Create polyrhythmic sequences with unprecedented motion complexity with the white Tiptop Audio Z8000, the ultimate modulation source that simultaneously modulates up to 10 CV parameters using 10 integrated sequencers, each with their own individual CV output as well as Clock, Direction, and Reset inputs. The module ships with a ribbon power cable.

Advanced Modulation Source    Four 4-Step CV Sequencers Horizontal    Four 4-Step CV Sequencers Vertical    One 16-Step CV Sequencer Horizontal    One 16-Step CV Sequencer Vertical    Modulate Up to 10 CV Parameters    Polyrhythmic Operation    Clock Input Can Be Driven at Audio Rates    Includes Ribbon Power Cable

• Simultaneously modulate up to 10 CV parameters polyrhythmically with unprecedented motion complexity
• One knob affects all 10 CV outputs
• Modify 10 parameters from a single knob
• 30 gate and clock inputs and 10 CV outputs
• All clock inputs can be driven at audio rates
• Pairs well with the Trigger Riot and Circadian Rhythms
• Using it with a quantizer to extend its capabilities as a high-precision 1V/oct note sequencer

The 16 knobs of the Z8000 are accessed by ten sequencers with their own Clock, Direction, and Reset inputs. The ten sequencers are as follows:

• Four 4 step CV sequencers on the horizontal
• Four 4 step CV sequencers on the vertical
• One 16 step CV sequencer on the horizontal
• One 16 step CV sequencer on the vertical

• 28 HP Eurorack format module
• Maximum depth: 0.6" (15mm)
• Includes power ribbon cable with Eurorack power headers
• Power consumption: +12V: 70mA, -12V: 10mA

Related Questions and Answers

Q: 1. Will this fit the matrix II?

A: Yes, this fresnel lens can fit the Fiilex Matrix II.

Q: 2. If you has to choose between a Mola Setti or a Mola Demi for 3/4 portraits, which one would it be?

A: The Setti is beautiful warm light with contrast. A Demi is a beautiful light with slightly less warmth and less contrast. Both are beautiful but different. Either one would work well for 3/4 portraits. It all depends on your style.

Q: 3. Have you traveled on a plane with it? what are the actual measurements with the adapter? 28x ...? if you have flown with it, have you paid extra to carry it?

A: I am a fashion photographer and have flown with this dish, since it can be hard to rent locally in many places. It is big and heavy and needs to be boomed out and sandbagged carefully, but the light is amazing and I have used it for many editorial projects. I have the Mola case, which was extremely expensive, but it is the only option for air travel and even around town you need it if you run the PAD and opal glass stacked, as I do. I have never paid extra baggage - a little flirtation goes a long way in this world!

Q: 4. I found a Setti cheap (Dish, Profoto Speedring, and Diffusion Sock). So I'll still need a grid, and the Opal Diffuser. But just wondering... This one seems to have kind of a "creamy" white finish. I imagine it will produce a warmer color temp. Is that normal for a Setti or has this been painted/modified/refurbished? And also, 20 or 40 degree grid? And White, or Black?

A: Back in January I purchased the entire line of Mola soft lights. I would have to say that the Demi and Setti are two favorites. First its hard to know about the interior color of the dish being it could be just old and age discolored or just stored badly between uses. If it turns out to be a bit too warm for your liking I think I would opt for a CC gel to knock it back some. With regard to grids? I prefer the black 20,.....while some say the white gives a nice soft edge which I think is contrary to using a grid to start with.....it also knocks back the contrast which I don't like one bit. {looks odd to me} Also, don't lose any sleep over the Opal diffuser disc. I have several and have yet to use them on any of my dishes. I like them with the perforated disc alone. I think once you get set up with this dish you'll love it as much as all Mola users do. They have a completely unique look and feel to them. Oh, and a tip for storage? Put them back in their plastic shipping bag and store on their face, not on their sides.

Q: 5. How would I set this with the Cheetah-Speed-Pro-Bracket-MKI? What would I need? to mount it?

A: Totally agree with other answer. I would not recommend using a speed light with this. Invest in a strobe that has 360 light direction such as Profoto or Einstein.

Q: 6. How much for the shipment to China

A: This is a question for B&H directly as they would be shipping the product from their warehouse.Customer service at B&H will be able to assist you.

Q: 7. Has anyone bought a cheap case for the Setti? Links?

A: Check your local music store as they have some soft drum cases that should work well.

Q: 8. Can i photography my size 15 shoes inside? With the box?

A: This LED tent has various sizes if you pick one that is larger than your shoe it will work.

Q: 9. Does the power input support 220/230V sockets/voltage?

A: According to the manufacturer, the FotodioX LED Studio-In-a-Box (28 x 28") is only designed for use in the USA for 100-120V 60Hz AC voltage usage.  It would not be compatible for use on 220/230V 50Hz A/C electrical voltage.

Q: 10. Can I use this device to: 1) send analog out to ATEM Mic In. 2)USB to comp-1 streaming soft. 3) Dante to comp-2 running zoom?

A: Yes, the analog output from the Shure ANIUSB-MATRIX USB Audio Network Interface can be connected to the mic input on the Blackmagic Design ATEM Switcher (set the input level on the ATEM for line level audio signal). The USB port from the ANIUSB-MATRIX can be connected to a computer for streaming audio, and the Dante port on the ANIUSB-MATRIX can be connected to a network switch to receive Dante audio, Power over Ethernet (PoE), and data from the control software, then the second computer can be connected to the network switch to send and receive audio for the Zoom meeting.