The PSPaudioware PSP auralControl Plug-In is an essential tool for multichannel tracking, mixing, and mastering. Its primary function is to allow precise adjustments over level, polarity, bandwidth, and timing for each individual channel within a multichannel set.

With support for predefined industry-standard multichannel formats, grouping capabilities, and the convenience of displaying all features on a single screen, PSP auralControl becomes a valuable time-saving tool for virtually any surround project. Whether you're addressing imbalances in a multichannel live stem, solving issues with a multichannel reverb track, preserving the full spectrum content of LFE or ceiling speakers, or fine-tuning the timing and level of the center channel in reference to the left and right channels, PSP auralControl offers a straightforward solution to these challenges.

Multichannel Tracking, Mixing, Mastering    2-Channel L/R, Mid-Side Stereo, 7.1.4    Level Faders and Peak Meters per Channel    HPF and LPF Filters per Channel    Mute and Solo Buttons per Channel    Mac/Windows, AAX, VST3, AU

• Rebalancing multichannel stems.
• Monitoring multichannel buses: peak meters for each channel; mute or solo desired channels on multichannel buses—check a side channel on a multichannel reverb send.
• Gain staging for multichannel buses: you can control the level of each channel with ease—for example bring up rear channels on effect sends or reduce LFE.
• Simple multichannel operations: access to basic HPF and LPF filters for each channel—roll off LFE with LPF or leave air on the top channel with the HPF.
• Advanced effect operations: access to a delay section to set up unique depths for multichannel mixes—for example you can put a multi-mono instance of PSP 2445 on a multichannel reverb send, creating a type of big monophonic reverb.
• With PSP auralControl you can roll off LFE, set different frequency ranges and levels for front, rear, side, and top channels, and set different predelays for each channel group to produce a full-sounding multichannel reverb.
• Advanced level riding: you have access to channel groups and record automation with relative or reversed linking—bringing up front levels while reducing rear levels.
• Advanced mid-side operations: access to stereo track mid-side processing.

• Level-control faders with peak meters on each channel.
• Adjustable delay time and high-pass and low-pass filters.
• Mute and solo buttons on each channel.
• All parameters may be controlled in predefined or custom groups, or individually for each channel in the multichannel set.
• Predefined industry standard multichannel formats from two-channel left/right, to mid-side stereo and 7.1.4.

Related Questions and Answers

Q: 1. I assume this must have touch screen compatibility on one or more fingers of the inner glove? Hard to imagine this would not be a feature given current crop of touch screen LCD cameras.

A: Yes, the liner is touch sensitive.

Q: 2. Can this kit be used to process Arista B&w film or does it have to be ilford brand?

A: Yes, the Paterson Film Processing Starter Kit can be used with Arista B+W film and many others.

Q: 3. I'm not quite understanding what is in the description, so one kit processes 8 rolls of film? Also, it's just one chemical? How?

A: You can use the CineStill Film JOBO MONO Film Processing Kit for all your rolls. However, the CineStill Film DF96 Monobath for Black & White Film (Liquid, 530mL) that is included in the kit can process only up to 8 rolls. Yes, the DF96 Monobath is only one chemical that will process black and white film.

Q: 4. Are the chemicals for C41 or B&W films?

A: This kit included chemistry for black and white film processing only.

Q: 5. Can you recommend a pop filter for this?

A: Sure! Depending on how where you're positioning this, pop filters like these would work: Auray pop filter with gooseneck and spring clamp: https://bhpho.to/3rdPp5m Shure pop filter with clamp: https://bhpho.to/3cTXerx

Q: 6. Looking at the picture of the backside of the monitor I see a 4 pin connection is this for power or audio? What type of audio input do these use?

A: That is a 4-Pin XLR connection for power. You will only be able to monitor embedded audio with this unit. You cannot bring in a separate audio feed.

Q: 7. Are the reels included in this kit the convertible ones that allow you to do 35mm along with 120 film?

A: Yes, the reels included with the Paterson Film Processing Starter Kit are adjustable for 35mm, 126, 127, 120 or 220 film formats.

Q: 8. With this kit does one need to also purchase/use an enlarger?

A: Yes, an enlarger is separate, click the link below to view your options; https://www.bhphotovideo.com/c/search?q=enlarger&sort=PRICE_LOW_TO_HIGH&filters=fct_category%3Aenlargers_546

Q: 9. Is this chemistry for movie films like 250D or 500T?

A: Yes, the Flic Film ECN-2 8-Roll Home Processing Kit (0.5L) is the correct development kit for all Kodak Vision 3 cinema films.

Q: 10. does it requires software drivers or will it work with windows out of the box?

A: The PreSonus Revelator USB microphone does require installing software drivers which can be downloaded after you have registered the Revelator online at presonus.com. PreSonus Studio One Artist software is also included which can be used as your DAW (digital audio workstation) if desired, and additional software plug-ins are provided as well.