Warm Audio Wa-8000 Large-diaphragm Multipattern Tube Condenser Microphone (limited-edition Gold)
- Product Code: ga134794
-
Built to honor a legendary hip-hop and R&B mic from the '90s, the limited-edition gold Warm Audio WA-8000 Large-Diaphragm Multi-Pattern Tube Condenser Microphone offers rappers, singers, producers, and engineers a chance to attain unmistakable polish and presence at a small fraction of the cost associated with the mic that inspired it. Adhering to Warm Audio's guiding principles, the WA-8000 utilizes precision construction with top-shelf components strictly selected for their rewarding, high-class audio performance.
With its K67-style, solid-brass capsule, military-grade NOS 6AU6 vacuum tube, and custom Lundahl transformer, the WA-8000 is capable of delivering the airy highs, midrange clarity, and detailed nuance that made the original mic an icon. Plus, its selectable cardioid and omnidirectional polar patterns give it the versatility to capture vocals, acoustic instruments, and room ambience equally well. Knowing that extras matter, Warm Audio supplies the WA-8000 with a shockmount, premium 7-pin tube mic cable, PSU (power supply unit), and hard shell carrying case.
Inspired by Iconic R&B and Hip-Hop Mic Cardioid and Omni Polar Patterns All-Brass K67-Style Capsule Military-Grade NOS 6AU6 Tube Custom Lundahl Transformer External Tube Mount and Heat Sink Polished, Airy Highs and Clear Mids Detail and Nuance with Low Self-Noise Boutique 7-Pin Tube Mic Cable Includes Shockmount, PSU, and Hard Case
Key Specs | |
---|---|
Polar Pattern | Cardioid / Omnidirectional |
Element Type | Condenser |
Controls | Polar Pattern |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 131 dB (Cardioid) 134 dB (Omni) |
Analog Output | 1x XLR 7-Pin (on Mic) 1x XLR 3-Pin (on Power Supply) |
Power Sources | External PSU |
Microphone | |
Polar Pattern | Cardioid / Omnidirectional |
Element Type | Condenser |
Sound Field | Mono |
Orientation | Side Address |
Controls | Polar Pattern |
Pad | No |
Circuitry | Tube (6AU6) |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 131 dB (Cardioid) 134 dB (Omni) |
Dynamic Range | 113 dB (A-Weighted) |
Equivalent Noise Level | 15 dB (A-Weighted) 117 dB (Omnidirectional, A-Weighted) |
Connectivity | |
Analog Output | 1x XLR 7-Pin (on Mic) 1x XLR 3-Pin (on Power Supply) |
Power | |
Power Sources | External PSU |
Operating Voltage | Not Specified by Manufacturer |
AC Input Power (PSU) | 115 to 230 VAC, 50 / 60 Hz |
Physical | |
Color | Gold |
Mounting Thread Size | 5/8"-27 Female |
Dimensions | ø: 2.3 x L: 7.5" / ø: 5.8 x L: 19.1 cm |
Weight | 1.35 lb / 0.61 kg |
Packaging Info | |
Package Weight | 15.24 lb |
Box Dimensions (LxWxH) | 19.1 x 15.875 x 5.9" |
- The WA-8000 is easily recognizable by its open top end, crystal-clear midrange, and an uncanny ability to capture every detail of acoustic sources. While most commonly known for R&B, rap, and hip-hop, the WA-8000 gives you that unmistakable “airy” and polished sound associated with some of the most hi-fidelity recordings of the '90s and beyond.
- The WA-8000 is a true studio workhorse, equipped to capture any voice or acoustic instrument with elite results. True to the Warm formula, the WA-8000 is designed with uncompromising standards, using carefully selected premium components.
- The WA-8000 features the Swedish-made Lundahl transformer, which performed well beyond any other components during rigorous testing cycles.
- The NOS 6AU6 tubes selected for assembly provide the widest clear dynamic range of the various brands tested, opening up the greatest level of sonic detail with generous amounts of headroom.
- Inspired by the original, the all-brass K67-style capsule is engineered with precision, leveraging the highest quality raw materials, even down to the tensioning hoops.
- A custom-designed external tube mount and heat sink component lowers self-noise and maintains optimal operating temperature.
- An often overlooked accessory of tube microphones is the multi-pin tube mic cable. The WA-8000 includes a 7-pin GAC-7 cable manufactured by Gotham Switzerland to strict standards that outshine alternatives in terms of rejection and signal-to-noise performance.
- As expected with a mic of its caliber, the WA-8000 is supplied with a shockmount to complete the studio-worthy look and performance.
- A professional-level, hard carrying case is included to ensure safe transport of the microphone and its premium components.
Related Questions and Answers
Q: 1. how does this microphone sounds with stringed instruments?
A: The Shure MOTIV MV51 features a 1 diaphragm which is able to capure acoustic instruments well. When used with the free ShurePlus MOTIV Mobile Recording App, you have access to DSP settings as well as EQ and compression settings that enable you to optimize your record settings for different applications.
Q: 2. How can it be connected to a pair of MKH 80X0 mics?
A: You would unscrew the XLR module on each of your MKH 8000 series mics, and you would connect the Sennheiser MZD 8000 Digital Microphone Module to each of the MKH 8000 series mics that you want to use.
Q: 3. Should I go with this or the Studio Projects B1 for general studio use? I know I just asked a similar question a few days ago but I've narrowed it down to these 2 and need help choosing.
A: Without knowing anythigng about your projects and your needs I would lean to the MXl as an all purpose mic.
Q: 4. How is this model different than the other seemingly identical B&H item here? a href= http://www.bhphotovideo.com/c/product/1115605-REG/shure_mv51_digital_large_diaphragm_condenser_mic.html target= _blank http://www.bhphotovideo.com/c/product/1115605-REG/shure_mv51_digital_large_diaphragm_condenser_mic.html/a
A: There's just a slight difference in the packaging. hardware, accessories, operation and specs are identical.
Q: 5. Will this fit the Shure SM7B Vocal Microphone?
A: No, the Auray BSM-35R Suspension Shockmount for Broadcast, Podcast & Large-Diaphragm Condenser Microphones will not accommodate the 2.5" diameter of the Shure SM7B Vocal Microphone. The BSM-35R works best with microphone diameters of up to 2.1 inches that feature M20 or M22 threads. The SM7B also integrates a shock mount into its build that is sufficient for most scenarios and mounting directly to arms and stands.
Q: 6. if the vacuum tube is dead, any spare vacuum tube that i can repair my self?
A: I would strongly advise against home repairs. First you will void the warranty as you are not a Sony repair technician. The mic takes a 6AU6 vacuum tube but with a mic at that price point it's not like swapping a 6L6 out of a Fender amp. I would very cautious as you say the tube is dead. Cracked is more common due to mishandling of the mic when the tube is to hot. But dead could be something more complex as to why it's dead. I would advise returning it to Sony and let them fix it.
Q: 7. How would I connect this to a mic stand? Is there a way to do so that would not involve screwing it on (to release it more quickly)?
A: You could try using a mic quick release adaptor. It's a device you would mount to the stand and screw the MV51 into that would allow for you to separate the two with a quick intentional motion (varies by model). Shure does not make one, however there are various models available from other manufacturers, such as the GFW-MIC-QRTOP from Gator Frameworks.
Q: 8. Will this fit an Electro Voice RE20 or RE320?
A: The Auray BSM-35R Suspension Shockmount for Broadcast, Podcast & Large-Diaphragm Condenser Microphones is specified with microphone diameters of up to 2.1 inches. The Electro-Voice RE20 and RE320 Microphones have diameters of 2.13 and 2.14 inches respectively, which likely disqualifies them from compatibility with the BSM-35R.
Q: 9. Does it a battery compartment for AA batteries?
A: Yes, the Audio-Technica AT8015 Line and Gradient Condenser Shotgun Microphone does have a single compartment for a AA battery.
Q: 10. Can this mic be used with a dslr camera?
A: No its only design for pc/mac ios
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