The A127 Professional Reference Condenser Microphone from Audix is a metal film, reference-grade electret condenser microphone designed to excel in demanding studio and field recording applications. Featuring precision-machined, electro-mechanical components and an extraordinarily flat and wide frequency response, the A127 is supremely adept at a wide range of pro recording applications, especially acoustical reference measurement and sound design.

The electronic circuit features actively driven shielding with gold-plating for excellent protection against external interference or capacitive coupling, and the housing is constructed from corrosion-resistant brass for durability. The transformerless design enables ultralow noise, and the 3-micron metal film diaphragm provides an astonishing level of detail and transient clarity. The omnidirectional polar pattern and pro-grade specs make the A127 a great mic for numerous applications in the field or studio, from recording orchestras and ensembles, to drum overheads, to top-quality on-site sound for video documentaries, broadcast, and live concerts. For truly accurate audio and incredibly reliable performance, the Audix A127 is an ideal choice.

For Pro Recording and Acoustic Reference    Omnidirectional Polar Pattern    1/2" Metal Film Electret Capsule    Transformerless Design for Low-Noise    Active Driven Shielding    Wide Dynamic Range    Extra Wide Frequency Response    Brass Housing and Gold-Plated Shielding    Includes Mic Clip, Windscreen, and Case    Designed and Manufactured in the USA

• Great for professional studio recording, live broadcast, sound design, field recording, ambient room miking, and acoustic reference measurement
• Pre-polarized 1/2" Type 1 metal film capsule
• Omnidirectional polar pattern 
• Wide dynamic range
• Excellent clarity, detail, and transient response
• Transformerless, low-noise circuitry
• Active driven shielding 
• Corrosion-resistant brass housing 
• Includes mic clip, foam windscreen, and zippered soft case
• Designed and manufactured in the USA 

The A127 features a reference-grade capsule with a precision-tensioned metal film diaphragm, providing consistent and reliable performance, even in the most demanding environments. The half-inch size of the diaphragm represents the "sweet spot" for acoustic sound capture, which is why it has become the standard for acoustic measurement. The ultrathin, 3-micron metal film diaphragm provides excellent transient response and a level of detail and realism simply not attainable with conventional diaphragm materials.

The A127 internal electronics were designed and manufactured in Wilsonville, Oregon to exacting standards for maximum reliability. The microphone takes advantage of active driven shields, with gold plating, for protection against external interference and capacitive coupling. The reference-grade capsule is highly sensitive and provides consistent, accurate, low-noise performance. The precision machined housing is built from Teflon and brass components that are meticulously combined for elegance and durability.

For musical applications such as symphony orchestra, strings, brass, choir, pipe organ, percussion and other acoustic instruments, the phase response, accuracy and clarity of the A127 make it the perfect choice for spot miking, as well as mid-field and far-field applications. Metal film omnidirectional microphones are able to capture the complete character, tonality, and essence of an instrument in the most uniform and accurate fashion.

With its omnidirectional polar pattern, the A127 excels as a room mic and can be incorporated into a variety of stereo miking techniques. Professional recording engineers often use a stereo pair of omnidirectional microphones for recording orchestra, stringed instruments and string ensembles, piano and piano ensembles, classical guitar, pipe organ and choir. Depending on the size and acoustics of the room, omnidirectional microphones will most accurately recreate the experience of being in the audience.

Given its compact size, low-noise preamp and extraordinary stability, the A127 is ideal for field recording, documentaries, sound gathering, and acoustic measurements.

Related Questions and Answers

Q: 1. Is this mic compatible with this https://a href= http://www.bhphotovideo.com/c/product/1023480-REG/auray_bai_2x_2_sect_brdcst_arm.html target= _blank www.bhphotovideo.com/c/product/1023480-REG/auray_bai_2x_2_sect_brdcst_arm.html/a ?

A: Yeah! The kits themselves come with all of the materials you need to rig it up, too.

Q: 2. Can i use this for recording in real time? Is it a microphone?, and will it come up as a microphone on my computer?

A: This is a complete Voice Over kit with a microphone and everything else you need to do professional sounding VO production. The kit includes the software you will need to record and edit your tracks as well as Speech and Voice Processor Plug-Ins. If you are speaking into a microphone and recording with the software that comes with this kit, everything is in real time.

Q: 3. Are these capsules interchangeable with Audix's micro series of microphones?

A: Hi Tyrone, The capsules on the Audix SCX1 mics are a different diameter to the Audix Micro series so are not interchangeable. The Audix Micro series does have field replaceable capsules in cardioid, hyper-cardioid and omni versions.

Q: 4. Would this mic work ok for streaming? I'd like to not have the mic on screen and be able to move my head a little. Also would it pick up a lot of the speaker audio? I don't want to use headphones if I can get away with it.

A: I can't imagine a problem with streaming. As for picking up your monitor audio, that's a bit tricky to answer without seeing your recording space. I'm guessing that some noise reduction to reduce your monitor audio bouncing back and having the monitors behind the mic should result in a clean sound without picking up the monitors... but this would be true for any mic that's not omnidirectional. We use this mic at about 3 feet from two people talking and it's awesome... we don't use the monitor. If money's not a limiting factor, this mic also has different heads that support different patterns..

Q: 5. Is this the version that does both speakers and headphones? That is the one we want.

A: Yes, this version of the software can provide reference EQ for many headphone models, as well as for speakers in your room. A demo of the software is available here: https://bit.ly/3H7fyen

Q: 6. Can I use Protools with this?

A: Pro Tools 11 is included in this bundle. All hardware in the bundle is compatible with Pro Tools version 9 and above.

Q: 7. is this made by sony?

A: These are not SONY products. The microphones are made by Senal and RODE.

Q: 8. What do i need to make it a mic?

A: This kit comes with a mic. The Senal SC-550X Large Diaphragm Condenser and everything else you need to record and edit Voice Overs. It is a complete kit.

Q: 9. Where do I find my serial number to make my account on sound forge. All it gave me was a piece of paper that let me download it.

A: I apologize, but this type of request cannot be taken care of through this feature of our website. Please contact our Customer Service department by entering Live Chat, emailing directly to cs@a href= http://bhphoto.com, target= _blank bhphoto.com,/a or calling us toll-free at 800.221.5743.

Q: 10. I hear a very loud, persistent, high-pitched ring when I record with my laptop. Is there a way to fix that? Also, my table stand does not fit the shock mount :/

A: As for the the shock mount, please double check that any smaller thread adapter inside the thread area of mount has been removed. This often can be achieved with a penny or nickel. Regarding the high pitched ring, there could be many reasons for noise issues, I do recommend calling in to our team of specialists for assistance.