Built in the classic low-power variable-optic configuration and featuring a reticle designed for Civilian Marksmanship Program's Service Rifle and NRA High Power Rifle competition use, the 1-6x24 S-TAC Riflescope from Sightron is ideal for use with modern sporting rifles. At low power, you will experience a wide field of view and situational awareness, while the 4.5x setting provides a detailed look at targets hundreds of yards downrange. The aluminum scope is rated for 1000 g of recoil, meets IPX7 waterproof standards, and is purged with nitrogen to prevent internal fogging from sudden temperature changes. You can change the position of the throw lever to suit your style and handedness. MC333 multi-coatings assure maximum light transmission for a crisp view, color-accurate view. The 30mm maintube allows 100 MOA of elevation and 60 MOA of windage adjustment at 1/4 MOA per click.

Competition Reticle, 2nd Focal Plane    30mm Maintube    1/4 MOA/Click Impact Point Correction    100 MOA Elevation, 60 MOA Windage    Repositionable Throw Lever    Sightron MC333 Multicoated    Machined from Single Piece of Aluminum    Nitrogen Filled, Fog & Waterproof

Located in the second focal plane, the etched-wire SR1 reticle was designed with NRA and CMP competition shooters' needs in mind. The clean reticle features 1 MOA horizontal stadia lines to assist with windage and holdover as well as assisting in keeping the scope level. There is also a lower 1 MOA stadia line, pointing up to a 9 MOA circle with a 1/2 MOA aiming dot.

Never experience drift with Sightron's patented windage and elevation adjustment technology. It provides proper alignment between the adjustments and the erector tube by maintaining the same constant and accurate point of pressure at zero or extreme adjustments.

Exclusive three-layer multicoating process employs a new technology applied to both surfaces of the lenses for excellent antireflection performance and 91% light transmission, delivering sharp contrast and clarity.

• Machined from a single piece of aluminum
• IPX7-rated waterproof
• Shockproof for use with the highest calibers
• Nitrogen gas charged for a lifetime of fog-free use

Related Questions and Answers

Q: 1. **Why** can't a continuous LED light (or 2, one on each side) be used with the Lastolite background? Aren't these designed for video use, also??

A: You could use a pair of higher powered COB LED like these SL200w https://bhpho.to/2N9fC6a. You will need to balance the power levels to your key light, you will want the lights in the background to be about 2 stops brighter than your key light.

Q: 2. What type of holder (if any) do you use for shooting?

A: The backdrop can stand on it's own, or you can strap it to a tradional background stand (2 stands and crossbar).

Q: 3. Can this be used both 6x7 and 7x6 configurations? I'm assuming 7' is the height, am I right?

A: The Manfrotto HiLite Illuminated White Background (6 x 7') BH #MAHL67 has openings to insert lighting. The unit is 7' high.

Q: 4. Does anyone know if the window voile (claims to be for the 6'x7' Hilite) works with the 7'x8' Hilite?

A: Unfortunately, the Lastolite Window Voile is only compatible with the 6 x 7 Hilite.

Q: 5. Can I steam the wrinkles out of this?

A: I do not think you will need to if product is used correctly. We own 3 and have never had to steam. The strobe lights firing inside of it will turn it completely white.

Q: 6. What would happen if you used colored gels on the speedlites inside the hilite? Anyone have time to try this out?

A: speed light will add color to the background but in order to illuminate the background more power in need. I would suggest a strobe unit of a least 500 watts in order to do so properly.

Q: 7. What is minimum Watt Seconds (one strobe/mono light) required to fill the unit with light? I.e., 100ws, 150ws, etc.?

A: Hello, I think minimum Watt Seconds is 300ws.

Q: 8. Is it possible use different colored light bulbs inside and turn this into a free standing illuminated green screen?

A: Yes, it would be possible to use colored light bulbs in the Manfrotto HiLite Illuminated Background (White, 4.6 x 3.6').

Q: 9. I have been shooting green screen and have seen people use this as an alternative to be able to use quick extractions. What method/software would you recommend if switching backgrounds from green to lit background?

A: I use the Magic Eraser Tool in Photoshop; one click anywhere on the background and it's gone!I would image that any software that will eliminate green can be used to do the same with pure white there must be a setting somewhere.

Q: 10. What kind of continuous light can we use inside the backdrop?

A: These aren't really designed for continuous lighting, so its suggested that you use monolights/strobes.