Capture a classic widescreen look using the ARRI PL-mount Remus 100mm T2.8 Full-Frame 1.5x Anamorphic Lens from BLAZAR LENS. This cine-style prime lens supports full-frame capture and in 3:2 full-frame anamorphic de-squeezed image. Use the Remus 1.5x Anamorphic lens series to add a retro cinematic look with enhanced oval bokeh and silver flares to your footage.

The T2.8 maximum aperture enables you to capture shallow depth of field looks that help emphasize and separate your subject from the background. Cine-style design features include 0.8 MOD focus and aperture gears for use with pro follow focus systems, a 1/4"-20 lens support thread, an 80mm front diameter, a 77mm filter thread, and a barrel with 150° of rotation for precise focus pulls.

Retro Look, Covers 3:2 Full-Frame Sensor    Aperture Range: T2.8 to T22    1.5x Full-Frame Anamorphic Squeeze    Anamorphic Silver Flares    16-Blade Iris with Soft, Oval Bokeh    80mm Front Diameter, 77mm Filter Thread    Minimum Focus: 2.32'    Focus Scales in Feet

The Remus 1.5x series has a constant 1.5x squeeze factor and supports 3:2 full-frame shooting. The lenses cover a 36 x 24mm image circle.

Related Questions and Answers

Q: 1. Is there a PL to RF adapter for this lens? Hoping to figure out a way to use it with a canon r5

A: Yes, you can use the DZOFilm Octopus Lens Adapter (PL to Canon RF), B&H # DZOADPLRBLK, to adapt the BLAZAR LENS Remus 45mm T2.0 1.5x Anamorphic Lens. https://bhpho.to/3l6e6xl

Q: 2. Why doesn't the 100mm Remus come with an EF mount option like the other ones?

A: The BLAZAR LENS Remus 100mm T2.8 Full-Frame 1.5x Anamorphic Lens EF mount is offered as a separate option for this lens by Blazar. BLAZAR LENS Remus 1.5x Anamorphic Lens Mount Adapter (Canon EF) BH #BLREEFMT

Q: 3. I shoot Red Gemini, will the image oval of this cover Geminis larger than typical 4perf height 30x18mm sensor in open gate?

A: The BLAZAR LENS Remus 35mm T1.6 S35 1.5x Anamorphic Lens (ARRI PL, Blue Flare) covers a 25x17mm image circle

Q: 4. Is it possible to use this lens on a Super 35 sensor?

A: Yes, the BLAZAR LENS Remus 45mm T2.0 1.5x Anamorphic Lens and all other full frame lenses can accommodate super 35 sensors.

Q: 5. Hello, regarding what is stamped on the 100mm Is T2.8 but everywhere even in specs is written T2. what is the correct aperture?

A: The BLAZAR LENS Remus 100mm T2.8 1.5x Anamorphic Overview is indeed T2.8, as the barrel length cannot maintain a T2 aperture like the smaller lenses in the set.

Q: 6. I noticed on the compatibility section, this lens is compatible with C200, C300, etc. Is it compatible with Canon C100 also?

A: Yes, the BLAZAR LENS Remus 35mm T1.6 S35 1.5x Anamorphic Lens (ARRI PL, Amber Flare), in both ARRI PL and Canon EF mounts, is compatible with the Canon EOS C100 Cinema Camera line.

Q: 7. Will this work and fit with the Blackmagic Full Frame Cinema 6k?

A: No, the EF mount of the BLAZAR LENS Remus 45mm T2.0 1.5x Anamorphic Lens (Canon EF, Blue Flare) will not connect to the L-Mount of the Black Magic Cinema 6k camera. . An adapter would be required. Viltrox Canon EF/EF-S Lens to Leica L-Mount Camera Pro Lens Adapter BH #VIEFLPRO • MFR #EF-L PRO

Q: 8. Are they compatible with the Metabones RF-PL Cine 0.71x Speedbooster? Will they mount correctly?

A: As the rear element of the BLAZAR LENS Remus 45/65/100mm T2.0 Full-Frame 1.5x Anamorphic 3-Lens Kit with Case (ARRI PL, Amber Flare) protrudes approximately 15mm from the flange, these lenses will not be compatible with the Metabones ARRI PL Lens to Canon RF-Mount T Cine Speed Booster ULTRA 0.71x (EOS-R).

Q: 9. Is there a version with /i lens data possible?

A: Currently, there is no version of the BLAZAR LENS Remus 35mm T1.6 S35 1.5x Anamorphic Lens (ARRI PL, Silver Flare) that will provide /i lens data.

Q: 10. I'm thinking of purchasing 1 blue and 1 amber flare model. Other than the flare, will the overall color rendition by the same?

A: The BLAZAR LENS Remus 45mm T2.0 1.5x Anamorphic Lens will have slight color shift between the blue and amber flare due to the difference in lens coating to produce the distinct flare colors. Lens tests would be recommended to determine if the color differences are tolerable for your application.