Vicoustic Vicwallpaper Vmt Square 30 (blue, 46.85 X 23.43 X 0.39", 8-pack)
- Product Code: ga137693
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The 46.85 x 23.43 x 0.39" blue Vicoustic VicWallpaper VMT is a revolutionary new way of acoustic and thermal isolation, for residential and commercial applications. This acoustic wallpaper features a Square 30 pattern and was developed to perform over medium to high frequencies, is ideal for improving speech and intelligibility in places like meeting rooms, living rooms or classrooms. Manufactured in recycled and fire rated EuroClass B PET, VicWallpaper VMT is easy and fast to install, not requiring any specialised and expensive labor.
Acoustic and Thermal Insulation Residential and Commercial Applications
Parameters | |
---|---|
Quantity | 8 |
Color | Blue |
Dimensions (W x H) | 46.9 x 23.4" / 1190 x 595 mm |
Depth | 0.4" / 10 mm |
NRC Rating | 0.2 |
Fire Rated | Yes |
Related Questions and Answers
Q: 1. Can you use the full frame rear element on a Super35 (FS7) camera to get an equivalent longer focal length option?
A: Angenieux offers a mount adapter to change this to an E-Mount lens. It is B&H # ANEZEMOUNT.https://bhpho.to/2GSGLql
Q: 2. If you buy this lens with out the FF rear element group can you purchase it in the future?
A: yes the FF rear element can be purchased and added at a later date
Q: 3. is there a levy on the audio cd-r's like in retail stores?
A: not shure
Q: 4. My question is about focul length in regards to the camera sensor. If my sensor is diagonal 28.9 mm, and the lens image circle is 30mm, will I really get 30mm at 30mm? Or is it more like 34mm on my sensor at 30mm on the lens?
A: This lens is designed to work with cameras that have a Super 35mm/APS-C Sized Sensor. The field of view will be the 35mm Equivalent of a 45-135mm lens.
Q: 5. Does this lens share compatibility with either ARRI LDS, Cooke /i, or Zeiss eXtended data?
A: The Angenieux EZ-1 30 to 90mm Cinema Lens Pack (Super35 and Full-Frame) is not listed as having data capability.
Q: 6. If Im shooting with a Red Gemini, will I get a true 30mm?
A: The Red Gemini 5K has a Super 35mm Sensor. Any lens you put on it will be subject to a crop factor, which varies depending on the mode you are shooting. It will not give you a 30mm field of view as it is not a Full Frame Sensor.
Q: 7. Is the Angenieux 30-90mm going to come out in EF mount?
A: At this time the lens is available in PL only. You can purchase an EF adapter if you wish. Angenieux EF-Mount for EZ-1 and EZ-2 Zooms B&H # ANEZEFMOUNT.
Q: 8. If Im shooting with a Red Scarlet W, will I get a true 30mm?
A: The Red Scarlet W has a Super 35mm Sensor. Any lens you put on it will be subject to the crop factor of the sensor, the lens would be closer to 45mm on the wide end.
Q: 9. Does the lens come with a case?
A: No, it does not. That is because customers who buy this lens often have cases and do not wish to pay for one or they wish to have a certain type of case. Here is an very good and typical case for such a lens. Pelican 1510 Carry-On Case with Foam Set (Black) B&H # PE1510FB. For the finest possible custom fitted case, get this one. Your 1st AC will really thank you. Jason Cases Case for Angenieux EZ-1 30-90mm Lens B&H # JAAN3090EZ1B
Q: 10. I see this series of lenses have a S35 compatibility. So how do you think these EZ lenses would preform compared to Cooke miniS4/i?
A: Angenieux has been making lenses since 1935 and their lenses are world class outstanding in build and image quality. They are in the same league as Cooke, Zeiss, Panavision, et all. I would say that the Angenieux would be of the same quality as the Cookes over all but the question comes down to what look your production needs. The Cooke look is the beloved one of warmth and easy focus roll-off. It is very complementary for faces. Angenieux is more neutral in color and again an easy focus roll-off. Then there is the big consideration that primes look different than zooms. In the end, while the differences are only apparent to the trained eye, these considerations are what make up the totality of the movie experience. I would say the decision comes down not to whether one lens is good or bad but which lens is right.
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