Ilford Multigrade Fb Classic Paper (glossy, 20 X 24", 50 Sheets)
- Product Code: ga12597
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This 50-sheet pack of 20 x 24" Multigrade FB Classic Variable Contrast Paper from Ilford is a baryta-coated fiber base paper with a glossy finish designed for traditional black & white photo printing. This paper features a double weight of 255 gsm and a white base tint providing neutral colors. Additionally, it is variable contrast paper with seven full grades of contrast available. These grades are accessible with the use of speed-matched filters.
Multigrade FB Classic is designed for use with all enlargers and is equally suitable for printing from conventional negatives and from XP2 Super negatives. Safelights are recommended to have dark orange, dark brown, or red filters and a 15W bulb.
For Traditional Black & White Printing Baryta-Coated Fiber Base Delivers Seven Full Grades of Contrast Double Weight, 255 gsm Neutral Color, White Base Tint Responds Well to Toning
Parameters | |
---|---|
Item Type | 50x Sheet Paper |
Size | 20 x 24" / 50.8 x 61 cm |
Paper Type | Negative |
Base Type | Fiber Base |
Paper Handling | Brown, Red, Orange Filter (15 W Bulb) |
Surface Finish | Glossy |
Contrast | Multigrade |
Tone | Neutral |
Basis Weight | 255 gsm |
Packaging Info | |
Package Weight | 13.8 lb |
Box Dimensions (LxWxH) | 26 x 21 x 1" |
Related Questions and Answers
Q: 1. If processed ta archival standards, is this paper as archival as Ilford's traditional baryta fiber based papers?
A: Yes this paper would be archival when processed and stored properly.
Q: 2. Does the paper selenium tone evenly with a cool paper and warm emulsion?
A: The Ilford Multigrade Art 300 Paper is a fiber base paper and can be toned.
Q: 3. Is anyone else getting a warm/pinkish hue to the final print with this paper? Trying to find out if it was my chemical process or the actual paper.
A: I've been using this paper exclusively now for two years and haven't had that problem. The only problem I've had is that it's prone to staining (bownish) around the edges of 8 x 10's or larger if I don't wash long enough
Q: 4. What about fixing?
A: This paper fixes just like regular FB paper, about 2-5 minutes in Sprint.
Q: 5. I exposed this paper under the enlarger, and then put it to the tray of developer but it comes nothing, why? Should I take a different process?
A: I find when enlarging images on this paper that I have longer exposure times and developing times than any other papers. Try longer for both. Best of luck!
Q: 6. Is this paper good for hand coloring photos?
A: It is warm in color. It will accept hand color inks well yes.
Q: 7. Is this paper available graded?
A: Unfortunately, this paper is not available graded.
Q: 8. Hello, I am interested in sending this package of Ilford Multigrade Art 300 Paper (20 x 24 , 15 Sheets) to Colombia via your international shipping options.I am worried about xray during the flight affecting the paper.Do you think it will get damage or should I not worry about this?Thank you very much for your attention and I will be waiting for your response.Sincerely,Carlos Saavedra
A: Carlos, Xray does affect B&W photo paper. It does depend on the dose used though. A few years ago, Ilford found out about high-power X-rays via a Walkman printed on half a box of paper in a shipment! In the words of a spokesman, We were impressed. Also, all shippers reserve the right to Xray packages in and out of the US. They might do it routinely but the possibility exists. One option would be to mark the package with Photographic Material - please do not Xray and also discuss it with the shipper beforehand. I hope this helps.
Q: 9. Is the cooltone surface more similar to matt or glossy? Important because hand coloring on matt is easier than on glossy paper
A: This paper has a glossy finish.
Q: 10. How can you get this paper to dry flat and lint free? I've tried a blotter roll (unsuccessfulj); and a heated plate dryer (better but imperfect).
A: Here is my cheap solution. Drain off most of the water (I don't even squegee), dry face down on screen overnight. When dry I put in my kitchen oven, set at 170F; I put the photo between two clean mat boards, with rigid cutting boards underneath and on top, and something heavy on top of it all. Leave in for 30-45 min. I then put it in a book with weight on it for 24 hrs., which keeps it flat. Heat plus pressure, just like a dry mount press. More work, yes, but cheap and no big, expensive press.Richard
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