Used it in my Ansco II twin lens camera. Great film. Hard to find anywhere else. 120 film on a 620 spool for compatibility. Love it.

Everyone's already given great reviews here. Great film that's re-spooled to 620. Great in my old folder.

This was my first experience with Tri-X, although I have used other B&W films. I used it in an old Kodak Brownie that belonged to my dad when he was young. There's not much in the way of exposure control on that camera, so I was a little suppressed to see the negatives come out in such great condition. This is fairly expensive film so I won't be using it often, but it works great!

I just found an old Kodak Tourist 620 Camera that had been sitting in my closet for years, only to realize that as great as this camera is, I might not be able to find film for it. Well lucky for me, B&H is not too far from me, and when I went there to see if they had 620 film they sure did. The fact that 120 & 620 are the same size helps, and the 620 they sell is just actually 120 film respooled onto a 620 core. I shot 2 rolls of TriX 620 and it came out great. Thanks to B&H, this old camera can now be used again and again.

When I was young I asked a friend what camera to buy.He told me,I remember,don't ask about cameras,ask about films. So,I then stayed with my folding KODAK Junior I and tried different kind of films,mostly,the famous KODAK Tri-X of 60's and the early 70's. The years passed,I grew older and older and 620 films bit by bit started to fade out till they completely vanished from market.The era of 35mm and 120 had come. Few months ago,for my good luck,a friend adviced me from where I could find what I was looking for years: A 620 film for my KODAK Junior.And thus, the past was revitalized with Tri-X Pan from BH. That film was specifically made for shadowed (dull,hazy or heavy overcast)images.On the contrary,I used it in full daylight on my folding KODAK which has a fixed aperture (f/16 or 22) and a fixed shutter speed (1/60). I was really amazed from the results.No burned out areas,no dark shadows,but an equal tonal range.And of course,no under or over development (...).A never treat that way my negatives.Of course,I always take care the way that my subject is lighted and try to have equal quantities of light and shadow,in the frame. Literaly,for those medium format film lovers,who do not have expensive equipments,I would say in a different way the wise words of my friend: If you cannot afford buying expensive cameras,buy affordable films like the Tri-X Pan.You will see that simple things are sometimes much better from complicated and multifunctional camera gears. Kyprianos Christodoulides Athens/Greece

Theres really nothing i could say about Tri-X that hasn't been said. Its a great versatile black and white film with good latitude and a medium to high level of grain. In this size though, its almost negligible. The real great hing about this one though is that its 620!!! Thats right you can get out your old 620 camera and shoot in it with this. I wouldn't suggest bulking up on dozens of rolls of this as its fairly expensive, but go ahead and get two rolls and use them to re-spool rolls of 120 onto the reels. Its less hassle than searching certain auction sites for reels, and you get some film with it.

I used this film in an old kodak brownie camera found in an attic...the film was perfect

I have two Kodak Monitor six-20's and have been re-spooling my film from 120 to 620 for years. I never thought to see over-the-counter 620 film again. Here it is! And not some obscure eastern European film, but the world's best film - TriX! Amazing! Of course, there should be some charge for re-spooling. Takes me about 10 mins/roll. ...