Neumann Tlm 102 W Large-diaphragm Cardioid Condenser Microphone With Shockmount (limited Edition White)
- Product Code: ga115325
-
Bundled with a vibration-reducing shockmount and a compact stand mount, the limited edition white Neumann TLM 102 W large-diaphragm condenser microphone brings renowned Neumann sound quality to a price point that's inclusive to home producers, working musicians, and independent singer-songwriters. The capsule's high SPL rating of 144 dB permits the recording of percussion, drums, amplifiers, and other loud sound sources clearly and without distortion. With its 8 to 12 kHz treble boost, the TLM 102 imparts a silky vocal presence while avoiding pronounced sibilance.
The mic utilizes a cardioid polar pattern to provide directional sound pickup in front of the capsule and strong rejection behavior behind it, yielding less background noise than most other polar responses. The integrated pop shield reduces breath noise and vocal plosives, though external pop filters are available for even more control. The TLM 102's transformerless output stage aids the mic in achieving a clean character with plenty of reach in the bass range, and it delivers resistance to electromagnetic interference.
For Vocal and Instrumental Recordings Cardioid Pattern Lowers Background Noise Handles up to 144 dB SPL Distortion-Free 8 to 12 kHz Treble Boost for Brilliance Large-Diaphragm Condenser Capsule Transformerless Output Stage Resistant to EMI Shockmount and Stand Mount Integrated Pop Shield 48V Phantom Powered
Key Specs | |
---|---|
Polar Pattern | Cardioid |
Element Type | Condenser |
Controls | No |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 144 dB (.5% THD) |
Analog Output | 1x XLR 3-Pin Male |
Power Sources | Phantom Power |
Microphone | |
Polar Pattern | Cardioid |
Element Type | Condenser |
Sound Field | Mono |
Orientation | Side Address |
Controls | No |
Pad | No |
Circuitry | Solid-State |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 144 dB (.5% THD) |
Equivalent Noise Level | 21 dB (CCIR) 12 dB (A-Weighted) |
Connectivity | |
Analog Output | 1x XLR 3-Pin Male |
Power | |
Power Sources | Phantom Power |
Operating Voltage | 48 V (Phantom Power) |
Physical | |
Color | White |
Dimensions | ø: 2 x L: 4.6" / ø: 5.2 x L: 11.6 cm |
Weight | 0.46 lb / 210 g |
Packaging Info | |
Package Weight | 2.15 lb |
Box Dimensions (LxWxH) | 11 x 7.6 x 4.3" |
Neumann developed the TLM 102 as a universal talent for vocal and instrumental recordings. Its finely tuned sound signature especially accents the area of 8 to 12 kHz which is crucial for human voices. The recordings get a silky elegance typical of large-diaphragm microphones; the voice gets a noble presence in the overall mix. Nevertheless, the TLM 102 remains easy to handle and deals masterfully with critical consonants or sibilants, thanks to the integrated pop shield.
The TLM 102 also processes extreme volume and jumps in dynamics without distortion. That makes it an excellent choice for miking loud amps and drums. It reproduces sound pressure levels of up to 144 dB (e.g. very loud trumpet at a distance of about 4") with great clarity: open, detailed, with powerful bass and refined treble.
The TLM 102 stands for legendary sound on a budget. Neumann remodeled the production and omitted non-vital functions such as pattern, pad, and low-cut switches. When you hear the TLM 102, you'll immediately notice what they did not omit: the Neumann sound, which remains faithful to its big role models.
The TLM series works with a transformerless output stage to enable a clean and direct sound, very "close" to the acoustic source, and a powerful bass transmission all the way down to the lowest frequencies. Its transformerless output stage also makes the microphone resistant to electromagnetic fields and minimizes transmission losses.
- Easy handling for vocal and instrumental recordings
- Distortion-free sound even at extreme sound pressure levels up to 144 dB
- Slight treble boost for silky vocals (independent of music genre)
- Built-in pop shield reduces vocal plosives
- Cardioid polar pattern lessens background noise
- XLR 3-pin output
- Requires 48V phantom power
- Includes stand mount and vibration-reducing shockmount
Related Questions and Answers
Q: 1. Which usb micro audio cable will work with this. I read that the input on this mic is not a normal usb micro input and that you can only use a Shure cable with it. Is this accurate? If so, Where can I get the longer Shure usb micro to lighting cable? Second question: What type of USB extension cable (type A to A) could I use with the included Shure cable so that no additional noise is added by the extension cable? Is there a better quality cable that adds less noise?
A: The USB port on the Shure MV51 uses a micro-B style USB connector and you will want to use a USB 2.0 cable. If your computer uses USB Type-A, you can purchase a longer cable with these types of connectors such as the Kramer USB 2.0 Type-A Male to Micro USB 2.0 Type-B Male Cable - 10' (B&H# KRCUSBMICB10) or the same cable in 15' length (B&H# KRCUSBMICB15). If you do want to use an extension cable, you can use a USB 2.0 Type-A female to Type-A male cable such as the Pearstone USB 2.0 Type A Male to Type A Female Extension Cable - 10' (B&H# PECUAMUAF10) or Pearstone 16' USB 2.0 Extension Cable with Booster (B&H# PEUSBAABCE16). Please contact us by phone or through live chat if you would like further assistance in selecting a compatible cable.
Q: 2. How can I connect this to a 3.5 mm mic input on a camera?
A: Unfortunately not, this microphone only works with computers, tablets or some smartphones.
Q: 3. Would this be recommended for heavier music? Especially with loud, guttural vocals?
A: Hi Mal, Absolutely! The LCT-240 is a very versatile mic that would work with vocals of any type.
Q: 4. Does the Shure MOTIV MV51 work with the iPhone 4?
A: It is designed for iOS products with a lightning connector only. An adapter has not been tested nor is using one recommended.
Q: 5. Does the MV51 have any kind of noise cancelling features? How does it compare to other mics, in this regard...such as the iRIG MIC Studio, or the Blue Spark Digital?
A: The Shure Motiv MV51 does not have noise canceling but it does have 5 DSP presets. It is cross platform with USB and lightning connectors. The build quality is very good. As far as comparing it to the iRig and the Blue Spark is not something that I would do. They all have their pros and cons. The only thing that matters is do you like the sound of the mic. Which as with all mics is a matter of personal preference.
Q: 6. Will this fit an Electro Voice RE20 or RE320?
A: The Auray BSM-35R Suspension Shockmount for Broadcast, Podcast & Large-Diaphragm Condenser Microphones is specified with microphone diameters of up to 2.1 inches. The Electro-Voice RE20 and RE320 Microphones have diameters of 2.13 and 2.14 inches respectively, which likely disqualifies them from compatibility with the BSM-35R.
Q: 7. Anybody have trouble with the usb cable staying in the usb connector?
A: The USB port on the Shure MV51 is a micro-B. Perhaps an angled plug may be a good option if you are having problems with the straight plug disconnecting. We have a 6' long StarTech USB 2.0 Type-A Male to Left-Angle Micro-USB Male Cable (B&H# STUUSBHAUB6L) that you can try.
Q: 8. Can these power Sennheiser 650 headphones?
A: The RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface will work with 300-ohm headphones, like the Sennheiser HD 650, although a dedicated headphone amp may yield more desirable results.
Q: 9. Can this mic be used with a dslr camera?
A: No its only design for pc/mac ios
Q: 10. Will this fit a Rode NT1 and a Sennheiser MK4?
A: This shock mount was not designed to fit those mics.
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