Bundled with a compact swivel mount and a wooden box, the black Neumann TLM 107 BK large-diaphragm multipattern condenser microphone brings renowned Neumann sound quality and immense versatility to a price point that's accessible to music creators and engineers working in project studios and home recording setups. The dual-diaphragm capsule—specially developed for the TLM 107—offers a balanced tone that's consistent across its five selectable polar patterns, making the mic a great choice for capturing vocals and instruments without coloration.

A single control on the rear of the mic is used to change the polar pattern, pad (-6 or -12 dB), and low-cut filter (40 or 100 Hz). With the -12 dB pad engaged, the TLM 107 can be used on sound sources up to 153 dB for recording percussion, drums, amplifiers, and other loud instruments clearly and without distortion. A treble boost above 8 kHz helps the mic maintain detail and articulation while avoiding pronounced sibilance. Thanks in part to the transformerless circuitry, the TLM 107 yields only 10 dBA of self-noise, further enhancing its transparent nature.

For Studio Vocals and Instruments    Five Selectable Polar Patterns    Dual-Diaphragm Condenser Capsule    Transformerless Circuitry    Balanced Tone in All Polar Patterns    Switchable Pad at -6 or -12 dB    Low-Cut Filter at 40 or 100 Hz    Low Self-Noise of 10 dBA    Includes Swivel Mount and Wooden Box    48V Phantom Powered

The TLM 107 offers true high-definition sound quality at an affordable price. Neumann developed this microphone for project and home studio users who prefer to capture an uncolored sound image, true to the original source, in order to retain all options for post processing and mixing. The TLM 107, in turn, offers all the flexibility required to make a high-quality recording of any source in any situation.

Neumann decided to give the TLM 107 an updated look, although the large, tapered headgrille does echo the iconic design of such Neumann classics as the M 49 tube microphone. The stylish navigation toggle on the back of the microphone is a joy to use as it controls all settings in one place: pad (0, -6, or -12 dB), low-cut filter (linear, 40 Hz, or 100 Hz), and polar patterns (omnidirectional, wide cardioid, cardioid, hypercardioid, or figure-8).

The newly developed dual-diaphragm condenser capsule is specially designed for the TLM 107 to offer outstanding transient response and an extended, carefully balanced frequency response for all polar patterns. This means you can adjust the directional pattern according to the recording situation without affecting the overall sound balance, which is quite uncommon for a large-diaphragm microphone.

As a member of Neumann's TLM series, the TLM 107 operates with a transformerless circuit ensuring an open, transparent sound and a full, unrestricted bass transmission, even at highest levels. Two low-cut settings are available to reduce rumble and compensate for the proximity effect in close-miking situations. Even without engaging the two pad settings, the TLM 107 can handle enormous sound pressure levels of up to 141 dB without clipping (up to 153 dB with preattenuation). The TLM 107 has a self-noise of only 10 dBA, which is much lower than the ambient noise in a very quiet recording studio. In other words, the TLM 107 will add neither noise nor unwanted distortion to your recordings.

• State of the art, yet affordable large-diaphragm microphone
• Versatile studio workhorse for vocals and instruments
• Dual-diaphragm condenser capsule
• Five polar patterns and multiple pad and low-cut options
• Transformerless circuitry for ultra-transparent sound
• Extremely low self-noise
• Distortion-free, even at highest sound pressure levels
• XLR 3-pin output connector
• 48V phantom powered
• Includes compact swivel mount and wooden box

Related Questions and Answers

Q: 1. Product Highlights mentions that there Includes Elastic Suspension Shockmount However, in In The Box it is absent. Might be an error. Does it or does it not come with the shockmount?

A: The Auray suspension shockmount came with the kit order for me.

Q: 2. How does this mic handle "popping p's"?

A: The Neumann TLM-102 does include an integrated pop filter, which may address the popping p's, depending on the individual and proper use. A choice of additional Pop Filters may be viewed/ chosen here: https://www.bhphotovideo.com/c/product/656902-REG/Neumann_TLM_102_NICKEL_TLM_102_Large_Diaphragm_Studio.html/accessories These are favorites: B&H #: KM23956B B&H #: RYIVUPF

Q: 3. Does the microphone come with the SG2 mounting ring?

A: No, the Neumann SG2 Stand Mount does not fit the Neumann U 89 i Large-Diaphragm Multipattern Condenser Microphone. The microphone comes with a wooden storage box and the mounting accessories are available separately. The Neumann SG 289 Stand Mount for U 89 i Studio Microphone (B&H # NESG289) and the Neumann EA89I - Elastic Suspension Shock Mount for use with Neumann U89 Microphones - Nickel (B&H # NEEA89I) are the two options that Neumann offers for mounting the U 89 i Microphone.

Q: 4. Can it be powered by the go xlr?

A: Yes, the Neumann U 87 Ai Large-Diaphragm Condenser Microphone can be powered by the TC Helicon GoXLR mixer. The mixer can supply 48V phantom power through its XLR mic input.

Q: 5. What is the difference between mono and standard set ?

A: The "Standard" configuration of the Neumann TLM 103 Large-Diaphragm Cardioid Condenser Microphone includes the Neumann SG 2 Stand Mount and a wooded box, while the "Mono Set" includes a more robust Neumann EA-1 Elastic Suspension mounting option and an aluminum case. The "Stereo Set" includes two microphones and two EA-1 Elastic Suspension mounts.

Q: 6. Does this mic work with an Apollo Twin X interface?

A: Yes, the Neumann TLM 103 Large-Diaphragm Cardioid Condenser Microphone (Mono Set, Black) is fully compatible with the Apollo Twin X.

Q: 7. Do you need mixer to plug in computer?

A: This studio condenser microphone requires an audio interface, with an XLR mic preamp that provides 48 volt phantom power, that would then convert the analog signal to a digital signal to go into the computer. The Audient iD14 10x4 USB Audio Interface, BH #AUID14 is an example of an audio interface with high-quality mic preamp's and superior analog to digital conversion.

Q: 8. Does the kit include the mic mount?

A: Yes, the shock mount for this microphone includes the mic holder.

Q: 9. Is it suitable for stringed instruments like sitar.

A: This large diaphragm mic would work recording a sitar, or other stringed-instrument, providing a bright and lively sound. But I would strongly consider looking at a small diaphragm microphone for recording a sitar. Consider the Neumann KM 184 MT Microphone (Matte Black), BH #NEKM184MT, which can placed 4 to 8 feet from the instrument and gives a very realistic recreation of the sitar’s droning and twangy sound.

Q: 10. Does the black mic scrape and show wear easily?

A: No. The Neumann TLM 103 Large-Diaphragm Cardioid Condenser Microphone has a durable, well-made finish that is designed to last. It does not scrape off or show wear easily.