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Tiffen 52mm Warm Black Pro-mist 3 Filter

Tiffen 52mm Warm Black Pro-mist 3 Filter
  • Product Code: ga1569
  • Availability: In Stock

$161.97 $205.70

The Tiffen 52mm Warm Black Pro-Mist 3 Filter helps to reduce the value of the highlights while slightly lowering the overall contrast. This filter is especially useful for smoothing out and softening facial wrinkles and other blemishes. While designed for use with movies, this filter can also be used for fashion and beauty applications. Unlike a traditional diffusion or soft focus filter, Pro-Mist filters provide little loss of detail across the image. The 3 density provides a noticeable amount of contrast and highlight reduction and allows for a soft, pastel-like quality of light.

This filter also combines the diffusion effect with an 812 warming filter for providing a general warmth to the image and for improving skin tones. This warming effect also helps to reduce blue sensitivity and for cutting through overly cool tones within the scene.

Tiffen filters are made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass, grinding flat to a tolerance of 1/10,000th of an inch, and then mounting to precision metal rings.

Reduces Highlights and Lowers Contrast    Softens Wrinkles and Blemishes    Creates a Soft Quality of Light    Warming Filter Combination    ColorCore Technology

Parameters
Size52 mm Rear Filter Thread 
Ring MaterialAluminum
Packaging Info
Package Weight0.2 lb

Pro-Mist filters provide little loss of detail across the image compared to traditional diffusion and soft focus filters.

Especially useful for smoothing out and softening facial wrinkles and other blemishes.

Pro-Mist filters provide little loss of detail across the image compared to traditional diffusion and soft focus filters.

Warming filter helps to reduce bluish casts and provide more balanced skin tones.

Related Questions and Answers

Q: 1. So you can put all 3 ND on each other and make a 9 stop ND filter? Will these all stack with each other with a step up ring on? I have a 55mm thread filter lense I want to use this for to but I want them to stack with all of my lenses with step down rings

A: You can stack all three of these filters to create 9 stops, however by doing so you are increasing barrel length. This may result in vignetting as your camera may see the filter rings when shooting at wide focal lengths. A step up ring from 55 to 72mm may help with this, a step down ring would have the opposite effect and result in severe vignetting.

Q: 2. Does this filter rotate to adjust the polarizing effect?

A: Yes it does rotate to adjust the polarizing effect.

Q: 3. Is the Moose polarizing filter coated ? Thanks.

A: If you mean an anti-relfective coating, I do not believe so. However, I wouldn't classify this a neutral density filter either. I feel that it tends to muddle blues. That is skyies and water tend to come out not as vibrant. I suppose this is the 'warming' aspect of the filter.

Q: 4. Is the filter front-threaded to allow lens cap to be placed on it?

A: Yes it is. I had no problems utilizing my lens cap.

Q: 5. Does this fit a cannon 58mm lens?

A: Yes it will ! filter thread today is universal ! Only differences is bayonet used on some German lenses which the canon is not !!!

Q: 6. How many stops of light does this filter induce? And are the elements made from glass or resin?

A: I am sorry the element looks like glass but does not say glass on any literature on the plastic container.Also did not test for stop reduction.I purchased the filter for our trip to Yellowstone last June and provided some nice photo's of the springs and Geyser's. Not good for sun sets.

Q: 7. Any vignetting on a wide angle lens tamron 35mm 1.8 on a full frame?

A: I would eat my light meter if one filter ever vignetted on a 35mm lens mounted to a full frame camera.

Q: 8. To be honest I have not researched lens composition. I read about this filter in a magazine many years ago and now have one for every lens. Does it make a difference? I have always assumed the lens was glass. As to light loss, I agree with another response and have never faced major light loss. If used in daylight it has never altered stops. Further, I would agree that light loss would be almost nothing to maybe 1 to 1.5 stops although the latter seems rather extreme. Not sure what you are looking for to render a decision, but I would never be without this lens, especially in the fall and doing landscapes/mountains.

A: I am 73 years old, have had one since they first came out. Now I have four.C.B.

Q: 9. In the digital age is there anything a warm polarizer can do compared to a regular polarizer and warming the image when editing?

A: No not really, you can achieve similar results in post, but it is almost always better to expose the image as intended in the camera compared to in post. It gives a more authentic/natural and cleaner look.

Q: 10. how do I remove it? I thought I screwed it on, but now I cant remove it by unscrewing!

A: It sounds like you may have screwed it in too tightly and the outer ring is probably spinning when you try to unscrew it. Please remember that it will be righty tighty lefty loosey. Try using something like a rubber band to grip the inner ring on the lens side and gently but firmly twist it in a counter clockwise direction as you are facing the filter on the lens.

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