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Eliminator Lighting Mega Flat Pak8 Ep Kit With 8 Mega Par Profile Ep Led Pars, 7 Dmx Cables, And Carrying Bag

Eliminator Lighting Mega Flat Pak8 Ep Kit With 8 Mega Par Profile Ep Led Pars, 7 Dmx Cables, And Carrying Bag
  • Product Code: ga166825
  • Availability: In Stock

$2,789.97 $3,878.06

In search of a turnkey wash light solution? Check out the Eliminator Lighting MEGA FLAT PAK8 EP Kit which combines eight Mega Par Profile EP LED fixtures with seven 6.6' DMX cables and a soft carrying bag, to provide the primary components of a mobile lighting rig with protection from the rigors of on-the-road wear and tear. The Mega Par fixture is a compact, low-profile par designed for uplighting and stage lighting. This 2-in-1 fixture offers RGB color mixing plus UV black light, making it a multiuse wash fixture. And with 32 built-in light shows and 64 color macros, the Mega Par Profile EP is an ideal solution for multiple venues.

This light is designed to sit directly on the ground or inside a truss without the hanging bracket because the power and DMX inputs and outputs are located on the side of the fixture, not on the rear. The Mega Par Profile EP has a 30-degree beam angle, 5 operational modes (including DMX Controlled, Sound Active, and Auto Run), and has 5 DMX Channel modes for a variety of programming options. Users can also use the ADJ LED RC2 wireless remote, which is sold separately, to control the Mega Par Profile EP.

For Uplighting and Stage Lighting    8 x Slim Par Can LED Lights    Total of 107 LEDs per Fixture    5 Dimmer Curves    Beam Angle: 30°    DMX Control with 5 Channels    Primary/Secondary and Sound Active Modes    Dual Yoke Floor Stand    Includes 7 x 6' DMX Cables    Includes Soft Carrying Bag

Key Specs
Fixture TypePAR
Light Source107x Color LED
1x Ultraviolet LED - 3 W
ColorsBlue, Green, Red, Ultraviolet
Beam Angle30°
Control ProtocolsDMX512
AC Input Power100 to 240 VAC, 50/60 Hz
Power / Current Consumption16 W (Max)
MountingDual/Scissor Yoke
Light
Fixture TypePAR
Light Source107x Color LED
1x Ultraviolet LED - 3 W
Expected Lamp Life50,000 Hours
ColorsBlue, Green, Red, Ultraviolet
Photometrics32 fc / 345 Lux at 6.6' / 2 m
8 fc / 92 Lux at 13.1' / 4 m
Beam Angle30°
DimmingElectronic, 0 to 100% with 5 Dimmer Modes
Performance
Operating ModesAutomatic, Color Dimmer, Display Inversion, DMX, Sound-Active, Static Color
Macros / Programs64x Color Macro
16x Sound-Active
32x Internal Program
EffectsStrobe
GobosNo
Control
Control ProtocolsDMX512
DMX Channel Modes5 Mode(s):
4 / 5 / 6 / 9 / 10-Channel
Display / ControlsLED / 4-Button
Remote ControlYes
Mobile App CompatibleNo
Connectivity
Inputs/Outputs1 x XLR 3-Pin DMX Input
1 x XLR 3-Pin DMX Output
WirelessNo
Power
AC Input Power100 to 240 VAC, 50/60 Hz
AC Power ConnectorInput: 1x IEC
Output: 1x IEC
Power / Current Consumption16 W (Max)
Power Linking33 Units at 120 VAC
60 Units at 230 VAC
Physical
Environmental ResistanceNo
MountingDual/Scissor Yoke
Included Accessories8x Power Cable
7x DMX Cable
1x Case (Light/s)
Exterior ColorBlack
Dimensions9 x 8.8 x 3.5" / 22.9 x 22.2 x 8.9 cm (Light)
16.8 x 9.5 x 9.3" / 42.7 x 24.1 x 23.6 cm (Bag)
6' / 1.8 m (DMX Cable)
Weight3 lb / 1.4 kg (Each Light)
27 lb / 6.8 kg (System)
Packaging Info
Package Weight30.5 lb
Box Dimensions (LxWxH)32 x 14 x 11"

  • Slim flat black Par with 107 LEDs
  • Smooth RGB+UV color mixing (fast or slow color change operation)
  • Power and DMX in/out sit sideways, so the unit can be set flat on the ground or set inside truss using included scissor yoke
  • DMX-512 protocol
  • 5 DMX Channel modes: 4, 5, 6, 9, 10
  • 5 Operational modes: RGB+UV Dimmer Mode, Sound Active Mode, Auto Run Mode, Static Color Mode, and DMX Controlled
  • Beam angle: 30 degrees
  • 16 sound active shows
  • 32 built-in shows (16 color changing shows and 16 color fading shows)
  • 64 built-in color macros
  • Standalone or Primary/Secondary configuration
  • 5 dimmer curves (Standard, Stage, TV, Architectural, and Theater)
  • Display inversion mode
  • Color strobe effect
  • Linkable via 3-pin XLR cable
  • Electronic dimming: 0-100%
  • 4-button function display
  • Long life LEDs (50,000 hours)
  • Low power draw
  • IEC AC In/Out on rear to daisy chain power
  • Compatible with ADJ LED RC2 wireless infrared remote control
  • Multivoltage operation

Related Questions and Answers

Q: 1. What stud should I use for this boom?

A: The Avenger E200 Stand Adapter B&H # AVE200 would fit on the end of the boom in the junior receiver and will terminate into a baby pin for mounting most lights.

Q: 2. How long will a 95wH battery power it at 50% and how long will a 290wH battery power it at the same output?

A: The Intellytech Mega-8FC Litecloth 3.0 RGB LED Flexible Mat (V-Mount) BH #IN310082 is a 400w light. You can determine run time by dividing battery capacity by the lights power. The light does require the use of 2 batteries. 2x95wh being run at 50% or around 200w would be loosely 1 hour.

Q: 3. Why would you put the grid inside the diffusion?? that doesn't make any sense .

A: The Intellytech Pop-Up Diffuser and Grid for Mega-6 LiteCloth 3.0 BH #IN310020 can be configured in multiple ways to fit different shooters style.

Q: 4. Is this a frame with diffusion and a grid? Or is it simply diffusion material and a grid and, what is the frame made of?

A: No, the system is for the following materials. Intellytech Pop-Up Diffuser and Grid for Mega-6 LiteCloth 3.0 Limited 1-Year Manufacturer Warranty

Q: 5. is it possible to use Lastoline Quad Bracket (B&H # LAQBEZB) with this umbrella?

A: Unfortunately, no, the Lastolite Quad Bracket will not work with the Lastolite Mega Umbrella (Silver Parabolic). The Lastoline Quad Bracket is designed for use on Lastolite Ezyboxes, and there is not an umbrella socket for use with umbrellas. An alternative option would be the Lastolite TriFlash Shoe Mount Bracket, B&H # LATFLSM.

Q: 6. Is there a bag that can fit this? I'd like a padded bag that would fit this for transport

A: I run a rental house in ABQ and after a lengthy search I never came across a bag that could fit the Mega Boom. Even looked at snowboard and ski bags/cases but all were just too short. Ended up having ProCases custom make a case for us out of ABS plastic w/ foam cutout inside. Significantly cheaper then a Pelican custom. Could always just keep wrapping it in a furni pad, but no style points if trying to impress clients. Best of luck hunting

Q: 7. Has anyone ever tried this as a mic boom for long take live production?

A: Haven't tried it but it would work. You would probably need a grip head to hold the mike holder. The cranks for tilt and rotation would be useful. The crank to extend the arm is in an awkward place though.

Q: 8. Do these lights have an extension cable: from ballast to light. The ballast's are noisy and need to be further away.

A: Their are two header extension cables available B&H # IN310010 13'/ B&H # IN310011 26'

Q: 9. What's the length of the included header cable?

A: The header included in the Intellytech Mega-8 Litecloth 3.0 Bi-Color LED Flexible Mat (V-Mount) is 10 feet long.

Q: 10. Is this RGBWW? I remember seeing a rep talk about it being so but I can’t find any other info to confirm this?

A: Yes. This is RGBWW. If it has FC in the title that stands for “Full Color” and is RGBWW. For example the Mega-8FC is the RGBWW model. The Mega-8 is the bi-color model.

16/06/2024

I had never had a Macro lens for video, it is more; He never knew existed. Desque I am using DSLR to record video, I have sought to improve the results offered lenses that come in the kit. For a long time I was reluctant to invest in bright F2.8 lens, but once I had one in my hands I realized that are the best that one can have and no matter the cost, the difference warrants. When looking lenses with 2.8, I discovered there was this 30mm Macro, which hopes up buying me. Now that I have a few days with him, I am excited by the results. I've done several practices and is excellent ... just what I was looking for!

5
06/06/2024

30mm is my favorite walk-around lens for MFT. I like a little compression, especially for portraits. I agonized over the Panasonic 30 2.8 micro and the new Sigma 30mm 1.4 lens. I ordered the Sigma lens but returned it after a few test shots; too many artifacts and purple fringing. The Panasonic lens passed testing with crystal clear shots (yes, I am a pixel peeper at 14x). Losing two f/stops doesn't bother me, especially given the multi-stop stabilization in today's MFT cameras/lenses. At 5 feet (portrait range), the depth of field at f/1.4 is only 3.5; one often has to choose between having an eye or an ear in focus but not both. At f/2.8, the depth of field is 8.5 ... good enough to have the head in focus with a pleasant bokeh in the background. The fact that the Panasonic lens is a macro lens has the advantage (characteristic of macros) of having a flat field in crystal-clear focus from f/2.8 to f/8, after which diffraction starts. I may never use the Panasonic macro capability, but it is there if I need it.

5

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