The 43mm Digital Ultra Clear Water White Filter from Tiffen is a simple, clear filter designed for general protection for your lens. This optically clear filter does not affect the overall image quality while helping reduce dust, scratches, moisture, and other elements from damaging your lens. Its Water White glass construction is optically pure and maintains consistent light transmission and clarity.

Tiffen filters are made using ColorCore technology; a process that involves laminating the filter substrate between 2 pieces of optical glass, grinding flat to a tolerance of 1/10,000th of an inch, then mounting to precision metal rings.

Clear Protection Filter    Water White Glass Construction    ColorCore Technology

Clear filter offers general protection for your lens against the elements.

Water White glass is optically pure for providing notable image fidelity and clarity.

Related Questions and Answers

Q: 1. Is this thin filter mount robust enough to support a lens hood (e.g., for a Voigtlander 50mm APO-Lanthar) or would one of the older versions be a better bet?

A: Yes, the B+W MRC Master 007 Clear Filter would be robust enough to support the lens hood for the Voigtlander 50mm APO-Lanthar Lens.

Q: 2. When attaching this to a Leica Elmar-M 24mm 3.8 lens, will the screw on lens shade fit OVER this filter?

A: The hood for the Leica Elmar-M 24mm f/3.8 ASPH. Lens is going to screw onto the outer thread of the lens, while this B+W MRC MASTER 007 Clear Filter (46mm) would screw on the inner thread.

Q: 3. which is better between this and the T-pro? I have read that it is the same, but it is? the other comes with a plastic case, this no, the other is gray, what more things are different between these products? The materials, the technology of filters are the same? Thank you so much!

A: The B+W MRC MASTER 007 Clear Filter (95mm) and the B+W 95mm T-PRO Clear Filter optically are the same. The difference is the fame. The B+W 95mm T-PRO Clear Filter light color.

Q: 4. This one or the B+W T-Pro for a Sony 24-70mm G Master?

A: If you're looking to protect your 24-70GM, either one would be great. These MRC Master filters are the newest B+W filters, but optically both are designed well and you wouldn't really see the difference.

Q: 5. Does this filter work with the Nikon Z 14-24 F/2.8 S lens?

A: Yes, the B+W MRC MASTER 007 Clear Filter (112mm) is compatible with the Nikon NIKKOR Z 14-24mm f/2.8 S Lens.

Q: 6. difference between MRC Nano and just MRC?

A: B+W has two new filter lines, BASIC and MASTER, which use the MRC and MRC nano premium coatings, respectively. While both coating types reduce the tendency of dirt and water to adhere to the filter, the MRC nano coating of the B+W MRC MASTER 007 Clear Filter (49mm), B&H # BWCM49, is applied to both sides of the filter to enhance its optical image properties, increase scratch resistance, and help you get better uniformity and transmittance throughout the entire light spectrum.

Q: 7. Does this filter come with a plastic case?

A: The current version of the B+W MRC MASTER 007 Clear Filter (77mm) comes with more sustainable packaging, and only includes the filter and a fabric case with a string from the manufacturer. If you need a clear plastic case, you may purchase the B+W Single Filter Box with Foam (Medium), B&H # BWFBM, as a separate accessory for usage with this item.

Q: 8. Will I be able to use the lens hood on my Sigma 30mm 1.4 dc dn, on my Sony A6400 with this clear filter attached?

A: Yes, using the B+W MRC MASTER 007 Clear Filter (52mm) on the Sigma 30mm f/1.4 DC DN Contemporary Lens (Sony E) the lens hood will work as well.

Q: 9. What's the difference between the 007 & #010 (B+W MRC MASTER 007 Clear Filter vs B+W UV-Haze #010 MRC MASTER Filter)?

A: The UV-Haze #010 MRC MASTER Filter from B+W blocks UV light, which can cause blurring and a bluish cast. The Clear filter does not block any UV light so it does not change the image at all.

Q: 10. Will this NOT cause vignetting on Sony FE PZ 16-35mm F4 lens?

A: The B+W MRC MASTER 007 Clear Filter (72mm) will not vignette on the Sony FE PZ 16-35mm f/4 G Lens.