The Harrison Audio MR3eq 500 Series EQ takes the popular 3-band parametric EQ found on the classic Harrison Music Recording 3 (MR3) console and delivers it in 500-series format. Proving equally effective in both tracking and mixdown scenarios, The MR3eq's flexible design and powerful sculpting capabilities can be used to enhance a wide array of source materials while delivering the warm, rich Harrison tone that helped create some of the most iconic albums of the 70s' and 80s'.

Sound of Harrison from the 70 & 80s'    3-Band Parametric EQ, ±10 dB Boost/Cut    High Frequencies, 2nd-Order Bell Switch    Low Frequencies, 2nd-Order Bell Switch    Mid Frequencies, Continuously Variable Q    Separate High-Pass Filter, Switchable    Input Overload LED    Compatible with 500-Series Chassis

• Harrison consoles have helped create some of the most highly regarded and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagan, and many more iconic artists have relied on Harrison production tools to help create their multi-platinum albums.
• The latest range of 500 series modules from Harrison harnesses the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to make music that stands the test of time.

• The MR3eq is a high-performance analog EQ, crafted from Harrison's decades of experience in equalizer and filter design. The circuit design of this EQ allows for sound sculpting with surgical precision or the creation of broad musical strokes with lots of band interaction for a rich and colorful sonic character.

• This powerful 3-band parametric equalizer features low- and high-frequency 6 dB/octave shelf bands, which can be switched to a 2nd-order bell response with Harrison’s renowned proportional Q.
• The mid-frequency band offers a continuously variable Q, while a separate high-pass filter section includes a distinctive 3 dB resonant peak. 

• Harrison sound from the MR3 studio console
• For both precision EQ'ing and broad musical strokes
• 3-band parametric EQ, ±10 dB boost/cut
• High-frequency band: 800 Hz to 15 kHz, 6 dB/octave shelf band, switchable to 2nd-order bell
• Low-frequency band: 40 to 800 Hz, 6 dB/octave shelf band, switchable to 2nd-order bell
• Mid-frequency band: 400 Hz to 8 kHz with continuously variable, proportional Q
• Separate high-pass filter with characterful 2-dB resonant peak
• Input overload LED
• Compatible with 500 Series format chassis

Related Questions and Answers

Q: 1. Can this fit the Pelican 1615 Air AND with the Trekpak?

A: Yes, it fits.

Q: 2. Could you cover the junior magliner with it?

A: No this is designed to cover a 35mm motion picture camera

Q: 3. Does this fit on Pelican IM 3075 please?

A: No, the Harrison Lid Organizer Panel for Pelican 1650 (28 x 17.5") is too large for the IM 3075 case.

Q: 4. Is this bag completely light safe? I need to change 4x5 film on location and am considering replacing the tent I just bought with a bag for less weight in travel.

A: This bag is high quality, made of two layers that are closed in two zips in opposite directions. It is completely sealed and you can be absolutely sure that there will be no penetration of light as long as the zippers are completely closed and the hands are brought in with the sleeve above the elbow. There is no problem using shooting outdoors on location, but to prevent moisture from high humidity would recommend using a dry white gloves when dealing with film 4X5.

Q: 5. What is the difference between the Harrison Lid Organizer and the Jason Cases Lid Organizer for the 1615 Case? They look exactly the same and have the same photo.

A: They are very similar products made by two different companies. There are no substantial differences.

Q: 6. How small does the changing bag fold down to? And does support itself open with some type of flex frame or just lay flat?

A: It folds to about 12 x 10 . Then you roll it into an included bag that is about 13 x 4 . This is a flat bag, it is not the famous Harrison tent. I used flat bags like this for years and they are fine even with large 35mm 1000 magazines. However, if you are on a job that is 16mm or 35mm film and you will be doing hundreds of rolls, get the Harrison tent. You will thank yourself.

Q: 7. Where can I buy the separately purchased hook strip?

A: The hook and loop mounting strap is included with the lid organizer. If you would like to purchase additional hook and loop fastener strips, we have the General Brand Sticky Back Roll (3/4 x 5 yd) B&H # GBVEL90081, General Brand Sticky Back Roll (3/4 x 60 ) B&H # GBVEL90086, and a two-piece set of On-Stage HL4000 Hook & Loop Fastener Strips (3 x 41.5 ) B&H # ONHL4000. These items can be used for any purpose and cut to the size you desire.

Q: 8. So this you just plug into your output and will transmit the signal in the designated channel and then you can have as many PR-216 receiver to listen to the signal? Am I getting it right? is there a maximum number of receivers that I can use, will the signal get weak if I have a large number of receivers?

A: There is no limit on the number of receivers that can be used with the Comtek BST 75-216 P Mini Base Station Transmitter and the number of receivers does not affect the signal coming from the transmitter. There are different settings for the transmitter and recommendations for setup that can help to improve performance. Here is a link to the user manual which has all of the information: http://comtek.com/downloads/BST-75-216_manual.pdf

Q: 9. Is this bag large enough to use in conjunction with the Stearman sp 8x10 developing tank/tray?

A: Yes, the Harrison Film Changing Bag (Large)(36x36") listed above should be compatible and large enough for use with the Stearman Press SP-8 x 10 Daylight Processing Tray.

Q: 10. Does this work comfortably with 8x10 sheets and film holders?

A: This will work with 8x10" film holders.