Capture a cinematic widescreen look using this BLAZAR LENS CATO 85mm T2.8 Full Frame 2x Anamorphic Lens with your ARRI PL mount compatible camera. This anamorphic lens supports full frame capture for a 2x de-squeezed image with silver flaring. The 16-blade aperture produces a smooth, rounded bokeh. A wide T2.8 to T22 aperture range allows for flexible depth of field adjustment within the 71.7° iris rotation. A 2.51' minimum focus distance can be adjusted with the focus ring and its 210° rotation. The lens has a cine-style design with 0.8 MOD focus and aperture gears, 85mm front diameter, and 82mm filter thread.

Full Frame | T2.8 to T22 Aperture    2x Anamorphic Squeeze, Silver Flares    16-Blade Aperture    85mm Front Diameter, 82mm Filter Thread    210° Focus Rotation, 71.7° Iris Rotation    2.51' Minimum Focus Distance

• T2.8 to T22 aperture range
• 2x anamorphic with silver flaring
• 85mm front diameter, 16-blade aperture
• 82mm filter thread
• 210° focus rotation, 71.7° iris rotation
• 2.51' minimum focus distance

Related Questions and Answers

Q: 1. Does this lens have a lot of distortion? And would it hit the mirror of a DSLR if the camera is converted to PL Mount?

A: The DZOFilm VESPID 12mm T2.8 Cine Lens (ARRI PL & Canon EF) does have some noticeable barrel distortion around the edges. I suggest viewing some images shot with the the lens to determine for yourself if the amount of distortion is a deal breaker for you or not. So long as the camera has a PL mount, you shouldn't have any problems using the PL mount of the DZOFilm VESPID 12mm T2.8 Cine Lens (ARRI PL & Canon EF).

Q: 2. Is there a version with /i lens data possible?

A: Currently, there is no version of the BLAZAR LENS Remus 35mm T1.6 S35 1.5x Anamorphic Lens (ARRI PL, Silver Flare) that will provide /i lens data.

Q: 3. Will this lens work perfectly with Lumix S1H?

A: This lens has a Leica L mount, which does not allow it to inherently work perfectly with the S1H.

Q: 4. When this going to come for Sony E mount ?

A: Unfortunately the manufacturer has not yet announced plans for any additional mounting options. However you could use a pl to e mount adapter to appropriately mount this lens to an e mount body. We suggest the Metabones MB_PL-E-BT1 https://www.bhphotovideo.com/c/product/1194555-REG/metabones_mb_pl_e_bt1_pl_to_e_mount_adapter.html

Q: 5. will this work with the original alexa mini?

A: Yes. Will also accommodate up to ALEXA LF 8K sensor.

Q: 6. Are they compatible with the Metabones RF-PL Cine 0.71x Speedbooster? Will they mount correctly?

A: As the rear element of the BLAZAR LENS Remus 45/65/100mm T2.0 Full-Frame 1.5x Anamorphic 3-Lens Kit with Case (ARRI PL, Amber Flare) protrudes approximately 15mm from the flange, these lenses will not be compatible with the Metabones ARRI PL Lens to Canon RF-Mount T Cine Speed Booster ULTRA 0.71x (EOS-R).

Q: 7. Just wonder if they will work properly with Canon r5 c using adapter?

A: Yes, the BLAZAR LENS Remus 45/65/100mm T2.0 Full-Frame 1.5x Anamorphic 3-Lens Kit with Case (Canon EF, Amber Flare) works perfectly with the Canon Mount Adapter EF-EOS R.

Q: 8. Hello, regarding what is stamped on the 100mm Is T2.8 but everywhere even in specs is written T2. what is the correct aperture?

A: The BLAZAR LENS Remus 100mm T2.8 1.5x Anamorphic Overview is indeed T2.8, as the barrel length cannot maintain a T2 aperture like the smaller lenses in the set.

Q: 9. How is it that DZO can make a 12mm full frame lens that accepts front lens filters, yet their 16mm can not?

A: The DZOFilm VESPID 16mm T2.8 Cine Lens (B&H # DZ16VPL) has a convex glass design that would not allow for threaded filters to mount. Usually, matte boxes are the solution for filters paired with cine lenses, with the exception of some that can support threaded filters. It's also DZOFIlm discretion to produce the type and style of cine lenses within their collection.

Q: 10. What is the thread size on the taken lens side? I can't find it in the specs.

A: The Great Joy 1.35x Anamorphic Adapter has a 67mm (M67*0.75 Thread) lens mount.