Get the ultimate wind protection for you omnidirectional lavalier, field-recording, or headset microphone with the Bubblebee Industries The Windbubble PRO Fur Windscreen (White, Small). The PRO version features a special rubber mount, which absorbs shocks and stops the transference of vibrations through to your microphone's capsule. This small-sized Windbubble PRO easily fits on microphones with a diameter of 5 to 6.5mm. The package includes one fur windscreen.

Note: The Windbubble PRO is only suitable for omnidirectional microphones. If you have a cardioid/directional microphone, then the original Windbubble is the preferred microphone windshield for your mic.

Wind Protection for Omni Lavalier Mics    Also for Field Recording & Headset Mics    Fits Mics 5 to 6.5mm in Diameter    Multi-Pile Faux Fur    Soft Rubber Mount    Acoustically Transparent

• Deity: W. Lav
• DPA: 4060, 4061, 4062, 4063, 4466, 4071, 4066, 4166, 4266, 4488, 4188, 4288
• Rode: Lavalier, Lavalier Go, SmartLav+, LINKLav
• Sennheiser: ME 2 (old style with removeable popshield 5.8mm in diameter from G2/G3 series)
• Omnidirectional lavalier, field-recording, and headset microphones 5 to 6.5mm in diameter

• Unlike hard plastic mounts, The Windbubble PRO's soft rubber mount absorbs shocks and stops vibrations transferring to your mic's capsule.
• In addition, the rubber mount has a slight, conical shape inside, which prevents you to push your microphone too far into the windshield. This is very important to ensure that your microphone has a "bubble" of dead-air around the capsule for optimal wind protection and audio clarity.
• This means that your mic will consistently stay in the best possible position inside the windshield, making it possible to engineer a smaller, overall profile for the Windbubble PRO without compromising on the efficacy of the wind protection. 

• The rubber mount holds the furry windshield firmly in place on your mic, making sure it doesn't slip off mid-shoot.

• The Windbubble PRO utilizes the company's multi-pile faux fur specially designed with varying lengths of fur to help gradually slow down the wind before reaching the mic.
• The base of the fur has a higher density of shorter hairs and an acoustically transparent backing material for maximum frequency transparency.
• The mic's capsule is kept in a calm bubble of wind protection and allowed to perform at its best.
• The Bubblebee fur is less shiny than others to better blend with skin, clothes, and other surrounding materials.

Related Questions and Answers

Q: 1. Can I use the lav mic but also use a deity mic on top of my camera? To use 2 different mics

A: Yes, it would be possible to use the Rode Wireless GO II 2-Person Compact Digital Wireless Omni Lavalier Microphone System/Recorder Kit alongside another microphone connected to a camera, but how the microphones are connected depends on the camera's options for audio input. A small camera mixer such as the Beachtek DXA-MICRO-PRO Active XLR Compact Adapter (BH #BEDXAMICROP) could accommodate multiple microphones of different types and send their mixed signal to the input of a DSLR camera, as an example.

Q: 2. What happens when the internal recording media on the mics runs out of space? Can I continue using the mics with the receiver once the recording media is full?

A: The Rode Wireless GO II 2-Person Compact Digital Wireless Microphone System/Recorder can record up to 40 hours of compressed audio, or up to 7 hours of uncompressed audio. When the internal storage is full, the unit will continue to record, overwriting the oldest recorded block so you always have the most recent audio available, with no need to delete files or format the storage. To ensure you don't lose any audio you haven't saved, we recommend backing up your audio after each recording session.

Q: 3. How come B&H is literally the only place that is reporting 32-bit float recording. Are you 100% sure about this? It's not even mentioned on the Rode website, yet you would think it would be a flagship feature...

A: The Wireless Go II does not record 32-bit float files directly to the transmitters. With the free Rode Central app, the Wireless Go II has the ability to capture up to seven hours of uncompressed 24-bit / 48 kHz WAV audio or 24 hours of compressed audio directly to each transmitter without the need for an SD card. The Central app provides access to the recording features and also enables exporting and optimization of the recorded files from each transmitter so you can save them to a computer. The recorded files can be saved in various formats such as MP3 or WAV and in 16-, 24-, or 32-bit float.​

Q: 4. Can i use 2 sets of these connected to a PC over USB to function as a audio interface for 4 people for livestreaming? also how do the receivers show up in winows as a separate audio device for each transmitter or somehow combined?

A: You would need to connect to an audio interface that has at least 2 mic inputs. You would need a Kopul mini - XLR adapter (in the following link) for each receiver to be able to connect it to an audio interface. The receivers would not show up as separate devices. You control the level of each receiver on the audio interface itself. https://www.bhphotovideo.com/c/product/985832-REG/kopul_a_xmmf_adapter_xlr_male.html

Q: 5. How can I mount it to a BMPCC 6K PRO?

A: The receiver will mount in a shoe. Yuu can use this adapter here: https://www.bhphotovideo.com/c/product/860269-REG/Revo_sa_cs_14m_Hot_Shoe_to_1_4.html?sts=pi&pim=Y

Q: 6. Can I control the input level of each track separately?

A: Gain control for the Rode Wireless GO II 2-Person Compact Digital Wireless Microphone System/Recorder is found on the system's receiver and affects both channels simultaneously.

Q: 7. How does the audio quality compare to traditional wireless lavs like the Sennheisers G3/G4 ?

A: The audio quality is very, very good and compares well with the Sennheiser products in most operating environments, given the cost differential.

Q: 8. Can I use one the two transmitters on a guitar or ukulele?

A: Yes. You can use them on anything but the sound is optimized for voice.

Q: 9. In the first version, it was easy to clip audio at the transmitter level. Is this the case here, or has this been adjusted?

A: On the bottom of the receiver it has a 3 stage gain control, adjust it as need it. If you would like more control over the gain please use Rode's app that allows you to adjust the level in 3 dB increments from 0 to -30 dB.

Q: 10. To use it as a handheld mic. How does the audio compare to Shure SM58 or Sennheiser e835?

A: The Rode Wireless Go is not designed for hand-held use and is not comparable to hand-held mics. Rode Transmitter has a built-in mic(Omnidirectional) that is much different than hand held mics such as SM58 or E835, both of which are Cardioid Dynamic mics, designed to be used within 3-4" of lips. Rode Wireless Go: Microphone Form Factor Integrated Sound Field Mono Operating Principle Pressure Operated Capsule Electret Condenser Polar Pattern Omnidirectional Frequency Range 50 Hz to 20 kHz Equivalent Noise Level 22 dB A-Weighted Maximum SPL 100 dB SPL Shure SM 58: Shure SM58-LC Specs Microphone Sound Field Mono Capsule Dynamic Polar Pattern Cardioid