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Blazar Lens Great Joy 50mm T2.9 1.8x Anamorphic Lens (pl + Ef-mounts, Amber Flare)

Product Code: ga127619
Availability: In Stock

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Description
Reviews (18)

Capture a classic widescreen look using the Great Joy 50mm T2.9 Anamorphic 1.8x Lens from BLAZAR LENS. This cine-style prime lens comes with both PL and EF interchangeable mounts, supports full-frame capture, and in 4:3 produces a 2.4:1 de-squeezed image. Use the Great Joy 1.8x Anamorphic lens series to add an appealing cinematic look with enhanced oval bokeh and amber flares to your footage. The T2.9 maximum aperture enables you to capture shallow depth of field looks that help emphasize and separate your subject from the background.

Cine-style design features include 0.8 MOD focus and aperture gears for use with pro follow focus systems, a 1/4"-20 lens support thread, an 85mm front diameter, and a barrel with 270° of rotation for precise focus pulls. Focus marks are provided in meters only.

Covers 4:3 Full Frame Sensors Aperture Range: T2.9 to T22 1.8x Ratio, 2.4:1 De-Squeezed in 4:3 Amber Anamorphic Flares 11-Blade Iris, Oval Bokeh Front Diameter: 85mm/Filter Thread: 82mm Minimum Focus: 2.3' Focus Scales in Meters

Key Specs
Focal Length	50mm
Maximum Aperture	T2.9
Lens Mount	ARRI PL Canon EF
Lens Format Coverage	Full Frame (33 x 24 mm)
Filter Thread	82 mm x 0.75
Image Stabilization	No
Electronic Communication	No
Parameters
Maximum Aperture	T2.9
Minimum Aperture	T22
Lens Mount	ARRI PL Canon EF
Interchangeable Mount	Yes
Horizontal Squeeze (Anamorphic)	1.8x
Flare Color	Amber
Lens Format Coverage	Full Frame (33 x 24 mm)
Image Circle	Not Specified by Manufacturer
Angle of View	Full Frame Vertical: 20.7°
Focus Scales	Metric
Optical Design	16 Elements in 12 Groups
Filter Thread	82 mm x 0.75
Minimum Focus Distance	From Unspecified Point in Lens: 2.3' / 0.7 m
Maximum Magnification Ratio	Not Specified by Manufacturer
Diaphragm Blades	11
Image Stabilization	No
Lens Mounting	1x 1/4"-20
Gear Standard	Focus: 0.8 MOD Iris: 0.8 MOD
Gear Rotation	Focus: 270°
Electronic Communication	No
Diameter	Front: 3.3" / 85 mm
Length	6.4" / 162 mm
Weight	2.4 lb / 1.09 kg
Packaging Info
Package Weight	3.96 lb
Box Dimensions (LxWxH)	9.6 x 7.2 x 6.2"

With a 33 x 24mm image area, this 50mm T2.9 1.8x anamorphic lens supports full-frame shooting with side cropping.
When shooting in 4:3 full frame, it produces a 2.4:1 image without any vignetting.

Related Questions and Answers

Q: 1. Will this lens fit on the BMPCC6K PRO & will the rear lens element get in he way of the internal ND filters?

A: With the EF mount installed, the BLAZAR LENS Great Joy 50mm T2.9 1.8x Anamorphic Lens (PL + EF-Mounts, Amber Flare) will fit onto the Blackmagic Design Pocket Cinema Camera 6K pro.

Q: 2. can all the 3 lenses in this set work with a pl to mft adapter on the lumix GH5? what aspect ratio w/open gate no crop u get?

A: The BLAZAR LENS Great Joy 85mm T2.9 1.8x Anamorphic Lens (PL + EF Mounts, Blue Flare) can be used with a PL to MFT mount. The only thing is they may require some level of shimming for perfect focus.

Q: 3. The three lens bundle includes the hard case?

A: The BLAZAR LENS Great Joy 35, 50 & 85mm T2.9 1.8x Anamorphic 3-Lens Kit (PL + EF Mounts, Blue Flare) does not ship with the BLAZAR LENS 3-Lens Hard Case for 1.8x Anamorphic Lens. It will be an additional purchase. See the link below: https://bhpho.to/3ppKPWJ

Q: 4. Does the focus ring have both meters and feet marks?

A: No, the BLAZAR LENS Great Joy 35mm T2.9 1.8x Anamorphic Lens (PL + EF Mount) does not have both meters and feet marking on the focus ring.

Q: 5. Has anyone used any filters on this yet? Wondering if the ring would show in the image.

A: The BLAZAR LENS Great Joy 85mm supports 82mm screw on filters, and we expect thin filters would not block the view of this lens.

Q: 6. Will this work and fit with the Blackmagic Full Frame Cinema 6k?

A: No, the EF mount of the BLAZAR LENS Remus 45mm T2.0 1.5x Anamorphic Lens (Canon EF, Blue Flare) will not connect to the L-Mount of the Black Magic Cinema 6k camera. . An adapter would be required. Viltrox Canon EF/EF-S Lens to Leica L-Mount Camera Pro Lens Adapter BH #VIEFLPRO • MFR #EF-L PRO

Q: 7. Is there an Adaptor to connect the Blazar Remus 45mm to my Sony A7iv E mount?

A: Yes, the BLAZAR LENS Remus 45mm T2.0 1.5x Anamorphic Lens (ARRI PL, Amber Flare) can be used on the Sony a7 IV Mirrorless Camera with a PL to Sony E-Mount adapter.

Q: 8. will this fit a Sony a7siii?

A: The BLAZAR LENS Great Joy 50mm T2.9 1.8x Anamorphic Lens (PL + EF-Mounts, Amber Flare) would not mount on a Sony a7S III Mirrorless Camera. For the E mount version, you would need the BLAZAR LENS Great Joy 50mm T2.9 1.8x Anamorphic Lens (E-Mount, Amber Flare), BH #BL502918EA.

Q: 9. What color is the flare for this lens?

A: The BLAZAR LENS Great Joy 35mm T2.9 1.8x Anamorphic Lens does not have a flare accent color. The coatings are all standard. Also, this lens model is made so it does not have a noticeable flare.

Q: 10. Can this set of lenses, in Canon EF mount be used with Metabones XL to Lumix Micro 4/3?

A: Yes, when set up with the included EF mount, the BLAZAR LENS Great Joy 35, 50 & 85mm T2.9 1.8x Anamorphic 3-Lens Kit's (PL + EF Mounts, Blue Flare) lenses can be mounted to a Micro Four thirds camera using a Metabones EF to Micro Four Thirds adapter.

Jethro	18/09/2024
Bought the lens for everyday use with a focus on night photography. I haven't had any issues with the focus and the bokeh is beautiful. 5

Rich L	14/08/2024
1.2 aperture on this lens gives a quality to the bokeh that simply can't be found anywhere else. Love this lens. its expensive, but worth it if you want 'that look'. 5

Mason Thomas	09/08/2024
The 50mm 1.2L is a perfect pairing with the 5D Mark II. The softness of the 5D sensor along with the beautiful bokeh of the 50mm 1.2 is just delicious. I use the 50 for general everyday use as well as portrait and detail shots at weddings. The focus is tack sharp and the background blur is flawless. I love the size and weight of it as well, it is solidly constructed and balances the weight of the 5D body really nicely. It is amazing in low light. I was able to handhold a shot of some friends in a dark theater at 1/30 s. Incredible lens, highly recommend it! 5

jpmullowney	07/08/2024
For my usage as a Wedding Photographer, this is the best lens in Canon's lineup. If I had to choose one lens to shoot an entire wedding with, it would be this gem. Lighting fast, tack share, even wide open (you have to be careful with your focus though as the depth of field is so narrow). I personally find it's sweet spot for silky bokeh is f/2.0 at 1/200+...gorgeous. It's the first lens I bought as I typically rent. I've used almost every lens in Canon's lineup other than the super telephoto's. This is easily my favorite. 5

anyonymous	03/08/2024
Images a so sharp, I am very happy with this lens! 5

Charles	27/07/2024
I love love love the depth of field and the clarity on this lens, it is a very noticeable step up from the 50mm f/1.4 which I have been using for the last 5 years. I feel like I just stepped up my game BIG TIME with the 50mm f/1.2 Yes, it's expensive, but you get what you pay for. Focusing is smooth (especially manual focus when shooting video). You can shoot people further away without having to worry about that blurry Chromatic Aberration that I got with the previous (50mm f/1.4). The only thing that's a bummer about it is that it's so bulky, it's a beast, but you'll get used to it, trust me. 5

Jenny Smith	25/07/2024
- I would pay twice as much for this lens - I never shoot a wedding without it - There is not a single con about this lens. - You won't regret your purchase - Have one of the cheaper 50mm lenses? You will be able to tell a difference! 5

vbguy	17/07/2024
perfect for what i needed. awesome 5

anyonymous	07/07/2024
I use this lens for my wedding and newborn photography business. I love the beautiful clarity I get from it. It is the perfect range for a wide variety of use and is the main lens I keep on my camera. 5

GolfZero	28/06/2024
50 mm f1.2 red line L and expensive as L-- this lens is not for everyone, you don't need to have lens envy, if you don't need the higher speed glass, then don't buy it -- if you need speed, if you shoot available light and don't need depth of field -- or if you want to be creative and throw the foreground and back ground out of focus, or just want your friends to say, he's got a red line then this is the lens for you -- I've seen some reviews saying this high speed glass is not sharp -- huh? -- if you had it on P mode that's possible if not likely -- the depth of field at f1.2 and 50 mm ain't very far -- if you focus on a person's eyes and shoot at f1.2 the back ground will be not sharp and out of focus -- and more than likely neither will the person's nose and ears -- this is a professional lens, if you want to take it to the next level then spend the baht -- if you shoot in P mode most of the time, then save the $$$ and go with a slower f1.4 lens -- I've ran the Lens Chart test on mine and I see NO apparent issues with sharpness -- and keep in mind sharpness is apparent -- there are many other factors which make a shot look apparently sharp -- unless you are in the circles of confusion -- cheers 5