Featuring an expressive 49-key Fatar keyboard with velocity and polyphonic aftertouch, the white Super 6 Synthesizer from UDO Audio is a polyphonic, 12-voice digital-analog hybrid synth with two digital FPGA-based oscillators per voice fed into a real analog SSM2044-inspired VCF with a resonant 4-pole LPF and fixed linkable HPF, a fully analog VCA with selectable velocity sensitivity, and two highly versatile envelope generators. The Super 6 synthesizer can support binaural output for true-stereo audio with massive spatial potential, allowing you to create uniquely immersive and dynamic sounds with the benefits of analog warmth and digital precision.

Once you've sculpted optimal sounds, there's plenty more room for creativity with a sophisticated modulation matrix that supports both predefined destinations and custom mapping for a wide range of controls, as well as 24-bit stereo effects like chorus and delay for sweetening your sounds even further. Both the five-mode arpeggiator and 64-step sequencer are MIDI-syncable, and you get swing and a four-octave range. With 128 rewritable patch memory locations (64 user, 64 factory) and 16 rewritable sequence memories, you can build up a sizable library of creations for instant recall at any time.

49-Key Fatar Keyboard with Aftertouch    12-Voice Polyphony, Six Voicing Modes    Two Digital Oscillators per Voice    Analog VCF with 4-Pole LPF plus HPF    Analog VCA with Dynamics Control    Binaural Audio Output, Stereo FX    Dual ADSR Envelopes, Loopable/Invertable    Comprehensive Mod Matrix, MPE Support    64-Step Sequencer, 5-Mode Arpeggiator    128 Patch Locations, 16 Sequences

An instrument is cherished not just for the way it sounds but for the way it feels to play. To that end, UDO has ensured that the Super 6 sports a semiweighted Fatar keyboard with 49 full-sized keys, along with adjustable velocity sensitivity and polyphonic aftertouch. You also get:

• Two-axis bender joystick with LFO trigger
• Six voicing modes: Poly 1, Poly 2, Solo, Legato, variable size and type Unison for polyphonic modes
• Variable portamento 
• Numerous keyboard-adjacent controls for bender DDS 1/2 pitch and VCF cutoff modulation
• Playable spring-lever keyboard octave selector
• MPE MIDI compliance with polyphonic aftertouch, pitch bend, and expression

In Binaural mode, the Super 6 features a true-stereo signal path in which the instrument’s twelve voices are twinned to form six stereo super voices. Consequently, the left and right channels—and each of the player’s ears—are assigned their own complete synthesizer voice.

Parameters for both channels of each super voice may be independently controlled, facilitating the player to create rich and unique stereo images. The effect ranges from subtle to extreme stereo movement, creating an enhanced sense of spatial positioning relative to conventional monaural signal chains panned at their output.

The Super 6 delivers enormous flexibility at the player's fingertips through simple controls and a carefully designed front panel. Going deeper, there is an intuitive and immediate modulation system based around the performance area switches. For those who want to go further, every panel control can be targeted for modulation, all simultaneously and with unique amounts.

The oscillators in the Super 6 are digital chips based on FPGA architectures. DDS 1 (oscillator 1) utilizes a centroid oscillator with six sister oscillators that can be dephased in the stereo field, essentially providing seven free-running oscillators. DDS 2 (oscillator 2) sports a single oscillator core, and both oscillators can be coarsely detuned from 64 to 2'.

• DDS 1: six waveforms (sine, sawtooth, square, triangle, and noise) as well as 32 user-downloadable alternative waveforms
• DDS 2: six waveforms including sine, sawtooth, square, triangle, and pulse-width modulation
• Coarse tuning between 64 and 2' for DDS 1 and 32 and 2' for DDS 2
• Fine tuning over a range of 10 semitones up and down for DDS 2
• X-Fade mode crossfades the two oscillators over two octaves from a single keyboard split point
• Hard-sync support
• DDS 2 can double as an LFO or a fixed square wave suboscillator
• DDS 2 can also process external audio signals via the stereo 1/4" audio input

The SSI2144 reprises the SSM2044 of legacy chipmaker Solid State Micro Technology, which many believe to be the best-sounding analog synthesis filter IC ever produced. Based on Dave Rossum’s patented classic improved ladder topology, the SSI2144 allows rich tonal characteristics that showcase the very best attributes of subtractive synthesis.

• Real analog VCF with 4-pole / 24 dB per octave low-pass filter
• Resonance control and two levels of overdrive
• Extra fixed-frequency high-pass filter set before the LPF, with on/off selection
• Creates a band-pass filter when linked with the LPF
• Selectable keyboard tracking modes with filter autotune for accurate tracking
• Analog VCA with selectable fixed or variable envelope modulation
• Dynamics control for selectable velocity sensitivity 

The Super 6 includes two assignable, programmable LFOs that greatly enhance your sound creation possibilities. LFO 1 is freely assignable, with low- and high-frequency modes, and it can be used as a standard LFO, a third oscillator, a drone, or for audio-rate modulations.

It also features controls for delay, delay with left/right phase offset, as well as a selection of run modes (free running, reset, and one-shot) and syncing modes (arpeggiator/sequencer or external clock). LFO 2 sports rate and delay controls, selectable trigger modes, and dedicated controls for rate, pitch, and VCF/VCA modulation.

• LFO 1 Waveforms: triangle, reverse sawtooth, sample and hold, square, and any waveform selection for Oscillator 1
• LFO 2 Waveforms: sine, reverse sawtooth, sample and hold, square, sawtooth, and sample and glide

The envelopes are the final stage of your sound creation, and the envelopes loaded onto the Super 6 are designed to create a wide range of sounds, from mostly static classical tones to dynamic, moving soundscapes. ENV 1 sports an invertable AHDSR (attack, hold, decay, sustain, release) design, which is fully mappable through the mod matrix.

A looping mode with selectable keytracking allows ENV 1 to be used as an LFO or FM source. ENV 2 features a traditional ADSR design with multiple destinations.

Create epic grooves and patterns with the powerful onboard sequencer and arpeggiator section. The arp features five MIDI-syncable modes with a smart-hold option, while the 64-step sequencer sports programmable step, slide, accent, rest, and sequence length tracks. Clock parameters feature easily adjusted division and swing settings per layer. And you can store up to 16 patterns total.

Super 6 includes plenty of connections to support any workflow. With true-stereo output, audio in processing, and support for a diversity of pedals, you should have no problem integrating this feature-rich synth into your audio setup, whether live or in the studio.

• One stereo pair of 1/4" outputs for true-stereo, binaural audio output (summed as mono when binaural is off)
• A 1/4" stereo input for processing external audio through the second oscillator
• A powerful headphone output with dedicated volume control
• Two pedal inputs: expression and sustain
• 5-pin DIN MIDI input, output, and thru connectors
• USB-B for MIDI, waveform swapping, and firmware updates

The Super 6 is built to last, sporting a physical design that is both rugged and engineered to foster an immediate connection with the player. The housing is constructed from durable metal and the numerous control elements are solid, no wiggly sliders or easily broken knobs. The switches are metal too, ensuring the Super 6 will survive years of touring or heavy studio use.

Related Questions and Answers

Q: 1. Is there any information who helped JOBY to develop the mic since they are not famous for making sound gear previously?

A: There is no current information on the participants in the development process for the JOBY Wavo PRO Hybrid Analog/USB Camera-Mount Shotgun Microphone.

Q: 2. Can this mic be used on the sony alpha line?

A: Yes, the JOBY Wavo PRO Hybrid Analog/USB Camera-Mount Shotgun Microphone is compatible for use with Sony Alpha cameras that include an onboard 3.5mm microphone input connection such as the Sony a7S III Mirrorless Camera and others.

Q: 3. How much does the Impact Super Collapsible Background - 8 x 16' (White) weigh?

A: The background weighs 9.6 pounds or 4.4 Kilograms. fairly light

Q: 4. How can i clean the white one

A: i can even clean the black one well. the material slips off the frame and you can wash it, but it is very difficult to put back on the frame. I just bought a new black one after about three years of use with the first one.

Q: 5. Does this product have an NFPA-701 rating? Our fire marshall is insisting that anything which is mounted to a wall or ceiling has to have NFPA-701 fire resistance rating.

A: Unfortunately, upon inspection of the item, we did not find any indication that this product is flame-retardant, nor is there a listed NFPA rating listed by the manufacturer.

Q: 6. i'm confuse with the description, so does this mic actually has a recorder built in? if yes, does it record to the app?

A: The Joby Wavo Pro records two channels (left and right) on your device, the safety track mode routes a duplicate of the main mic signal at -10 dB to one of the channels. Even if the main channel distorts, the secondary channel will be clean.

Q: 7. How tall is the framed portion? Seems like it may be 8ft wide and 8ft tall?

A: The following unit offers a working area is 8x5 ft

Q: 8. How can this be attached to an iPhone (13 Pro)?

A: The Joby Wavo Pro Shotgun microphone has will fit a camera shoe mount. Clamps like I am linking below would allow you to mount an iPhone onto a tripod, and also mount this type of shotgun mic: Tilta Cold Shoe bracket: https://bhpho.to/38aJomr Shape Aluminum clamp: https://bhpho.to/3NuIlMX Ulanzi Cold Shoe Smartphone Holder: https://bhpho.to/3PFzom4

Q: 9. Could this be connected to a Zeus Intercom matrix?

A: B&H does not support the Zeus Intercom matrix and I am unable to definitively answer your question. However, I am able to advise you in general. Intercom systems, though many have 3 pin XLR connectors for audio, are actually wired differently and have 30V running down the cable. Connecting from an intercom's loop-thru may be detrimental as this signal can potentially burn out an audio device such as the JK Audio Host. Some intercom systems provide a standard analog audio out. If the Zeus intercom matrix falls in this category, you may connect it to the JK Audio broadcast Host.

Q: 10. How tall is the actual hard structure of the backdrop? Does the 16ft include the cloth that sits at the bottom?

A: total length is 16 feet,. I use it so I have it against a wall floor to ceiling. Ceiling is 8 feet high. It can be used for a 10 foot ceiling very easily as well. Great product.