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Sound Devices Mixpre-10 Ii Kit With Multitrack 32-bit Field Recorder & Orca Or-272 Field Bag

Sound Devices Mixpre-10 Ii Kit With Multitrack 32-bit Field Recorder & Orca Or-272 Field Bag
  • Product Code: ga115529
  • Availability: In Stock

$6,225.00 $9,773.25

For professional videographers, field recordists, podcasters, and Ambisonics enthusiasts who need pristine audio capture of up to eight microphones, the Sound Devices MixPre-10 II multitrack field recorder is an ideal tool. Record up to ten tracks of external sources (eight channels via XLR-1/4" combo jacks and two channels via a 3.5mm mini jack)—as well as a stereo mix—at sample rates and resolutions of up to 192 kHz / 32-bit, all while monitoring audio in headphones. If you choose to use the MixPre-10 II to stream audio, you'll be able to achieve sample rates up to 96 kHz.


The MixPre-10 II offers many upgrades over its predecessor. Chief among these features is the ability to record at 32-bit floating point to an internal SD card. The unit also functions as an audio interface capable of 32-bit floating point streaming over USB to a Mac computer. This makes it nearly impossible for you to clip (distort) audio on the way in. Whether you're recording hot or making use of the unit's astounding 142 dB dynamic range, you'll only be handicapped by the quality of your microphone.


The device sports the same Kashmir preamps as the MixPre-10T with one key difference: an even lower noise floor, at 130 dBV. With line-level XLR and 3.5mm outputs, you can monitor in both headphones and on a compatible line-level device at the same time. Timecode connections are made possible via BNC, HDMI, and 3.5mm connections.


All of this is available in an eight-channel package that can be powered from wall chargers, AA batteries, or Sony L-series batteries. Whether you use the device in an advanced or basic capacity, the MixPre-10 II will suit any intimate, field-based production.

Includes MixPre-10 II Field Recorder    For Field Sound Mixing, Videography & VR    Includes ORCA OR-272 Field Bag    Holds Field Recorder & Wireless Gear

Portable Recorder
Form FactorField Recorder
Primary Use ApplicationsAudio-for-Video
Number of TracksWAV:
12 (10 Inputs + Stereo Mix)
Number of Input Channels12
Maximum Sampling Rate192 kHz / 32-Bit
MicrophoneNo
Number of Microphone Inputs8
Built-In SpeakerNo
Display1.6" / 40.64 mm Color LCD Touchscreen
Memory Card SupportSD, SDHC, SDXC (Up to 512 GB)
Internal StorageNo
Special FeaturesRemote Control Capable
Recording
Audio File FormatsRecording:
WAV
Sample RatesWAV:
44.1 / 47.952 / 48 / 48.048 / 96 / 192 kHz
Bit Depth16 / 24 / 32-Bit (A/D Conversion)
Signal Processing & FXDelay, Limiter, Low-Cut Filter
Timecode SupportYes
Frame Rates Supported23.976 / 24 / 25 / 29.97 / 29.97 DF / 30 / 30 DF
Clock Accuracy±2 ppm / 0.5 Frame per 24 Hrs (Timecode)
Included SoftwareNo
Connectivity
Analog I/O8x Combo XLR-1/4" 3-Pin Female Active-Balanced Line/Mic Input
1x 1/8" / 3.5 mm TRS Female Unbalanced Aux/Mic Input
1x 1/8" / 3.5 mm TRS Female Unbalanced Aux/Headphone Output
2x TA3 3-Pin Female Balanced Line Output
Digital I/O1x 1/8" / 3.5 mm SMPTE Timecode Input
1x 1/8" / 3.5 mm SMPTE Timecode Output
1x Micro-HDMI SMPTE Timecode Input
1x BNC SMPTE Timecode/Word Clock Input
1x BNC SMPTE Timecode/Word Clock Output
Phantom Power+48 V, Selectable On/Off (Selectable on Individual Inputs)
Phantom Power Current10 mA per Channel
Plug-In PowerYes, 3 V
System Connection1x USB-C (2.0)
1x USB-A (Control, Text Entry, Thumb Drive, 2.0)
Audio Interface CapabilityMulti-Track
WirelessBluetooth 4.0
*Built-In
Mobile App CompatibleYes: Android & iOS
App Name: Wingman
Functionality: Remote Control
Performance
Frequency ResponseWAV:
10 Hz to 80 kHz ±0.5 dB (at 192 kHz)
Gain/Trim RangeMic Inputs:
+6 dB to +76 dB
Line Inputs:
-20 dB to +30 dB
Mic/Aux Inputs:
+10 dB to +40 dB
Line/Aux Inputs:
-10 dB to +20 dB
Fader:
to +20 dB
Headphone Outputs:
to +20 dB
Max Input LevelMic Inputs:
+14 dBu
Line Inputs:
+28 dBu
Mic/Aux Inputs:
-10 dBu
Line/Aux Inputs:
+10 dBu
Max Output LevelOutputs:
+7.8 dBu
TA3 Outputs:
+18 dBu
Headphone Output Power300 mW per Channel
Dynamic RangeA/D Converters:
142 dB
D/A Converters:
115 dB
ImpedanceMic/Line Inputs:
4 Kilohms (Active-Balanced)
Mic/Aux Inputs:
100 Kilohms (Unbalanced)
TA3 Outputs:
1.1 Kilohms (Balanced)
Unbalanced Outputs:
500 Ohms
BNC Inputs:
20 Kilohms
10 Kilohms
BNC Outputs:
1 Kilohms
75 Ohms
THD+NInputs:
0.005%
Equivalent Input Noise (EIN)-128 dBu (A-Weighted)
Power
Power OptionsBattery, AC/DC Power Adapter
Battery Type8x AA (Included)
2x L Series (Requires Optional Equipment, Hot-Swappable, Not Included)
AC/DC Power Adapter12 VDC at 3.75 A (Included)
Input Power100 to 240 VAC, 50 / 60 Hz at 1.5 A
Physical
Included AccessoriesNo
Mounting Options1/4"-20 Male (Top)
1/4"-20 Female (Bottom)
Operating Conditions-4 to 140°F / -20 to 60°C up to 90% Humidity
Storage Conditions-40 to 185°F / -40 to 85°C 
Dimensions8.1 x 1.4 x 6.9" / 206 x 36 x 175 mm
Weight32.1 oz / 0.9 kg (without Batteries)
Packaging Info
Package Weight5.03 lb
Box Dimensions (LxWxH)13 x 11 x 4.5"

Record all 10 input channels and your stereo mix at the same time in 44.1, 48, 96, or 192 kHz resolution.

When connected to a Mac or Windows computer, the MixPre-10 II can serve as a 12-input / 4-output USB audio interface at up to 96 kHz for your favorite audio recording software.

The unit can send a complete 32-bit float audio signal over USB when connected to a Mac computer running macOS Catalina (version 10.15 or later).

For inputs, you'll find eight XLR-1/4" combo jacks and a 3.5mm auxiliary input. 48V Phantom power is available. Audio output connections are handled over 3.5mm connections and XLR line-level outs. Timecode I/O is made possible via 3.5mm connections, HDMI, and BNC.

Adjust the limiters, change the bit-depth, shift panning, delay, and polarity in the stereo mix and filter out extraneous bass rumble with low-cut filters. Whether you record to an SD card or to your computer over USB, the MixPre-10 II can be customized to your needs.

Thanks to the device's timecode generator, you can even trigger recording from the camera. With built-in Bluetooth, you can control the unit over the Wingman app, available from Sound Devices. This app displays high-resolution meters, current timecode, transport buttons, and more.

Timecode from a camera or master TC clock can be patched into the MixPre-10 II's HDMI Type-D jack, 3.5mm aux input, or BNC timecode input. In any case, the device automatically detects the incoming timecode frame rate and stamps the recorded files accordingly. The low-drift internal timecode generator can be set to pause when recording stops, jam-sync to a temporary timecode source, or continue in "free run" mode for up four hours after powering down.

Upon installation of the Ambisonics plug-in (available separately from the Sound Devices plug-in store), field recordists, game developers, and VR content creators will appreciate the support for simultaneous multiformat recording (AmbiX, FuMa, LR Stereo, and LR Binaural), real-time binaural/stereo monitoring, and A- to B-Format conversion.

Buy the Musician Plug-In from the Sound Devices online store to add in-unit music recording to your MixPre-10 II. The Musician Plug-In adds built-in features and effects like overdub, reverb, and vocal air. Create Music Projects to lay down backing tracks and use them live or at home for writing or practicing.

  • Kashmir microphone preamps with 48V phantom power
  • Internal timecode generator
  • Sample rates up to 192 kHz
  • Bit depths up to 32-bit float
  • Adjustable Limiters
  • SD card recording and reading
  • Backup to USB drive
  • 10 seconds of pre-roll at 48 kHz
  • USB control surface support
  • Customize with plugins
  • Add low cut, high pass, delay, polarity invert, and panning
  • Simultaneous recording, mixing, and USB audio streaming
  • Trigger record via timecode or HDMI timecode
  • Bluetooth for wireless control via Wingman app
  • Basic, Advanced, and Custom modes
  • High-fidelity headphone amplifier
  • Firmware 9.0: Adds a full slate mic routing matrix; will now support two instances of the optional NoiseAssist plug-in (available separately).

Related Questions and Answers

Q: 1. What is the correct cable to connect to camera from aux port for scratch track?

A: See below; a 1/8"/ 3.5mm TRS cable is needed to connect to the Line Output connector on the Sound Devices Mix Pre 3. If camera has a 1/8"/3.5mm connector: https://www.bhphotovideo.com/c/product/746639-REG/Sescom_LN2MIC_PCDM50_LN2MIC_PCDM50_Line_to_Microphone.html/specs OR https://www.bhphotovideo.com/c/product/746651-REG/Sescom_LN2MIC_ZOOMH4N_6_LN2MIC_ZMH4N_6_Line_to.html If camera has Dual XLR connectors: https://www.bhphotovideo.com/c/product/1237751-REG/hosa_technology_hmx_003y_1_8_stereo_mini_to.html OR https://www.bhphotovideo.com/c/product/748828-REG/Sescom_SES_IPOD_XLRM03_SES_IPOD_XLRM03_3_5mm_Stereo_to.html Connectivity Analog I/O 3 x XLR 3-Pin Female Balanced Line/Mic Input 1 x 1/8" / 3.5 mm TRS Female Unbalanced Aux Input 1 x 1/8" / 3.5 mm TRS Female Unbalanced Headphone Output 1 x 1/8" / 3.5 mm TRS Female Unbalanced Line Output

Q: 2. Will using rechargeable Ni-MH AA batteries be an issue? The video specifically recommends Lithium ion making it unclear if there is a loss in runtime or another reason not to use other types of AA batteries in lieu of buying the LMount sled.

A: NiMh batteries even when fully charged provide only 1.4 volts or with 8 in the sled a voltage of 11.2 volts as compared to alkaline or lithium batteries that provide 12 volts. Even better are power banks with their USB-C power port and a cable to the Mix Pre. I can power my Mix Pre II for more than 18 hours with a 20000 mAh power bank. The sleds all block access to the SD card slot which can be a problem.

Q: 3. Will the MixPre-3 with the L-battery sled fit in any of the field cases?

A: It will depend upon the mount you use and the case you choose. The Dual L-Mount would need extra space due the bulk but a single L mount sled will only add heght. After decdidng which mount you will use please conatct us so we can fit a bag for you.

Q: 4. I'm youtuber I make Videos at home studio. I use rode ntg-3 with zoom h6 is it worth to upgrade from zoom h6 will it be Noticeable change in quality? I work on 23bit 48khz WAVE files in control ed enviroment so I think there want be diffrence in 24 or 32bits, but are the preamps worth to upgrade or something else?

A: The 32-bit recording does make a noticeable difference in the audio quality and as others have already mentioned, it is near impossible to have any problems with clipping on the tracks. The Sound Devices preamps are excellent and many customers do consider the MixPre series recorders to be a worthy upgrade from the Zoom H6.

Q: 5. I hope someone can help me think ahead about what I can do with the aux input on the MixPre-6. My idea is that if I need to use channels 5 and 6, I can run a line from my Zoom F1 (which would have two mics going in) into the MixPre-6. Sounds easy enough, but am I missing something? Thanks for any insight.

A: Sounds like a plan!

Q: 6. can i add a 3.5mm jack microphone?

A: An adapter would be required. Kopul A-XMMF 3.5mm TRS Female to XLR Male Adapter B&H # KOAXMMF: https://bhpho.to/3DC1cAN The Kopul A-XMMF is an adapter that lets you connect a mic equipped with a 3.5mm TRS connector to the XLR input of a professional camera, recorder, or mixing console. The VXLR is terminated by a 3.5mm female TRS connector at one end and an XLR male connector at the other.

Q: 7. Can it record .wav files and mp3 files simultaneously?

A: no

Q: 8. can this be synced to Sony FX3's?

A: Yes, the Sound Devices MixPre-6 II does have timecode and can be synced to the camera. However, the Sony FX3 Cinema Camera does not have any timecode input or output so you will need to use a timecode device like the Tentacle Sync E mkII Timecode Generator (B&H # TETE1MK2) or the Track E Recorder with Timecode (B&H # TETRACKE).

Q: 9. Does this recorder, can record 3 xlr inputs and one stereo from the aux in 5 individual tracks?

A: It can only record 3 audio sources at once. That can be any combination of XLR and AUX-IN sources.

Q: 10. What is the range of the Wingman app? Can I be across the room?

A: Range anywhrere from 10 to 20 feet away should be fine unless there is other interference that will reduce the distance like what Sound Devices quoted.

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