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Related Questions and Answers

Q: 1. Is the Angenieux 30-90mm going to come out in EF mount?

A: At this time the lens is available in PL only. You can purchase an EF adapter if you wish. Angenieux EF-Mount for EZ-1 and EZ-2 Zooms B&H # ANEZEFMOUNT.

Q: 2. Will this work with the metabones speed booster?

A: We usually do not recommend using this lens with a speed booster as it is already designed to compensate for the crop factor change between Super 35mm and Full Frame. The lens can be configured as a 30mm-90mm Super 35mm lens or a 45mm-135mm Full Frame lens which will result in the same field of view for both configurations. (The field of view in Full Frame mode is 45.6°-15.9° and the filed of view in Super 35mm is 43.6-15.2°) Therefore it is more effective to use the lens in super 35mm mode then have it in Full Frame and use a Speed Booster if you plan on using it with Super35mm cameras. If you plan to use it with a Micro 4/3 camera a speed booster we recommend swapping the PL mount for EF first. Angenieux EF-Mount for EZ-1 and EZ-2 Zooms B&H # ANEZEFMOUNT MFR # EZ-EF MOUNT

Q: 3. I see this series of lenses have a S35 compatibility. So how do you think these EZ lenses would preform compared to Cooke miniS4/i?

A: Angenieux has been making lenses since 1935 and their lenses are world class outstanding in build and image quality. They are in the same league as Cooke, Zeiss, Panavision, et all. I would say that the Angenieux would be of the same quality as the Cookes over all but the question comes down to what look your production needs. The Cooke look is the beloved one of warmth and easy focus roll-off. It is very complementary for faces. Angenieux is more neutral in color and again an easy focus roll-off. Then there is the big consideration that primes look different than zooms. In the end, while the differences are only apparent to the trained eye, these considerations are what make up the totality of the movie experience. I would say the decision comes down not to whether one lens is good or bad but which lens is right.

Q: 4. What thickness of phone will this hold? With my case my phone is 1/2 to 3/4 thick on the corners.

A: That may be a bit tight but still may be fit. Square Jellyfish designs their mounts for phones without cases. Actual dimensions for thickness accommodation are not published.

Q: 5. Are these gold colored on both sides? I need cd-r blanks that are gold on the data side with no logos/numbers around the spindle

A: The Maxell CD-R 80 Minutes (700MB) for Music Gold (30-Pack Spindle) are only gold-colored on one side.

Q: 6. Does this lens share compatibility with either ARRI LDS, Cooke /i, or Zeiss eXtended data?

A: The Angenieux EZ-1 30 to 90mm Cinema Lens Pack (Super35 and Full-Frame) is not listed as having data capability.

Q: 7. Can you use the full frame rear element on a Super35 (FS7) camera to get an equivalent longer focal length option?

A: Angenieux offers a mount adapter to change this to an E-Mount lens. It is B&H # ANEZEMOUNT.https://bhpho.to/2GSGLql

Q: 8. If Im shooting with a Red Gemini, will I get a true 30mm?

A: The Red Gemini 5K has a Super 35mm Sensor. Any lens you put on it will be subject to a crop factor, which varies depending on the mode you are shooting. It will not give you a 30mm field of view as it is not a Full Frame Sensor.

Q: 9. My question is about focul length in regards to the camera sensor. If my sensor is diagonal 28.9 mm, and the lens image circle is 30mm, will I really get 30mm at 30mm? Or is it more like 34mm on my sensor at 30mm on the lens?

A: This lens is designed to work with cameras that have a Super 35mm/APS-C Sized Sensor. The field of view will be the 35mm Equivalent of a 45-135mm lens.

Q: 10. Is there vignetting on Super35 sensors because of the 30mm image circle?

A: Vignetting is evident when the image circle (mm) is less than a camera sensor's diagonal (mm). The Angenieux EZ-1 will not vignette on a Super35 sensor because its image circle is larger than all Super35mm sensor cameras.