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Blazar Lens Remus 100mm T2.8 Full-frame 1.5x Anamorphic Lens (arri Pl, Amber Flare)

Blazar Lens Remus 100mm T2.8 Full-frame 1.5x Anamorphic Lens (arri Pl, Amber Flare)
  • Product Code: ga168012
  • Availability: In Stock

$2,997.00 $3,686.31

Capture a classic widescreen look using the ARRI PL-mount Remus 100mm T2.8 Full-Frame 1.5x Anamorphic Lens from BLAZAR LENS. This cine-style prime lens supports full-frame capture and in 3:2 full-frame anamorphic de-squeezed image. Use the Remus 1.5x Anamorphic lens series to add a retro cinematic look with enhanced oval bokeh and amber flares to your footage.

The T2.8 maximum aperture enables you to capture shallow depth of field looks that help emphasize and separate your subject from the background. Cine-style design features include 0.8 MOD focus and aperture gears for use with pro follow focus systems, a 1/4"-20 lens support thread, an 80mm front diameter, a 77mm filter thread, and a barrel with 150° of rotation for precise focus pulls.

Retro Look, Covers 3:2 Full-Frame Sensor    Aperture Range: T2.8 to T22    1.5x Full-Frame Anamorphic Squeeze    Anamorphic Amber Flares    16-Blade Iris with Soft, Oval Bokeh    80mm Front Diameter, 77mm Filter Thread    Minimum Focus: 2.32'    Focus Scales in Feet

Key Specs
Focal Length100mm
Maximum ApertureT2.8
Lens MountARRI PL
Lens Format CoverageFull Frame (36 x 24 mm)
Filter Thread77 mm x 0.75
Image StabilizationNo
Electronic CommunicationNo
Parameters
Maximum ApertureT2.8
Minimum ApertureT22
Lens MountARRI PL
Interchangeable MountYes
Horizontal Squeeze (Anamorphic)1.5x
Flare ColorAmber
Lens Format CoverageFull Frame (36 x 24 mm)
Image CircleNot Specified by Manufacturer
Angle of ViewNot Specified by Manufacturer
Focus ScalesImperial
Filter Thread77 mm x 0.75
Minimum Focus DistanceFrom Unspecified Point in Lens: 2.3' / 71 cm
Maximum Magnification RatioNot Specified by Manufacturer
Diaphragm Blades16
Image StabilizationNo
Lens Mounting1x 1/4"-20
Gear StandardFocus: 0.8 MOD
Iris: 0.8 MOD
Gear RotationFocus: 150°
Electronic CommunicationNo
CoatingNo
DiameterFront: 3.1" / 80 mm
Length4.3" / 110 mm
Weight1.7 lb / 788 g
Packaging Info
Package Weight3.025 lb
Box Dimensions (LxWxH)9.7 x 6.2 x 6.1"

The Remus 1.5x series has a constant 1.5x squeeze factor and supports 3:2 full-frame shooting. The lenses cover a 36 x 24mm image circle.

Related Questions and Answers

Q: 1. Does this adapter fit Alexa digital cameras with PL mount? They told me no, is it true?

A: FotodioX states that the FotodioX ARRI Bayonet to ARRI PL Pro Lens Adapter can be used with ARRI PL mount cameras such as the ARRI ALEXA LF and ARRI ALEXA Mini LF. We recommend testing with your chosen lens and camera.

Q: 2. can you use a 4×5.65″ ND filter in the front or do you get wierd reflections because of the holes in the front of the lens?

A: Yes, the best way to use the DZOFilm VESPID 16mm T2.8 Cine Lens (PL & EF Mounts) with ND filters is with a 4x5.65 solid Filter in a matte box. There will be no artifacts.

Q: 3. Are they compatible with the Metabones RF-PL Cine 0.71x Speedbooster? Will they mount correctly?

A: As the rear element of the BLAZAR LENS Remus 45/65/100mm T2.0 Full-Frame 1.5x Anamorphic 3-Lens Kit with Case (ARRI PL, Amber Flare) protrudes approximately 15mm from the flange, these lenses will not be compatible with the Metabones ARRI PL Lens to Canon RF-Mount T Cine Speed Booster ULTRA 0.71x (EOS-R).

Q: 4. Does this lens have a magnification ratio of 1:1 or 1:1.5? I just saw in other sources that it is 1:1.5.

A: This lens has a magnification ratio of 1:1

Q: 5. Could this adapter be used with the Laowa Nanomorph primes (PL)?

A: No, the Venus Optics OOOM Adapter Kit with 1.33x Anamorphic Adapter (BH #VEOAKPL) is not currently designed to work with the Nanomorph lens series.

Q: 6. Does this lens have a lot of distortion? And would it hit the mirror of a DSLR if the camera is converted to PL Mount?

A: The DZOFilm VESPID 12mm T2.8 Cine Lens (ARRI PL & Canon EF) does have some noticeable barrel distortion around the edges. I suggest viewing some images shot with the the lens to determine for yourself if the amount of distortion is a deal breaker for you or not. So long as the camera has a PL mount, you shouldn't have any problems using the PL mount of the DZOFilm VESPID 12mm T2.8 Cine Lens (ARRI PL & Canon EF).

Q: 7. FotodioX ARRIB-PL-PRO: I would like to get an exact measurement of the depth of this adapter. The very face of the PL edge to the back side of the adapter in mm's. I am assuming around 14 - 16mm (1/2-10/16 ?

A: The exact dimensions of this product are not listed. We can tell you that it allows you to use Arri Bayonet (Arri-B) Mount SLR Lenses on cameras with a Arri PL (Positive Lock) Mount.

Q: 8. Does this lens still come with Both PL and EF in the same box?

A: The DZOFilm Vespids do not come with both mounts. The DZOFilm Pictor lenses come with both mounts.

Q: 9. Can these lenses be used with a Canon EF Lens to Micro Four Thirds T Speed Booster SUPER16 0.58x?

A: Yes, Since the DZOFilm VESPID 16mm T2.8 Cine Lens is a full frame lens it will be supported and work with the Metabones Speed booster.

Q: 10. How do you adjust back focus on the Arri Alura 15.5-45mm lens?

A: The ARRI Alura 15.5-45mm T2.8 F Wide-Angle Zoom (LDS PL, Feet) (B&H# ARAZ1545T28F) can perform differently on different cameras and mounts. As such, you may want to add shims between the lens mount and lens body to adjust the back focus.

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