I use my Sweet 50 on a Scout body to do tabletop photography and have tried both #1 and #2 close up lenses with it for close work. Both combinations work well. I like the Sweet 35 also but the 50 gives me better separation from the b'ground. With the manual focus magnifier of my Pentax K-3 it works great.

Item is just as described. Connectors are decent quality. Fine for my needs (sound reinforcement in church). I will not be unplugging frequently,

I was looking for something to put something extra in my portraits and this fits the bill. Not gonna lie, it takes some practice to nail focus but the results are worth it.

This is a nice addition to the Lensbaby swappable optics lineup and complements the Sweet 35 and Edge 80. It is nice to have aperture controls built into the lens. Quality is very good.

I didn't need a larger snake for my smaller shows and productions. This snake had 6 mic sends and 2 speaker returns which filled my needs just nicely. Now instead of having 5 mic cords and 2 speaker cords going down to the stage from my sound booth, I have only the one cable with everything else tucked out of sight behind stage. Less clutter, and less confusion as to what wire is going where.

Good quality product. Used for various temporary sound setups. Works great.

Small lightweight and havent had any issues gret product

I don't know how I've managed to work w/o this piece of equipment for so long. Works like a charm and what a difference it makes to lessen clutter of cables.

next day delivery so beautiful and great item thanks b&h

I already own the Lensbaby Composer Pro with Sweet 35 and Edge 80 Optics. It took some practice and getting used to; but once I did, I had a lot of fun with these lenses and took some great portraits with them. I was excited to hear about the Sweet 50, as it's a great portrait focal length, especially for those with APS-C cameras like I have, so added it to my collection.Remember, this lens is completely manual, so you may need to dial-in the focal length and aperture into your camera's menu settings so they they are recorded in the resulting file's metadata; and/or carefully watch the manual focus and exposure cues in your viewfinder/LCD display. The key is to slow down.But get those right, and the results are some lovely, narrow sweet spot focus (depth of field) with deliciously smooth bokeh falling away from it. It's not in the same league as the far more expensive prime lenses out there: there are some amazing pieces of glass that can do this too. But tilt the Lensbaby lens around and things really get fun, with different areas/planes of focus with some diorama effects.