Ideal for studio or stage use, the XP-2 Signal Booster from Polsen is a two-channel mic booster that safely adds up to 25 dB of clean, transparent gain for passive dynamic and ribbon mics. Running on simple 48V phantom power provided by most interfaces and mixers, the XP-2 can even provide a boost for powered condensers, delivering an excellent solution for noise-free signals over long cable runs, avoidance of noisy preamps when tracking quiet instruments, and an improved signal-to-noise ratio without excessive coloration.

The XP-2 features two locking XLRM and XLRF connectors for its I/O, offering solid, interference-free connections that resist accidental tugs on a cable in studio and live environments. The XP-2 is compact, making it easy to transport to the next gig or venue. Constructed from rugged steel, the XP-2 is engineered to withstand impacts during the most rigorous of applications.

25 dB of Clean Gain for Low-Output Mics    Ideal for Passive Dynamic & Ribbon Mics    Runs on Simple 48V Phantom Power    Strong Signal without Noise or Coloring    Two Locking XLRM and XLRF Connectors    Rugged Steel Construction

Any device that can provide 48V of phantom power is compatible with the XP-2. Without adding any extra gear, your dynamic mic will get a 25 dB signal boost.

But the booster doesn't pass along phantom power, so it's perfectly safe to use with delicate ribbon microphones. Battery-powered microphones and mics with their own power supply are also compatible with this signal booster.

Balanced 3-pin XLR connectors ensure clean and interference-free sound, even with long cable runs. This ensures that mic cables that run past lighting equipment, or up the aisle to the back of the house, won't pick up interference or noise.

A plug that's accidentally disconnected can bring a concert or recording session to its knees. The XLR locking connectors won't disconnect due to cable strain or pulls in touring and studio applications.

The XP-2 couldn't be simpler to use, but you'll immediately hear the difference once it's connected. Put it in-line between your mics and the mixing board or preamplifier, and you'll reap the advantages, whether the booster is on stage or in an equipment rack.

The XP-2 is made for professional use in concert venues, recording studios, offices, and even at home. Steel housing protects the booster from bumps and bangs during transport, on stage, or in crowded areas.

Related Questions and Answers

Q: 1. I am having issue with my Optoma 4K projector, losing video signal over 35 feet HDMI cable. Do you think this product will solve my issue ? Is this returnable if not work as expected ?

A: This product should take care of he issue. You may also need to upgrade your cable. The Startech product is returnable within 30 days of purchase:If you are dissatisfied with your purchase for any reason, you may return it to B&H within 30 days of the purchase date, subject to the conditions and exclusions below.a href= https://www.bhphotovideo.com/find/HelpCenter/ReturnExchange.jsp target= _blank https://www.bhphotovideo.com/find/HelpCenter/ReturnExchange.jsp/a

Q: 2. I assume this will work with the canon R5 and the EF lens adapter?

A: Yes the Zeiss Milvus 25mm f/1.4 ZE Lens for Canon EF can fit an EOS R5 by way of an EF-R lens adapter.

Q: 3. Hows the IR performance of this lens?

A: The ZEISS Milvus lens family are designed for use in the visible spectrum and feature anti-reflection coatings that limits the amount of UV and IR transmission. While the lens can be used for IR applications and includes an IR focusing mark, the light transmission will be below 50% in the NIR range and less over 1,000nm. Our recommendation is to rent the lens and test to see if it meets your particular needs.

Q: 4. Is the depth of field scale on the lens accurate? If for any F Stop, one end of the scale is on Infinity, will the other end of the scale accurately reflect the near focus point? I like the Batis lenses for this reason.

A: Hi John, Absolutely! The people at Zeiss did a through program in developing this beautiful piece of seeing glass and it's secretly artificial glass. The depth of field is right on the money, I have now spent countless hours shooting landscapes and I couldn't be happier. It will problem be one of your best investments. Rad

Q: 5. Under outputs it says:XLR Direct Output x8 XLR Transformerless Output x8What's the difference between direct and transformerless?

A: Hi Daniel,one of the outputs on each channel is directly connected to the input, and will give out exactly what is sent in. As far as I know, this it the channel that has no transformer, and will therefor also feed phantom power out. The other channel has an equally winded transformer that does nothing to the physical sygnal, but it gives out a clean sygnal that is isolated and will not allow for a ground loop potential differance to pass through to the source. It does not make sense to me to seperate the direct out, and transformerless out description, as they are the same. I would call it a Direct/Transformerless out, and one isolated trasformer out. But again, this is what I think, and I might be wrong. Hope this helps.

Q: 6. I'm also looking for the flexibility to use it as a line level input. It main emphasis is mic. But I see a pad of -29 dB. Will this unit work for line level (synth, +4 dB line out from sound recorders)?

A: I have used it with a Keyboard Line Level out using the pad switch. One line out of the mic splitter was going to a live mixer the other line out was going to an audio interface and DAW for recording. I would very well. Dan

Q: 7. will the Blackmagic 6K Pro control the electronic aperture?

A: Yes, ZEISS Milvus 21mm f/2.8 ZE Lens for Canon EF has the electronic contacts on thelens mount which would allow Blackmagic Design Pocket Cinema Camera 6K Pro (Canon EF) to control aperture and other electronic feature on the lens. The focus is the only manual operation that you can not control through the camera.

Q: 8. how is the coma?

A: The coma in the ZEISS Milvus 18mm F/2.8 is visible in wide aperture corners and significantly resolves when the lens is stopped down.

Q: 9. I need to make a direct hdmi connection over 100ft. Can I use this with a 75 ft cable to say a 30 ft cable to extend my reach?

A: No, at 1080p (60 Hz) the HDBOOST4K supports a maximum 50 ft (15 m) cable at the source, and 65 ft (20 m) cable to the display, which provides a total length of 115 ft (35 m). Atha, StarTech.com Support

Q: 10. is this lens ONLY Manual focus?

A: Hi! Yes, the Milvus line for Nikon cameras are a manual focus lens.