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Sound Devices +2 Mixpre-3 Plug-in For Mixpre-3 Ii Mixer-recorder

Sound Devices +2 Mixpre-3 Plug-in For Mixpre-3 Ii Mixer-recorder
  • Product Code: ga143311
  • Availability: In Stock

$237.00 $289.14

Expand your audio possibilities with additional channels for high-channel-count productions and extra routing flexibility with the Sound Devices +2 MixPre-3, an optional plug-in for the MixPre-3 II mixer-recorder. +2 MixPre-3 adds two, fully featured ISO channels/record tracks, turning your MixPre-3 II into a 5-channel / 7-track mixer-recorder.

For MixPre-3 II Mixer-Recorder    Expand to 5-Channels/7-Tracks    Add Routing Flexibility to Recorder

General
CompatibilitySound Devices MixPre-3 II

  • The extra two channels, 4 and 5, can be fed from the Aux 1, Aux 2, USB 1, or USB 2 inputs and recorded as ISOs and mixed along with channels 1-3 to the main mix.
  • Both channels have solo, mute, arm, gain, fader, pan, and low-cut controls, and, if the applicable plug-ins are installed, can be enabled for MixAssist and NoiseAssist processing.
  • ISO tracks 4 and 5 can also be remixed using the Remix feature.
  • The extra channels are accessible in the Wingman app and can be controlled by supported third-party USB controllers.

Related Questions and Answers

Q: 1. How does "timecode support" work? How is the timecode generated in the MixPre-6 synchronized with or connected to the camera(s) (Canon EOC Cxxx for example)? I presume when this is done correctly I don't need to record scratch audio on the cameras for sync'ing in post?

A: The MixPre can work with TC a couple different ways: You can set the 3.5mm TRS Aux Input as Timecode in (although that means you won't be able to use channels 5&6 for audio); You can set the 3.5mm TRS Stereo Output as timecode out (although that then means you won't be able to use your mixer's line out); or you can input timecode via the micro-HDMI if you connect your camera's video output (although I've had trouble with introducing interference noise messing around with the HDMI port). So, you've got a few options here. If you don't mind being tethered, you can connect your camera to the mixer and feed timecode one direction or the other. Of course, that will burn an input or output on your mixer and you'll be tied down, so that might not be preferable. The other option (that doesn't require more gear, and won't require you to burn an input/output) is to "jam" sync. Basically, before you start shooting, connect them up and jam timecodes to get them in lockstep. Then you can detach, and even change your settings on your mixer to get your inputs & outputs back. I'm not a huge fan of this method, because some devices lose their sync when you power off & change batteries, so if it's a complicated, hectic shoot and you lose sync for some reason, you might not know till later. Plus, if you've decided to use your 3.5mm in/outs for a different purpose, now you'll have to unplug things and menu-dive to re-jam, which may not be workable in a rush. The third option, which is what I'm planning on doing for my next shoot, is to use an external device (like a Tentacle Sync or UltraSync or Locket Box or Deity BPTRX) to feed consistent timecode into both devices. That way you can set your timecode on your TC boxes, then mount those to your devices and trust that they'll keep everybody marching to the beat of the same drum. For me, this is the best compromise, because I don't want to send TC out of my MixPre (because I need the stereo output for monitoring and I don't want to re-configure on set), and I don't need my aux inputs on 5 & 6, so I'm okay burning that input for my TC in. That said, there's still nothing wrong with getting a scratch track for reference on your camera. It's probably a good idea to have *some* reference audio there for a multitude of reasons. Hope this helps.

Q: 2. I'm a little confused. The mixpre 3 ii has a timecode generator, but you have to keep it on the camera? Can't you just jam timecode to the camera then separate them. My whole reason for picking up the zoom f6 or mixpre 3 ii was to get my sound equipment off my shoulder rig

A: The MixPre-3 II has a timecode generator, so it can maintain timecode on its own. As long as the camera that is being jammed from the MixPre-3 II also has a timecode generator, the 2 devices do not need to be continuously connected. However, if the camera only contains a timecode reader, the camera would require a constant connection to a timecode generator.

Q: 3. Any problem of loose contact pin in this model as official Sound Device product? ( as it seems white labeled Hawkwood SD2, which has some people hase solder burning complaints )

A: I have heard no complaints on the build quality of this sled. Sound Devices makes exceptionally high quality equipment.

Q: 4. What is the difference between this one and the cheaper $65 option?

A: Hi Jared. The MX-LMOUNT holds 2 NPF batteries, and the MX-LM1 only holds 1 NPF. Battery orientation is parallel to the chassis for the MX-LM1, but perpendicular for the MX-LMOUNT.

Q: 5. Is it possible to record 4 inputs and end up with a single 4-channel .wav file?

A: Yes; It is possible to record 4 inputs and end up with a single 4-channel .wav on the Sound Devices MixPre-6 II 6-Channel / 8-Track Multitrack 32-Bit Field Recorder. The YouTube video entitled "MixPre Quick Tip: Track Arming and Recording", from the Sound Devices channel, explains how. https://www.youtube.com/watch?v=zJzBxb3WwGg

Q: 6. Do you still need a Cloudlifter for the Shure SM7B or does this device eliminate that need?

A: No, a Cloudlifter is not needed for this combination. The Sound Devices MixPre-6 II 6-Channel / 8-Track Multitrack 32-Bit Field Recorder provides up to +76 dB of gain, which is more than sufficient for the Shure SM7B Vocal Microphone.

Q: 7. Can I use this as my Mac's computer mic for talking on Zoom, Discord, etc.?

A: While the Sound Devices MixPre-6 II 6-Channel / 8-Track Multitrack 32-Bit Field Recorder does not include a microphone component, it could be used along with a microphone as a computer interface for use with Zoom, Discord etc.

Q: 8. does this work with the mixpre 6 ii? If so, is there a particular Sony L-style battery you would suggest to run the mixpre-6 ii?

A: Yes, the Sound Devices MX-LM1 L-Mount Battery Sled for MixPre, MixPre-M & MixPre-II Mixer/Recorders is compatible with the MixPre-6 II. Any Sony L-series battery will be compatible.

Q: 9. Can you mount this on a tripod then mount a camera on top? What would be the weight limit?

A: Yes you can.

Q: 10. Can set up post fade insulated tracks with Mixpre Series II recorders at 32 Bit (to feed post fade signal directly to ISO tracks?

A: Hi Renzo. Post-fade signals are audio signals that are after or "post" the ISO inputs and tracks. Generally, post-fade signals are not sent to ISO tracks. Please feel free to send an email to support@sounddevices.com with technical questions. Thank you!

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