The digital camo LensCoat Cover for the Canon RF 50mm f/1.2 L USM Lens offers your valuable equipment some protection from scrapes and bumps, preserving its resale value. It also helps break up the shape of your lens, making it less noticeable to wildlife. Additionally, this cover also acts as a thermal barrier, making your lens more comfortable to handle in both hot and cold temperatures.

Closed-Cell Neoprene Construction    Protects Lens from Scrapes and Bumps    Helps Hide Lens from Wildlife    Acts as Thermal Barrier for Hands

Related Questions and Answers

Q: 1. Is this lens internal focusing, no external movement when turned on or off, or during autofocus?

A: Yes.

Q: 2. Is this a good lenes for milkyway shots?

A: Here is our top 10 ten lens to shoot astro and aurora photography. 1. Sony 20 mm f/1.8 2. Sigma 14mm f/1.8 DG HSM 3. Rokinon 14mm f/2.8 4. Venus Laowa 15mm f/2 5. Nikkor Z 20mm f/1.8 S 6. Canon RF 15-35 mm f/2.8 7. Sigma 14-24mm f/2.8 DG 8. Tamron SP 15-30mm f/2.8 Di VC USD 9. Irix 15mm f/2.4 Blackstone 10. Zeiss 18mm Batis f/2.8

Q: 3. How’s the chromatic aberration on this lens when opened all the way up? I had the old EF 50mm 1.2 and got rid of it because it was so noticeable shooting anything below a 2.8. Mainly shooting video

A: From our findings, there is little to no chromatic aberration on this lens.

Q: 4. I am torn between the 85 and the DS. I am wanting to shoot Street photography with this lens, however I also need fast low light f1.2 for night Street. I do want bokeh and traditional bokeh from a 50 f1.2 is good enough. I'm leaning toward the standard 85 versus the DS as I don't want to lose a stop. Suggestions ?

A: Unless you want "Defocus Smoothing" at all times when shooting at f/1.2, I would say the normal Canon RF 85mm f/1.2 L USM Lens will be more versatile than the Canon RF 85mm f/1.2 L USM DS Lens. But, it's a completely personal decision based on your own esthetics.

Q: 5. has anyone attempted to try this lens with a Sony A7III and an adapter?

A: We are not aware of an adapter that allows you to use a Canon RF lens on a Sony E-Mount camera.

Q: 6. Buying Cine Lenses for Canon. Does this lens have a long focus throw? Does this lens have smooth F/T Stop transition, instead of "click" stops? For smooth transition of focus and depth of field?

A: Sorry but this is not a cine lens. It is all electronic control with no scales. It would not work on a pro set for the assistant would have no way of controlling the focus or stop. If you want a Canon cine lens here is the link. https://bhpho.to/2A5NLe5

Q: 7. Does purchase include hood & bag? No Canon hood or bag listed in accessories.

A: As indicated under the “In The Box” section under the Overview tab on our website, the Canon RF 50mm f/1.2L USM Lens, B&H # CA5012LRF, would include the Canon ES-83 Lens Hood and the Canon Lens Case LP1319. The following items are listed as included with the lens purchase: In the Box Canon RF 50mm f/1.2L USM Lens E-77 II 77mm Lens Cap Lens Dust Cap RF ES-83 Lens Hood Lens Case LP1319 Limited 1-Year Warranty

Q: 8. How will this lens perform with video on an R6?

A: This 50mm lens will work great on the R6 for video.

Q: 9. What is the best lens filter for RF 50mm 1.2?

A: Canon RF 50mm f/1.2L USM Lens is one of Canon superiors lenses. Canon makes their own UV protecting filters which match well with their L-series lenses optical quality. I will also recommend B+W MRC Nano and Hoya HD glass filters if you are interested on weather seal UV protecting filters.

Q: 10. Is there an adapter for EF bodies or is it impossible because of the flange distance?

A: No adapter for RF to EF, only EF to RF