Available for download, the AUDIFIED RZ062 is an emulation of two rare vintage equalizers used throughout Europe in the 1960s: the Klangfilm RZ062a valve EQ, and its sibling, the RZ062b. Both EQs sport controls to adjust bass and treble, giving you the power to boost and attenuate the lows and highs. Each plug-in also provides input and output knobs as well as a calibration section for tailoring the harmonic saturation. On stereo sources, you can stereo-link the EQ or manipulate the EQ signal in mid-side mode, which comes in handy during mastering. These plug-ins are compatible with Mac and Windows operating systems and operate in AU, VST3, and AAX formats. The product is iLok protected, but a hardware key is not necessary, only the free iLok License Manager is required.

2 Equalizer Plug-Ins in 1 Package    Emulates Vintage Klangfilm EQs    Input, Output, Bass, and Treble Controls    Fixed Midrange Pivot in RZ062a    Selectable Presence Controls in RZ062b    Harmonic Saturation Calibration    Stereo or Mid/Side Operation    Compatible with Mac & Windows Platforms    Operates in AU, VST3 & AAX Formats

Where each of the plug-ins differ is in their midrange control. The midrange knob on the RZ062a pivots the entire frequency response around the preset midrange curve, which is centered on 650 Hz. As a result, this knob simultaneously lowers the bottom end as it raises the treble, and vice versa. On the RZ062b, you'll find four selectable frequency centers, and the ability to boost or cut their presence in a smooth, pleasing manner. 

As these plug-ins were modeled on two separate hardware units, they do have subtly different flavors. Even when set to unity gain, they do not pass null tests at identical settings on identical mixes. In other words, this is to your benefit. Even though these EQs ostensibly share everything besides the midrange controls, their minute differences, borne from careful modeling and sampling of independent units in their construction, essentially give you two EQs in one package. You can use this to your advantage when mixing tracks, even when you're only making use of the highs and the lows, because slight tonal variances from the circuit modeling help replicate the subtle nonlinearity of analog hardware.

Related Questions and Answers

Q: 1. how long is this cable?

A: Cable length: 0.88 m (2.9 feet)

Q: 2. Will this cable work with the Saramonic UwMic9?

A: Yes, this Sony cable will work with the Saramonic UwMic9 receiver.

Q: 3. can it be plugged into 220v?

A: No, the Furman Pro Plug 6-Outlet Power Block with Surge Protection BH #FUSS6B is 120 VAC, 60 Hz only.

Q: 4. Can these work with Canon RF to EF Adapter too?

A: The DZOFilm Catta Coin Plug-in Filter for Catta Zoom (Artistic Set) is made specifically for the Catta Zoom lenses with E/RF/L/X/Z mounts and not to be used with lens adapters.

Q: 5. Is the offset enough to accommodate a Sennheiser plug in transmitter?

A: Yes, this should accommodate a Sennheiser SKP style transmitter.

Q: 6. how long is the power cord, need a power strip with a 25 ft board?

A: The cable length for this unit is 14.5 ft long.

Q: 7. Do you have the version with two locking mini plugs for the Sony dual channel receiver? I can't find it anywhere.

A: There currently is no cable sold separately with two locking 3.5mm connectors. Out of the Sony duel receiver you either would, connect two cables terminating in Male XLR or 3.5mm, depending on your input device.

Q: 8. Do you have the Grounded version, with the larger plastic 2 prong end?

A: Unfortunately B&H does not carry the grounded version.

Q: 9. Will this cable work on the Sony URX-P2?

A: Yes this cable should work fine. It also has the locking end so it wont pull out accidentally.

Q: 10. Do all of the sockets face the same directions? If this is the case, it would seem like it would only allow for three wall warts to be plugged in instead of 6 as the bottom sockets would be blocked by the top warts. (If they were three pronged)

A: Correct, they will get blocked.