can record up to 8K H.265 on CFast cards or 8K ProRes files via external disks. If you install the optional cache feature, media speed doesn’t matter so you can record 8K video to any Cfast card or even connect an external HDD dock via USB-C and record to an external hard drive! A variety of video and audio sources can be connected including decks, monitors, routers and cameras, or legacy broadcast decks via composite analog inputs, which is especially useful for archival workflows converting from tape to file

Q: 5. Could I hit record, then stop + play, and have all eight decks play back in sync?

A: There is the potential to have multiple decks play back and start clips at the same time with the Blackmagic Design HyperDeck Extreme Control. The decks and controller must have the same reference, the media should be the same type, and the clips must be positioned at the same start point before playing.

Q: 6. Does this have phantom power?

A: No, it doesn't support phantom power or mic level, only line level audio.

Q: 7. Is this a viable option as a VTR for video playback with the Constellation? The problem with the Hyperdeck minis is, they're so finicky with the types of files they will play back, we normally give up using them for playback due to frustration. Wondering if this deck has fixed that issue.

A: It works very well with the Constellation as a playback device. Yes - some files are finicky - our solution, pipeline everything through Adobe Encoder with their "Adobe Stock" preset - this makes them a flavor of ProRes (even up to 4k/59.94p) that the player is really happy with. Oh, and avoid special characters and long filenames. I can't put my finger on it, because we can export the SAME thing from Premiere, Avid Media Composer, etc., but a finalo pass in Encoder standardizes the files just right for us.

Q: 8. Will I be able to use this to start/stop recording on several hyperdeck mini recorders at the same time?

A: Yes, the HyperDeck Extreme Control can control up to 8 HyperDeck Studio Mini recorders simultaneously or independent. All Blackmagic HyperDeck devices support the same Sony broadcast RS-422 serial deck control standard.

Q: 9. What makes this better than the Blackmagic Design HyperDeck Studio 4K Pro? I'm deciding between these two to buy.

A: The primary difference is the large touchscreen display on this unit. The Blackmagic Design HyperDeck Extreme 4K HDR also offers 4 channels of XLR audio input.

Q: 10. When having 8x Hyperdeck Studio Mini Recorders connected to the Extreme Control will I be able to do Instant sports replays live?

A: The Extreme Control has no special replay capabilities. You would need third party software or hardware for that.

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