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Dpa Microphones 4018fjs Supercardioid Microphone With 75cm Floor Boom Stand

Dpa Microphones 4018fjs Supercardioid Microphone With 75cm Floor Boom Stand
  • Product Code: ga16318
  • Availability: In Stock

$7,620.00 $9,753.60

The 4018FJS Supercardioid Microphone from DPA features a 75cm floor boom stand and is designed for capturing professional-grade audio. It can be used in venues such as live stage shows, broadcast studios, recording studios, public speaking events, and similar applications. The microphone contains a supercardioid capsule for a smooth and uniform off-axis frequency response. Additionally, the supercardioid shape is frequency independent, providing an identical sound color around the microphone. When used for voice, the microphone has a natural response and offers accurate and clear sound. The 4018FJS provides a frequency range of 20 Hz to 20 kHz and is powered by 48V of phantom power.

Supercardioid Capsule    20 Hz to 20 kHz Frequency Response    48V Phantom Power    For Musical Instruments    Excellent for Speech    Low Distortion    Hugh Dynamic Range    75cm Floor Boom Stand Included

Key Specs
Polar PatternSupercardioid
Element TypeCondenser
ControlsNo
Frequency Response20 Hz to 20 kHz
Maximum SPL142 dB
Analog Output1x XLR 3-Pin
Power SourcesPhantom Power
Microphone
Polar PatternSupercardioid
Element TypeCondenser
Sound FieldMono
Diaphragm0.7" / 19 mm
OrientationEnd Address
ControlsNo
CircuitrySolid-State
Performance
Frequency Response20 Hz to 20 kHz
Maximum SPL142 dB
Sensitivity-38.4 dB (at 1 kHz)
Dynamic Range121 dB
Equivalent Noise Level16 dB (A-Weighted)
Connectivity
Analog Output1x XLR 3-Pin
Power
Power SourcesPhantom Power
Operating Voltage48 V
Physical
ColorBlack
Dimensionsø: 0.75" / ø: 19 mm

Wide dynamic range

Includes 75cm floor stand

Voice intelligibility straight out of the mic, no equalization is needed to remove microphone artifacts

THe 4018FJS capsule is a reference standard for its low-distortion and linear approach when used with musical instruments

Maximum RFI rejection due to the impedance balanced active drive, which provides common mode rejection at or above 60 dB

Provides an accurate and transparent sound

Related Questions and Answers

Q: 1. Is this shock mount appropriate for the Razer Seiren Emote mic?

A: No, the DPA Microphones Microphone Shock Mount UA0897 would not be an appropriate choice for this mic. I would suggest a universal shock mount such as the Rycote InVision Universal Microphone Shock Mount (BH #RYINVUSM).

Q: 2. Can it take the weight of a Shure SM7B?

A: Yes, the K&M 25995 will support the weight of the SM7B. If you want to ensure the stand won't move or tip over if bumped accidentally, just put a sandbag or weight on the base.

Q: 3. Is the center column removeable so that the base can be used with other accessories?

A: Yes, the center base tube for the K&M 25995 Floor & Tabletop Microphone Stand can be removed. The boom arm can also be removed if you want to use the base tube as a straight stand.

Q: 4. Could this be a solution if we want to capture a voice with it and send it via a radio transmitter? By using for example two DAD6034 and a Y adapter cable (mini-jack splitter) to connect everything to the wireless transmitter? If the transmitter only supports one input, we will lose stereophony, but this is not essential in our case. We want to use them instead of a lav mic (camouflage+no rustle).

A: The DPA Microphones 4560 CORE Binaural Microphone is not a good choice for a mic to use with a wireless transmitter since it has two separate output connectors and requires 5 to 10V. A wireless microphone transmitter like one from Sennheiser accepts only one input and sends a mono audio signal to the receiver. What you could do is connect the mic to separate channels on a mixer and then send the left and right audio from the mixer wirelessly to two receivers to maintain the stereophony.

Q: 5. Would this windscreen be compatible with the 4018b?

A: This should fit the capsule portion of the DPA 4018.

Q: 6. Does this contain the same removable capsule as the DPA 4018C?

A: This mic has the same 4018 capsule as the 4018C variant.

Q: 7. Can I use the EW-100 G3 wireless system with this microphone?

A: The Sennheiser E845 is compatible with the SKP 100 G3 plug on transmitter https://bhpho.to/2oNRp4q or the SK 100 G3 https://bhpho.to/2oKasQz when used with the CM1 cable https://bhpho.to/2il527i

Q: 8. What adapter would be required to connect the DPA microphones to a Zoom F3?

A: To connect the DPA Microphones 4560 CORE Binaural Headset Microphone to the XLR inputs on the Zoom F3 Recorder you will need to implement two DPA Microphones DAD6001 Microdot to 3-Pin XLR Adapter with Belt Clip (BH #DPDAD6001BC) (belt clip is removable): https://bhpho.to/35LfsvP

Q: 9. Might anyone be able to clarify the difference between this stereo pair of DPA-4061s and this older one: https://www.bhphotovideo.com/c/product/483055-REG/DPA_Microphones_SMK4061_SMK4061_Stereo_Microphone_Kit.html also being sold by B&H? Thank you. DG

A: The DPA Microphones d:screet Core 4061 is much improved over the original "legacy" 4061: as described on the B&H Webpage: DPA Microphones d:screet Core 4061 The Core 4061 miniature microphone amplifier delivers a 4 dB increase in dynamic range and a 14 dB reduction in THD (total harmonic distortion)

Q: 10. What comes in box of the DPA d:screet CORE 4061 lav?

A: Aside from the already mounted hi boost grid , the DPA d:screet CORE 4061 lavalier includes a low boost grid and a specifications card.

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