Art M-six Stereo Pencil Condenser Microphone (matched Pair)
- Product Code: ga16814
-
The matched pair of M-Six Stereo Pencil Condenser Microphones from ART is designed for studio, broadcast, and live sound recording applications. They require +48V of phantom power and utilize 22mm gold sputtered diaphragms to deliver a frequency response of 20 Hz to 20 kHz. The microphones, each feature a cardioid pickup pattern with a sensitivity of -37 dB (±2 dB) and offer a three position pad (at 0, -10, and -15 dB) which allows a maximum SPL of 134 dB when set to 0 dB pad and 147 dB when set to -15 dB. They also each feature a three position -12 dB/octave high pass filter (flat, 75 Hz, 150 Hz) for rolling off unwanted low frequency information. The package includes two custom shockmounts to provide each microphone with isolation from handling noise as well as a rugged aluminum carrying case.
Matched Pair for Stereo Imaging Suitable for Instrument Tracks 0 dB, -10 dB, and -15 dB Pad Switch Flat, 75 Hz, 150 Hz at -12 dB/Octave Includes Custom Designed Shockmounts Includes Aluminum Carrying Case 20 to 20,000 Hz Frequency Response 22mm Gold Sputtered Diaphragm -37 dB Sensitivity Cardioid Polar Pickup Pattern
Key Specs | |
---|---|
Element Type | Condenser |
Polar Pattern | Cardioid |
Controls | Pad, Low Cut/HPF |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 134 dB |
Analog Output | 1x XLR 3-Pin |
Power Sources | Phantom Power |
Microphone | |
Sound Field | Stereo Pair / Dual-Mono |
Element Type | Condenser |
Diaphragm | 0.9" / 22 mm |
Polar Pattern | Cardioid |
Orientation | End Address |
Circuitry | Solid-State |
Pad | -10 / -15 dB |
High-Pass Filter | 75 Hz, 12 dB/Octave 150 Hz, 12 dB/Octave |
Filter & EQ | Low-Cut Filter: 75 Hz, 12 dB/Octave / 150 Hz, 12 dB/Octave |
Controls | Pad, Low Cut/HPF |
Performance | |
Frequency Response | 20 Hz to 20 kHz |
Maximum SPL | 134 dB |
Sensitivity | -35 dB |
Connectivity | |
Analog Output | 1x XLR 3-Pin |
Power | |
Power Sources | Phantom Power |
Operating Voltage | 48 V |
Physical | |
Color | Black |
Dimensions | ø: 0.87 x L: 6.38" / ø: 22 x L: 162 mm |
Weight | 4.94 oz / 140 g |
Packaging Info | |
Package Weight | 3.65 lb |
Box Dimensions (LxWxH) | 13.5 x 9.1 x 6.1" |
Matched microphones for stereo imaging
Can be used for recording critical instrument tracks
Wide dynamic range with low distortion characteristics
Smooth frequency response with controlled presence
A switchable pad provides 0, -10, and -15 dB of signal attenuation when recording loud sources
Switchable high pass filter offers rolls of low frequency content at 20, 75, and 150 Hz with a -12 dB/octave slope
Low susceptibility to RFI and electromagnetic interference
Flat, black low-reflectivity powdercoated finish
Includes custom shockmounts and an aluminum carry case
Related Questions and Answers
Q: 1. What is the self-noise of these microphones?
A: According to the manufacturer, the CEntrance PivotMic PM1 XY Stereo Condenser Recording Microphone (Matched Pair) are rated at 20 dBA for self-noise. The standard SPL for measurements is 94 dBA and the signal-to-noise ratio rating is 74 dB.
Q: 2. How well would these work on a boom mount in a home studio, plugged directly into a Blackmagic Pocket 4K?
A: You could only plug 1 of these mics directly into the BMPC camera since it only has 1 xlr connection providing phantom power. You would also need an adapter cable to make that connection, BH #CACTF3MT3220. As long as the mic is within 3' of the person speaking, these would work fine.
Q: 3. Is that round bump on the side of the housing a screw? I'm wondering if the XLR connector can be rotated inside the housing; currently it's oriented 90 degrees wrong for essentially every recorder on the market.
A: Hi Alex, I just saw your question regarding the Phillips screw on the side of the CEntrance PivotMic PM1 XY Stereo Condenser Recording Microphones. The screw is used in assembly to secure the mic's internal components to the housing and to keep the 3-pin connector in place. The XLR connector cannot be rotated inside of the housing. The screw should not be removed.
Q: 4. Hello friends, in the samson site the C02 are described as Supercardioid mics, and here you described them as Cardioid. Can you confirm the polar pattern?
A: Thank you for bringing this error to oour attention. Samson lists these as having a supercardioid pattern:Pencil Condenser MicrophonesFeatures: SuperCardioid Pickup Pattern Gold-plated XLR connectors Carry Case & shock-mounted mic clips included Sold as stereo pair
Q: 5. Does ride ws 8 windscreen fits this microphone?
A: No, the Rode WS 8 windscreen fits microphones with a diameter of 20mm and the SE Electronics SE7 has a diameter of 12.7 mm.
Q: 6. Would this pair be good for recording a classical orchestral harp (47 string)? Reducing pedal noise and breathing would be ideal
A: Yes, the matched pair of LLewitt LCT 140 AIR Stereo Pair Small-Diaphragm Instrument Condenser Microphones to record a classical orchestral harp.
Q: 7. So are these specifically for the Mixerface recorders? I wanted to get these for my Zoom F3 because they would be perfect for it, but I'm seeing other people saying they're proprietary.
A: The CEntrance PivotMic PM1 XY Stereo Condenser Recording Microphone will perform best when used with the CEntrance Mixerface. Presumably these could be used with other recorders such as the Zoom F3, however as others mention, the orientation of the XLR connections may present an issue when attempting to orient the capsules in a specific stereo pattern.
Q: 8. how do I register?
A: Follow this link to register:a href= http://en.rode.com/warranty/step1 target= _blank http://en.rode.com/warranty/step1/a
Q: 9. Would these be suitable for entry level field recording, such as nature sounds?
A: Yes you can use the Zoom ZPC-1 Cardioid Pencil Condenser Microphones (Matched Pair) for entry level recording of nature sounds.
Q: 10. Where are these made?
A: The ART M-Six Stereo Pencil Condenser Microphone (Matched Pair) are made in China.
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