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Dpa Microphones Air1 Universal Miniature Fur Windscreen (2-pack, Large, White)

Dpa Microphones Air1 Universal Miniature Fur Windscreen (2-pack, Large, White)
  • Product Code: ga166113
  • Availability: In Stock

$147.00 $207.27

Providing clarity, consistency, and durability for live audio recording applications, the white AIR1 from DPA Microphones is an efficient miniature windscreen with real acoustic fur designed for lav and headset mics. The handles and durable metal spring opening ensure easy mounting on various DPA, Sennheiser, Sony, and Shure mics.

A precisely positioned mic stop along with special arches ensure your microphone remains at an optimal distance from the fur, allowing for consistent clarity and air volume every time without the need to adjust after mounting. The handles and metal spring ensure an easy opening with minimal interaction with the fur, while the specially designed clasp secures the mic firmly in its proper position. The precisely tuned boundary surface acoustically boosts the frequencies that the fur attenuates, avoiding any loss of acoustic transparency and accuracy that may come from the wind protection. The AIR1 comes in a pair for mounting on.

Pro Windscreen for Lavs & Headset Mics    Efficient and Consistent Wind Protection    Swift and Effortless Mounting    Fits Most Major Miniature Mic Brands    Arches and Clasp Ensure Optimal Mounting    Metal Spring for Easy Opening, Long Life    Precisely Tuned Boundary Surface    Mic Stop for Ideal Acoustic Sweet Spot    Available in Various Colors    Includes Two Windscreens

General
CompatibilityDPA Microphones 4060 / 4061 / 4062 / 4063 / 4066 / 4071 / 4266 / 4466 / 4660 / 4661
Sennheiser MKE 2 / HSP 2 / HSP Essential Omni
Sony ECM-77B
Shure Twinplex / Twinplex TH53
Physical
MountingBottom: 1x Slip Mount
ColorWhite
Material of ConstructionAcoustic Fur, Metal
Environmental ResistanceNo
Packaging Info
Package Weight0.05 lb
Box Dimensions (LxWxH)4.35 x 1.4 x 1.2"

The Mic stop ensures the mic is properly positioned at the acoustic sweet spot, furthest away from the fur and inside the boundary surface pressure zone. This spot ensures the best sound and the most wind protection.

Optimized hair length, material, fur density, and inner lining ensure that AIR1 provides great wind rejection and outstanding acoustic transparency, in addition to reduced visual impact. Despite its small size, the AIR1 windscreen provides extremely efficient wind protection.

Related Questions and Answers

Q: 1. does this properly fit a sennheiser me 66?

A: I'm sorry, but that screen would not fit well. I would recommend the KTek # KTKRME200 , or Auray # AUWSS2018 for a good fit.

Q: 2. Will it hold a AKG 414?

A: Yes, the ProAm USA Universal Shock Mount for Microphones should successfully mount the AKG C414 XLII Large-Diaphragm Multipattern Condenser Microphone.

Q: 3. Will this work with the 1000w tungsten photoflex starlite QL?

A: No. We highly do not suggest using the following item with a 1000 watt bulb to avoid damage or any fires.

Q: 4. What percent black are the 3 cards?

A: While the gray card included in the Vello White Balance Card Set (Large) reflects 18% gray, Vello does not list a reflective percentage of the black or white cards included in the white balance card set.

Q: 5. Are these plastic?

A: Yes, the White Balance Card Set is made of plastic.

Q: 6. will this fit the diety d3 pro?

A: Yes the Auray WSR-2012 will fit the Deity V-Mic D3 Pro.

Q: 7. Will this work for Audio-Technica at2020

A: The ProAm USA Universal Shock Mount for Microphones specifies compatibility with microphone diameters from 0.38" to 1.75". The Audio-Technica AT2020 Cardioid Condenser Microphone specifies a diameter of 2.05" and therefore would be too large and not compatible with the ProAM Universal Shock Mount.

Q: 8. If I'm looking for consistent color in narrative film across different shotcomps, does it make more sense to aim my camera at a WB card and set the WB in-camera (which will change the Kelvin temperature each time for each setup), or, would it be better for consistency across multiple shots/lighting setups, to set the WB to the color temp of the lights I'm using (5600K, daylight) for the in-camera WB, and then set the WB in post, by using the WB eyedropper, clicking on the same gray card recorded in frame, used w/ different lighting setups?

A: The standard for video and white balance is to set the camera using a custom white balance from the Vello White Balance Card Set (Large). That is if the camera allows a custom white balance.

Q: 9. Will this fit the Azden SGM-990?

A: No. This windshield is designed to fit the shorter and fatter body of the AT8024.

Q: 10. is this easy to assemble and disassemble?

A: Softboxes are pretty easy to assemble once you get used to it. The first couple times can be harder. Always get familiarity with them before your in front of a client.

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