Designed for digitally networked installed sound applications, the Lab.Gruppen D 80:4L is a 2 RU, four-channel 8000W amplifier, well suited for stadiums, arenas, theme parks, performing arts centers, race courses, and other large commercial sound installations. The D-Series amplifier borrows from the flagship PLM Series amplifier platform, which has a proven record of reliability and sonic performance.

In addition to Lab Gruppen's legendary reliability and sonic excellence, the D Series incorporates newly refined output-stage technologies with installation-targeted hardware and software features that optimize the amplifier's system design and configuration. Together, these new technologies allow system integrators to minimize both initial equipment costs and end users’ long-term energy consumption.

4 x 2000W Channel Outputs    IntelliDrive: 70/100V & 2, 4, 8, 16 Ohms    Energy-Efficient Class-TD Amplifier    Integrated 8x8 Dante Network    Comprehensive Circuit Protection    Analog and AES Inputs    Advanced Lake Digital Signal Processing    Includes Block Connectors    Includes Power Cord

• 8000W amplifier with 4 flexible output channels and up to 5900W channel output
• Lake digital signal processing for unparalleled loudspeaker management and system control
• Integrated 8x8 channels of dual redundant Dante digital audio networking with AES67 support
• Proven and reliable Class-TD output stage with proprietary Intercooler high-efficiency cooling system
• Rational Power Management (RPM) provides total flexibility to allocate available power across all 4 output channels
• Best-in-class Power Factor Correction (PFC) with Current Draw Modelling reduces running costs and minimizes environmental impact
• Under-Voltage Limiting (UVL) for continued operation during severe mains supply voltage drops
• Dedicated on-board surveillance and load monitoring for mass notification applications
• Redundant audio inputs and onboard system surveillance for voice alarm systems
• CAFE (Configuring Amplifiers For the Environment) software for design, system planning, equipment planning, installation and commissioning
• Control and monitoring integration with 3rd-party matrix systems including MediaMatrix and Q-Sys via dedicated interfacing software
• Dedicated front-panel mute buttons for each amplifier channel with bicolor LED indication
• 4 Lake Class analog input channels with Iso-Float ground isolation for reliable audio distribution
• 4 input channels of AES/EBU (AES3) digital audio supporting all standard sample rates up to 192 kHz with 24-bit resolution
• 2 Neutrik etherCON RJ-45 ports provide dual redundant Dante interfaces and remote configuration via Lake Controller and Dante Controller software
• Balanced analog and digital audio inputs and amplifier outputs on plug-in Phoenix connectors
• Detachable Neutrik powerCON cable rated at 250V / 32A
• Removable dust filter grille for increased air circulation and simple maintenance
• Rugged 2 RU rackmount chassis including rear support brackets for ease of installation

• At the core of the D Series platform is Rational Power Management (RPM), a proprietary Lab Gruppen technology that allows system designers and integrators unprecedented freedom to allocate the output power available on each channel for optimum performance with specific load conditions.
• RPM technology also enables the integrator to minimize initial equipment costs and reduce rack space requirement since with conventional installation amplifiers, it is often necessary to overspecify amplifiers to meet the maximum power demand on one channel, leaving excess power capacity wasted on the remaining channels.
• Reduces costly excess capacity by allowing reallocation of output power capacity among the four channels—with one channel on the D 80:4L capable of delivering up to 5000 W power output, and leaving any remaining available power to be allocated to the other channels for less demanding loads.

• The D 80:4L can be configured and monitored using the new CAFE (configuring amplifiers for the environment) software suite. In addition to providing comprehensive system surveillance and configuration of RPM features, CAFE includes an innovative design aid—the Equipment Specification Predictor (ESP)—that provides tools for optimum specification of D Series units. 
• ESP examines the system and load requirements, and then supplies recommendations for the installation that include model and quantity of D Series units, the heat generated, channel distribution inforamtion, and current draw. The end result is accurate mains management and precise specification of cooling systems and UPS when required.

• All D Series Lake versions provide extraordinary input flexibility—the legendary power of exclusive Lake processing algorithms, comprehensive control and load monitoring via Lake Controller, and seamless integration into Dante digital audio networks. 
• In addition, by employing third-party middleware, D Series Lake versions can be integrated into other widely used networked digital matrix systems. All three D Series Lake models incorporate four full-featured Lake Processing modules, with four discrete channels of audio throughput, input to output. Audio signals are selectable from four channels of analog (each with exclusive Iso-float ground isolation), four channels of AES3 digital, or eight dual redundant Dante networked digital inputs. 
• Input signals are individually selectable for each channel, with programmable failover to analog. The full-featured onboard Lake processor includes group control with Raised Cosine MESA EQ asymmetric filters to match the responses of many loudspeaker systems. LimiterMax peak and RMS limiters set the industry standard for loudspeaker protection and sonic transparency.

Related Questions and Answers

Q: 1. Does this have the GR mark2 sensor?

A: The Ricoh WG-80 Digital Camera has a small 1/2.3" (6.17 x 4.55 mm) sensor. While the Ricoh GR II has a larger APS-C (23.7 x 15.7 mm) size sensor.

Q: 2. Does this camera have the option to directly transfer photos to your phone through WiFi?

A: No, the Ricoh WG-80 Digital Camera (Orange) does not have wi-fi to transfer images wirelessly.

Q: 3. Time lapse capability?

A: The Ricoh WG-80 Digital Camera does create time lapse movies from still images automatically in camera. It does not store the individual still images though.

Q: 4. Is it possible to angle the boom straight up in the air, if you needed more height, but wanted the option of sometimes using the boom arm?

A: Yes, the LATCH LAKE micKing 2200 Boom Microphone Stand can be used with the boom arm positioned straight up to achieve more height.

Q: 5. Is one allowed to connect Boss BR-80 to a guitar amplifier, and how to do it? Via line out? Is it the way to monitor the recordings etc. (besides having the earphones)? Or is it better to connect it to a home hi fi stereo set and how?

A: Connect the Boss MICRO BR BR-80 to the amp via its line input and monitor via the BR-80's Headphone out with headphones or connect powered speakers or a home AV receiver to its LINE output.

Q: 6. Is the LCD screen back light? In previous underwater ceras I've had the LCD screen is not backlit and it very hard to see underwater.

A: Yes, the lcd screen on the Ricoh WG-80 Digital Camera (Orange) is back lit.

Q: 7. How well does this camera perform in low light?

A: The Ricoh WG-80 is outfitted for outdoor and underwater photography with a sufficient amount of light in the environment. The camera has a maximum aperture f/3.5 to 5.5 and an ISO sensitivity range of 125 to 6400. The aperture is not typical for low light conditions, but the camera does have a built-in flash and LED ring light to assist in those lighting conditions.

Q: 8. Would this amplifier be suitable for use in a home studio as a reference amplifier to power two Yamaha NS10 speakers?

A: This amplifier is designed and intended for use with and supports 70V and 100V installations.

Q: 9. What is the actual amperage draw for this amplifier?

A: At this time, that specification is not listed by the manufacturer.

Q: 10. Can I use 2 of these for my Atmos speakers 4 speakers?

A: So long as your Atmos speakers were spec'd for a program power rating of 200 watts at 8 ohms per speaker, then yes this amp could work. To maintain 4 channel separation, you would want to run 2 amps for 4 speakers.