I had never before felt the need to write down a review for something I purchased on internet but I do it now because I was searching on web for a long time to find a kind of quality lights that can stand up on daily use.i am a professional videographer and the quality of lights is one of the major issues while filming. This LED panel was the response to all my problems it's easy to carry around for travel , is cool to the touch, and is bright , color-accurate and puts out a lots of throw. Moreover not only the lights are very bright, illuminating a set well for close and relatively long range but also light's color is pure without any weird tones that shouldn't be dominating a scene. You can also use it t0 fill-wash over a scene with light, or as a key light to accentuate shadows and any contrast. Moreover I have to mention that the shipping process was a breeze as lights arrived only within 2 days after my purchase!all in all a highly recommended product!well done guys!

We've been using these lighting fixtures for a documentary that requires indoor interviewing and location-based shoots for interviews, events, and even a couple of action shots. This kit was more than sufficient for our lighting needs. The fixtures are absolutely bright when we need them but they're versatile enough such that we can dim them to about 45-50% of capacity and we get enough power for the shoot. The color the lights produce is awesome and everything we've shot has looked spectacular without filtering or retouching. The panels are built of sterner stuff than we're used to and the light stands are so solid.

These are really the best LED's I've used. They're extremely well built and put out a lot of light. I have a 1000 and 500. I use the 1000 as my key, a bounce for my fill and a 500 for my backlight. Most other LEDs out there don't really pack too much of a punch, but these do. They claim to be a 1000w tungsten equivalent and they are. Just compare the photometrics to any other LED out there. It's not even close. They've been great to bring to location work and not have to worry about flipping a breaker. Also, the color on these lights is really great, perfect balance. I definitely recommend these lights. The best part, you can even run a thick diffusion on them and still have plenty of light to work with and bounce

This light kit is a happy medium for what you're looking for in a light kit. For an interview or small scale shoots, this kit is a tad bit pricey, but not astoundingly so. For more ambitious productions like indie film (which is what I do), this kit is a steal. The lights are very bright, clean, and pack a punch. One light alone throws out over 18,000+ Lux at about 3 feet. You won't find better power than that on the market, especially for the price. It's also remarkable to see the lights perform so consistently, with no noticeable dip in color temperature. The build of the lights is outstanding too. Generally, I worry about LED frames being too thin and plasticky to handle wear and tear. The Dracast lights feel more substantial and less plasticky. The light stands that come with the kit are also sturdy. The soft cases aren't much to write home about, but they're sufficient enough for transport (I'd rather use a Pelican case when I can). All in all, this kit is a bargain, if you need a high-performance kit fit for any kind of shoot.

I have been thrilled with the Dracast LED1000. It is lightweight, durable, and most importantly: It works. I had a large series of commercial office shots that I needed to take for my business, these ranged from smaller interior offices to larger windowed offices and everything in between. I found that this light was able to provide the versatility that I needed to capture quality shots, while being very light and easy to set up. I am currently walking in a cast, and doing this job on my own would have been nearly impossible if I had used my regular lighting set up. I am seriously considering the purchase of another two of these set ups. The LED gave me the light I needed, the adjustable angles helped me position it where I needed it, and there wasn't an excess of heat being given off. Two thumbs way up!

This thing is great for both indoor and outdoor filming, lightweight and compact so it's very easy to haul around, and doesn't get overly hot so you can put it away or move it without having to wait for it to cool down or burning yourself. It is plenty bright and looks very natural, which I am extremely happy with. All too often light looks artificial, which as we all know is never good on film. What I think I like best is that it can be either battery powered or plugged in, which makes for efficient production. Put simply this is the best piece of lighting equipment we have on our set.

About a year ago I purchased a cheaper LED light kit for doing on location interviews. Well, after two of the three of my bargain LED lights broke, I decided to replace them with Dracast. What can I say? These are, without a doubt, dollar for dollar, the best LEDs you can get. I noticed the huge difference in quality the minute I took them out of the box. They're made of metal, not plastic, and the light output is tremendous.Bottom line: I went the bargain route and I learned my lesson. Do it right the first time instead of paying twice. Go with Dracast.

I have several Dracast lights. Affordable and well-built.

I am using LED1000 for my video documentary projects. Great light, well built, design, quality all is one. I am buying another one next few days, no kidding.

I was really happy with this light. Well built and great color. The barn doors make it easy to shape and give you more control over the light. -----------------------