Antelope Orion 32+ Gen 4 32-channel Ad/da Thunderbolt/usb Audio Interface
- Product Code: ga131452
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The Antelope Orion32+ | Gen 4 is a Thunderbolt/USB audio interface offering 32 channels of AD/DA conversion and upgraded performance for audio engineers in recording studios and live stage applications. With a redesigned look, expanded dynamic range, and lower THD+N values, the Orion32+ | Gen 4 is designed to visually and aurally enhance your setup. It supports 128 channels of 24-bit / 192 kHz high-resolution audio via Thunderbolt 3, or 32 channels over USB. In addition to 32 channels of analog I/O via DB25 connectors, this interface features powerful digital I/O including fiber-optic MADI, ADAT, and S/PDIF. The dedicated 1/4" monitor outputs are ideal for hooking up a pair of active monitors or a monitor controller.
The Orion32+ | Gen 4 also functions as a master clock, providing the same clarity and precision synonymous with Antelope, along with 64-bit AFC (Acoustically Focused Clocking) technology to handle jitter. Two wordclock outputs, a wordclock input, and a 10 MHz atomic clock input allow proper synchronization with a variety of digital equipment.
Configure the interface via the front-panel display and buttons; a powerful preset system provides easy store/recall operations. Alternatively, use the macOS- and Windows-compatible desktop app for access to comprehensive routing, mixing, effects chaining, and more. The I/Os are DC-coupled, allowing them to be used with modular synthesizers.
32 Channels DC-Coupled AD/DA Conversion 128 Channels I/O via Thunderbolt 3, MADI Up to 24-Bit / 192 kHz Resolution Supports USB, MADI, ADAT, and S/PDIF Expanded Dynamic Range, Lower THD+N 64-Bit Acoustically Focused Clocking 2 Wordclock Outs,10 MHz Atomic Clock In Preset System for Easy Recall Comprehensive Software Control
Key Specs | |
---|---|
Channels of I/O | Thunderbolt: 128 Inputs / 128 Outputs MADI: 128 Inputs / 128 Outputs USB: 32 Inputs / 32 Outputs Analog: 32 Inputs / 32 Outputs ADAT: 8 Inputs / 8 Outputs S/PDIF: 2 Inputs / 2 Outputs |
Maximum Sampling Rate | 192 kHz / 24-Bit |
Number of Microphone Inputs | No |
Analog Audio I/O | 4x DB-25 25-Pin Balanced 8-Channel Input 4x DB-25 25-Pin Balanced 8-Channel Output 2x 1/4" TRS Balanced Monitor Output |
Digital Audio I/O | 1x TOSLINK Optical ADAT Input 1x TOSLINK Optical ADAT Output 1x RCA Coaxial S/PDIF Input 1x RCA Coaxial S/PDIF Output 2x SC-Plug Optical MADI Input 2x SC-Plug Optical MADI Output |
Host Connection | 1x Thunderbolt/Mini DisplayPort 1x USB-B |
OS Compatibility | macOS 10.11 or Later Windows 10 |
Power Requirements | AC Input |
Parameters | |
Channels of I/O | Thunderbolt: 128 Inputs / 128 Outputs MADI: 128 Inputs / 128 Outputs USB: 32 Inputs / 32 Outputs Analog: 32 Inputs / 32 Outputs ADAT: 8 Inputs / 8 Outputs S/PDIF: 2 Inputs / 2 Outputs |
Built-In DSP | Yes |
Maximum Sampling Rate | 192 kHz / 24-Bit |
Number of Microphone Inputs | No |
Built-In Microphone | No |
Signal Processing | |
Pad | No |
Connectivity | |
Analog Audio I/O | 4x DB-25 25-Pin Balanced 8-Channel Input 4x DB-25 25-Pin Balanced 8-Channel Output 2x 1/4" TRS Balanced Monitor Output |
Phantom Power | No |
Digital Audio I/O | 1x TOSLINK Optical ADAT Input 1x TOSLINK Optical ADAT Output 1x RCA Coaxial S/PDIF Input 1x RCA Coaxial S/PDIF Output 2x SC-Plug Optical MADI Input 2x SC-Plug Optical MADI Output |
Host Connection | 1x Thunderbolt/Mini DisplayPort 1x USB-B |
Host Connection Protocol | Thunderbolt 3 USB 2.0 |
USB (Non-Host) | No |
Sync I/O | 1x BNC Atomic Clock Input 1x BNC Word Clock Input 2x BNC Word Clock Output |
Network I/O | No |
MIDI I/O | No |
Expansion Slots | No |
Wireless | No |
Performance | |
Maximum Input Level | Line Inputs: +24 dBu |
Maximum Output Level | Line Outputs: +24 dBu |
Dynamic Range | A/D Converters: 122 dB D/A Converters: 130 dB Monitor Outputs: 130 dB |
THD+N | A/D Converters: -116 dB D/A Converters: -115 dB Monitor Outputs: -115 dB |
Digital Audio | |
Sample Rates | Up to 192 kHz |
Bit Depths | Up to 24-Bit |
Sync Sources | ADAT, Atomic Clock, Internal, S/PDIF, Word Clock |
Clocking | Word Clock: Input Termination: 75 Ohms |
Audio Storage & Playback | |
Media/Memory Card Slot | No |
Compatibility | |
OS Compatibility | macOS 10.11 or Later / Windows 10 or Later |
OS Compatibility | macOS 10.11 or Later Windows 10 |
Processor Requirement | Mac: Intel Core 2 Duo PC: 2 GHz Intel 2 GHz AMD |
RAM Requirements | 4 GB, 8 GB Recommended |
Storage Requirements | 512 MB |
Mobile App Compatible | No |
Mobile Device Compatibility | No |
Required Hardware | Available Thunderbolt Port or USB-A Port USB Cable (Included) Thunderbolt Cable (Not Included) |
Power | |
Power Requirements | AC Input |
Physical | |
Rackmount Size | 1 RU (with Included Hardware) |
Operating Conditions | 32 to 122°F / 0 to 50°C |
Dimensions | 19 x 11 x 1.73" / 48.3 x 27.9 x 4.39 cm |
Weight | 7.4 lb / 3.4 kg |
Packaging Info | |
Package Weight | 11.97 lb |
Box Dimensions (LxWxH) | 25.5 x 13.5 x 6.3" |
- 32 x 32 channels of DC-coupled analog I/O plus dedicated stereo monitor output
- 128 I/O channels over Thunderbolt 3 or 32 channels via USB, at up to 192 kHz
- 128 I/O channels over optical MADI at up to 48 kHz
- High-performing conversion with up to 130 dB dynamic range
- Acclaimed 4th Generation AFC 64-bit clocking and jitter management
- Optional multichannel Atmos-ready monitoring calibration system built-in
- Software control panel with powerful preset system, monitoring pop-out widget, and customizable signal-routing matrix
- Additional ADAT and S/PDIF connectivity
- macOS and Windows compatible over both Thunderbolt and USB
Antelope Audio interfaces are globally renowned for their industry-leading conversion and clocking and Orion 32+ Gen4 gives you the latest Antelope technology. Its AD/DA converters are capable of achieving up to 130 dB dynamic range, ensuring Gen4 its leading position among 1U studio centerpieces. Antelope Audio's signature 64-bit Acoustically Focused Clocking technology powers the high-performing conversion and the unit's two Word Clock outputs are there to keep your whole studio in line. Additionally, the available 10 MHz input is compatible with the cream of the crop of clocking, the unrivaled 10M and 10MX Atomic Clocks by Antelope Audio.
Orion 32+ Gen4 can stream twice as many channels over Thunderbolt as its predecessor and has twice as much MADI connectivity, now at 128 channels for both. These significant upgrades allow for up to four units to be daisy-chained, for 128 channels of AD/DA via a single computer connection. This makes the unit a top choice for large recordings, live sound applications, complex postproduction setups and broadcast facilities. It's a preferred companion to large mixing consoles, hardware effects processing chains, analog summing boxes, reel-to-reel setups, hardware synthesizers, and pretty much anything else you can throw at it.
Orion 32+ Gen4 is compatible with the latest Antelope Audio Atmos-ready surround and immersive audio monitoring system. The integrated platform supports over 23 audio formats from stereo to Dolby Atmos 9.1.6 and offers precise speaker and room calibration tools. The system's intuitive monitoring controls and fast preset recall functionality are designed to increase productivity. It is available as an optional upgrade for the Orion 32+ Gen4. As a physical extension of the system, the compatible Antelope MRC hardware controller provides streamlined and tactile controls that are key for effortless yet advanced monitoring.
Orion 32+ Gen4 comes not only with an updated look and drastically boosted hardware but also with a redesigned Software Control Panel for an even smoother workflow. It now features a powerful preset recall system complete with signal routing, level adjustments, mixer settings, monitoring controls, and more. A handy monitoring pop-out widget has been introduced for hands-on output-level control and preset recall, featuring an always-on-top function. The unit's signal routing matrix is now fully customizable with convenient patching and less complexity in mind.
Orion 32+ Gen4 is more than generous when it comes down to its available connectivity options. The unit is designed for quick and effortless integration in a variety of studio configurations, whether Thunderbolt or USB based. The interface is compatible with both Windows and macOS systems, and with extra options such as the ADAT port, it is guaranteed to fit all possible applications, from recording, mixing, interfacing, and conversion, to being used as an advanced patch bay or monitor controller. Orion 32+ Gen4 is also ready to become your modular synth's best friend as it features DC Coupled I/O allowing you to send CV signals from your DAW of choice straight to your hardware instruments or modular gear.
Related Questions and Answers
Q: 1. Is The Zen Go compatible with iOS devices?
A: No, the Zen Go Synergy Core is not compatible with iOS devices. It is designed for use with Mac and Windows computers. However, its core functionalities can be used without a computer and it can be powered by a USB charger or power bank (the same type that you would use to charge a mobile phone or tablet).
Q: 2. Would be wise using an F8 with this bag?
A: The OR-32 will be large for the Zoom F8. Orca generally recommends using the OR-28 for the smaller size. You could also use the OR-30 for a slight bit more room.
Q: 3. Is the zen go compatible with M1 Apple silicon chip? Does Xen Go work fine using Logic Pro X?
A: Yes, the Antelope Zen Go Synergy Core USB-C Audio Interface is compatible for use with Mac computers that are equipped with the Apple M1 silicon chip. The Zen Go Synergy Core is also compatible with Apple Logic Pro X software.
Q: 4. Can this interface do the same processing internally like a DBX 286s does for compressor, de-esser, gating, etc?
A: Yes but it does not work the same way as a dbx 286s. The Zen Go Synergy Core Desktop 4x8 USB Type-C Audio Interface uses software and digital signal processing to achieve those functions and is made primarily for recording applications. The dbx 286s does not and is used primarily for live sound applications.
Q: 5. Can you please tell the dimension and weight of package?
A: The shipping box for the Antelope Zen Q Synergy Core Desktop 14x10 USB Type-C Audio Interface is approximately 10.3 x 8.2 x 3.9" and it weighs about 2.6 pounds.
Q: 6. Does the Zen go has talk back function?
A: No, the Zen Go does not have a talkback feature like you would have in a recording studio to communicate between the control room and the live studio. It does have two independently adjustable headphone outputs as well as mirrored monitor outputs that allow you to listen to the audio while recording.
Q: 7. what's the longest usb cable i can use with this thing...? i'm using a 1-1.5meter cable and it only works sometimes. it is frustrating that there is no information about this, and the cable that comes with the keystationmini 32 is really really short.....
A: I would replace the cable. Typically USB cables may be used up to 15 feet without signal loss issues.
Q: 8. Will this work with old record players that need pre-amps to operate?
A: No the Antelope Zen Go Synergy Core Desktop 4x8 USB Type-C Audio Interface BH #ANZGSC is UB audio interface and does not have a phono preamp built in.
Q: 9. I have a mid 2011 Mac mini. Can this Interface work with this computer given the particular adapter?
A: Your 2011 Mac Mini may not be compatible for use with the Antelope Zen Go Synergy Core. Here are the system requirements for Mac that are listed in the user manual:: •Apple Mac 2012 or newer with USB 2.0/3.0/3.1 port (native or using an adapter) •Minimum: Mac OS X 10.12 Sierra / Recommended: Mac OS X 11.02 Big Sur •Available storage space (Minimum 4 GB) •Memory (RAM): 4 GB minimum (8 GB or more recommended)
Q: 10. Does this bag come with the side pouches? If so, how many?
A: Two side pouches are included. Main Features: Inside lining made from bright blue brushed polyester for easy equipment viewing External aluminum frame and internal honeycomb frame for maximum gear protection Ventilated using EVA foam Unique battery pocket with extra rubber battery fittings Two large pockets for audio accessory storage Two detachable external pouches and nine rubber bands to hold wireless systems of any size Detachable carrying handles and shoulder strap Front bungee cords to hold boom pole or cables Can be connected to an Orca harness to ease user’s load Orca “lifts” that can be used to adjust mixer height within the bag Unique sliding system to help secure and position mixer inside the bag Transparent TPU top cover for easy equipment viewing Easy equipment access from all six directions
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