The Ergorig Lightweight Body Mounted Harness from Cinema Devices is an innovative body vest for shoulder-mounting a camera without putting any stress on the spine. It supports heavy-duty loads, such as a fully-accessorized ARRI ALEXA 65, and 100% of the weight is distributed to the hips. This standard version is designed for operators with an average-length torso (see more about this below).

The Ergorig features a robust shoulder rest that sits slightly elevated off your shoulder, and you place your camera rig right on top of it. At the same time, because the Ergorig belt secures above your hips, all the weight of the camera load is displaced to the hips, so there's no pressure at all on your spine.

You do feel some contact with the shoulder rest, just a touch, especially as you move about, and this helps have optimal control of the camera. You can alternatively float the shoulder rest a bit higher so there's no contact at all. The Ergorig was developed by a veteran camera operator over a period of about two years, with consultation from an orthopedic surgeon. It transfers all the weight from the thoracic/lumbar vertebrae to the hips.

Because the Ergorig sits above your waist you can freely sit, kneel, run, and otherwise move around with your camera load, and there will be no change in pressure on your spine. The shoulder rest is large and is designed to ensure that the camera won't slide off of it. It sits level, unrelated to your shoulder slope. It also has a non-stick surface to ensure a smooth workflow. The tilt angle and lateral position of the shoulder rest are also adjustable after loosening four screws. And the height of the Ergorig is adjustable along the strut to better adjust to your torso. The Ergorig also has accessory loops for walkie-talkies and other on-set accessories.

This standard version of the Ergorig is designed for the majority of operators. The difference between the standard and short versions is in the length of the struts and is based on the operator's torso. Measure your torso from your front hip point to the top middle of your shoulder. If the length is over 21", the standard version is for you. The belt size is the same in both versions and is adjustable to fit most operators. (If you're right at 21", either version will work for you.) The Ergorig is suitable for men and women operators alike. Women may prefer to adjust the midriff strap, which stabilizes the rig to the body, either above or below the chest line, or to set it to sit straight across.

The Ergorig also supports a camera in underslung mode. To do this, attach any secure strap to an eyelet of the camera's top handle, and wrap it around the gripping pad on top of the Ergorig. The Ergorig will support the weight, and the midriff straps will keep everything in place. For transport, the Ergorig can be broken down in order to pack in a more compact form. After removal of several screws, the different parts of the Ergorig can be removed from one another. And everything packs away into an included carry bag.

Lightweight Standard Body-Mount Harness    Undersling Adjustable Suspension System    Riser, Short Strut Set    Switch between Ergorig Sizes

• Shoulder-mount a camera without putting any stress on the spine
• Robust shoulder rest keeps your camera slightly elevated off your shoulder
• With the Ergorig belt secured above the hips, 100% of the weight is transferred off the shoulder and thoracic/lumbar vertebrae to the hips
• Supports heavy-duty loads, such as a fully-accessorized ARRI ALEXA 65
• Although the shoulder rest sits slightly raised, you do feel some contact with it (or you can set it higher so there is no contact)
• Designed not to restrict movement, so you can freely sit, kneel, run, and otherwise move around with your camera load
• Supports a camera in underslung mode (a secure strap is required for this)
• Suitable for men and women operators alike
• Accessory loops for walkie-talkies and other on-set accessories
• Breaks down for transport
• Made in the USA

Related Questions and Answers

Q: 1. Will this unit work with the Sony FX6, has anyone tried it ?

A: There is an extra LANC port on the rear of the camera body, similar to FS5 and that connector should support this LANC controller, although we have not been able to perform a bench test with this device.

Q: 2. Anyone know if this works on Sony FS700 with stock lens (18-200mm f/3.5-6.3 PZ OSS)?

A: Perfectly. I have used it regularly for over a year. It is better to have it plugged in the camera before you power it up. A detail per manufacturer.

Q: 3. What length does this extend to?

A: About an arms length, so I would say easily 3 feet.

Q: 4. Which media player use this Vizrt Flex Control Panel for TriCaster Devices?

A: The Vizrt Flex Control Panel for TriCaster Devices is designed to be used with TriCaster devices. Please see this link for a list of the TriCaster models compatible with the Flex Control Panel: https://bhpho.to/3QN22Up.

Q: 5. Will this work with the JVC GY - HM180 camera

A: Yes, the camera employs standard LANC control.

Q: 6. Which devices need to conect to download the signal in a building and broadcast on the web?

A: The Vizrt Flex Control Panel for TriCaster Devices must be used with a compatible Vizrt TriCaster device in order to broadcast a signal to the web. Please see this link for the TriCaster devices that are compatible with the Flex Control Panel: https://bhpho.to/3QN22Up.

Q: 7. Will this work on a Canon Vixia HF G30? I can't seem to get a straight answer anywhere. If not can someone recommend one that does?

A: HelloI did buy this to use with my HF G30 and it works perfect! I would definitely recommend this.

Q: 8. Will this work with the JVC GY-HM170UA 4KCAM?

A: Yes, this is compatible with the JVC GY-HM170UA.

Q: 9. Can you attach this to the Manfrotto 500 video head (the one for the new MVMXPRO monopod ?Can it stop/start a GH4 via LANC (and zoom on a PZ lens ?)

A: Manfrotto does not list any of their controllers working with the GH4. Therefore the compatibility of the Manfrotto RC Pan Bar EX Remote Control for LANC Cameras B&H # MAMVR901EPLA is unknown. Also, the compatibility of the two different pan handles is not listed. You may have to use the Manfrotto Pan Bar Clamp Attachment for MVR901EPLA and MVR901EPEX Pan Bar Remotes B&H # MAMVR901APCL to attach the remote handle to the tripods handle. However, there are reports of this Manfrotto Clamp-On Zoom Remote Control for Canon/Sony Cameras with LANC Control and Panasonic Cameras B&H # MAMVR901ECPL working with the GH4 and Panasonic PZ 45-175mm lens. This may include the PZ 14-42mm lens as well.

Q: 10. Would this work for a Sony NX30 with a AV-R to Lanc adapter? I hate the little rocker zoom and would love to find another way to zoom with this great little camera. If you know of any that would work, I would so appreciate any advice. Thanks for the help!

A: I think it will work with anything with a LANC. I will say, we have had these for a few years with a fleet of cameras and overall I cannot recommend them. With our Sony z5u there is often miscommunication between the zoom controller and the camera resulting in lack zoom functionality. Usually it's Just turn the camera on and off and it works again but it can be frustrating, especially in an environment with a lot of novices with access to the camera. Never had those connectivity issues with previous models but these are more durable. If it's for you, then by all means. If it's for a shared camera, I would steer clear.