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Art M-six Stereo Pencil Condenser Microphone (matched Pair)

Art M-six Stereo Pencil Condenser Microphone (matched Pair)
  • Product Code: ga16814
  • Availability: In Stock

$509.97 $652.76

The matched pair of M-Six Stereo Pencil Condenser Microphones from ART is designed for studio, broadcast, and live sound recording applications. They require +48V of phantom power and utilize 22mm gold sputtered diaphragms to deliver a frequency response of 20 Hz to 20 kHz. The microphones, each feature a cardioid pickup pattern with a sensitivity of -37 dB (±2 dB) and offer a three position pad (at 0, -10, and -15 dB) which allows a maximum SPL of 134 dB when set to 0 dB pad and 147 dB when set to -15 dB. They also each feature a three position -12 dB/octave high pass filter (flat, 75 Hz, 150 Hz) for rolling off unwanted low frequency information. The package includes two custom shockmounts to provide each microphone with isolation from handling noise as well as a rugged aluminum carrying case.

Matched Pair for Stereo Imaging    Suitable for Instrument Tracks    0 dB, -10 dB, and -15 dB Pad Switch    Flat, 75 Hz, 150 Hz at -12 dB/Octave    Includes Custom Designed Shockmounts    Includes Aluminum Carrying Case    20 to 20,000 Hz Frequency Response    22mm Gold Sputtered Diaphragm    -37 dB Sensitivity    Cardioid Polar Pickup Pattern

Key Specs
Element TypeCondenser
Polar PatternCardioid
ControlsPad, Low Cut/HPF
Frequency Response20 Hz to 20 kHz
Maximum SPL134 dB
Analog Output1x XLR 3-Pin
Power SourcesPhantom Power
Microphone
Sound FieldStereo Pair / Dual-Mono
Element TypeCondenser
Diaphragm0.9" / 22 mm
Polar PatternCardioid
OrientationEnd Address
CircuitrySolid-State
Pad-10 / -15 dB
High-Pass Filter75 Hz, 12 dB/Octave
150 Hz, 12 dB/Octave
Filter & EQLow-Cut Filter: 75 Hz, 12 dB/Octave / 150 Hz, 12 dB/Octave
ControlsPad, Low Cut/HPF
Performance
Frequency Response20 Hz to 20 kHz
Maximum SPL134 dB
Sensitivity-35 dB
Connectivity
Analog Output1x XLR 3-Pin
Power
Power SourcesPhantom Power
Operating Voltage48 V
Physical
ColorBlack
Dimensionsø: 0.87 x L: 6.38" / ø: 22 x L: 162 mm
Weight4.94 oz / 140 g
Packaging Info
Package Weight3.65 lb
Box Dimensions (LxWxH)13.5 x 9.1 x 6.1"

Matched microphones for stereo imaging

Can be used for recording critical instrument tracks

Wide dynamic range with low distortion characteristics

Smooth frequency response with controlled presence

A switchable pad provides 0, -10, and -15 dB of signal attenuation when recording loud sources

Switchable high pass filter offers rolls of low frequency content at 20, 75, and 150 Hz with a -12 dB/octave slope

Low susceptibility to RFI and electromagnetic interference

Flat, black low-reflectivity powdercoated finish

Includes custom shockmounts and an aluminum carry case

Related Questions and Answers

Q: 1. What is the self-noise of these microphones?

A: According to the manufacturer, the CEntrance PivotMic PM1 XY Stereo Condenser Recording Microphone (Matched Pair) are rated at 20 dBA for self-noise. The standard SPL for measurements is 94 dBA and the signal-to-noise ratio rating is 74 dB.

Q: 2. How well would these work on a boom mount in a home studio, plugged directly into a Blackmagic Pocket 4K?

A: You could only plug 1 of these mics directly into the BMPC camera since it only has 1 xlr connection providing phantom power. You would also need an adapter cable to make that connection, BH #CACTF3MT3220. As long as the mic is within 3' of the person speaking, these would work fine.

Q: 3. Is that round bump on the side of the housing a screw? I'm wondering if the XLR connector can be rotated inside the housing; currently it's oriented 90 degrees wrong for essentially every recorder on the market.

A: Hi Alex, I just saw your question regarding the Phillips screw on the side of the CEntrance PivotMic PM1 XY Stereo Condenser Recording Microphones. The screw is used in assembly to secure the mic's internal components to the housing and to keep the 3-pin connector in place. The XLR connector cannot be rotated inside of the housing. The screw should not be removed.

Q: 4. Hello friends, in the samson site the C02 are described as Supercardioid mics, and here you described them as Cardioid. Can you confirm the polar pattern?

A: Thank you for bringing this error to oour attention. Samson lists these as having a supercardioid pattern:Pencil Condenser MicrophonesFeatures: SuperCardioid Pickup Pattern Gold-plated XLR connectors Carry Case & shock-mounted mic clips included Sold as stereo pair

Q: 5. Does ride ws 8 windscreen fits this microphone?

A: No, the Rode WS 8 windscreen fits microphones with a diameter of 20mm and the SE Electronics SE7 has a diameter of 12.7 mm.

Q: 6. Would this pair be good for recording a classical orchestral harp (47 string)? Reducing pedal noise and breathing would be ideal

A: Yes, the matched pair of LLewitt LCT 140 AIR Stereo Pair Small-Diaphragm Instrument Condenser Microphones to record a classical orchestral harp.

Q: 7. So are these specifically for the Mixerface recorders? I wanted to get these for my Zoom F3 because they would be perfect for it, but I'm seeing other people saying they're proprietary.

A: The CEntrance PivotMic PM1 XY Stereo Condenser Recording Microphone will perform best when used with the CEntrance Mixerface. Presumably these could be used with other recorders such as the Zoom F3, however as others mention, the orientation of the XLR connections may present an issue when attempting to orient the capsules in a specific stereo pattern.

Q: 8. how do I register?

A: Follow this link to register:a href= http://en.rode.com/warranty/step1 target= _blank http://en.rode.com/warranty/step1/a

Q: 9. Would these be suitable for entry level field recording, such as nature sounds?

A: Yes you can use the Zoom ZPC-1 Cardioid Pencil Condenser Microphones (Matched Pair) for entry level recording of nature sounds.

Q: 10. Where are these made?

A: The ART M-Six Stereo Pencil Condenser Microphone (Matched Pair) are made in China.

17/09/2024

Sounds as good as the reviews (like Warren Huart's) have stated. They sure feel very light, but they punch way above their weight!

5
25/07/2024

I've been recording all kinds of concerts for the last few decades, and one super-reliable one-size-will-fit-almost-all approach for orchestras is two small diaphragm condensers, up over the conductor's head, splayed out sideways. (The ORTF style specifies an angle of 110 degrees, the NOS configuration is 90 degrees. Both have their unique strengths.) These Lewitt LCT 140's are spectacular in this application: over the weekend I recorded a tracker organ (which means mechanically operated- other than the electric blower fan, this is the kind of organ Bach knew and loved) concert in an 1800's church, and the results were amazing. The different registers and voices came through distinctly, and the rumbling of the pedals was earthquake-like. The weekend before that, it was a cello-guitar duo, and the mikes were placed on knee-high stands in front of each player. Again, the capture was thrilling, larger than life- the guitar crisp and punchy, the cello sweetly singing. This was all with the "flat" setting, as opposed to the "high end sparkle accentuation" setting, which seems like a wonderfully slick way to heighten the clarity of some instrument meant to have the central focus. The onboard pad and low cut options are also fabulous to have, when you need to contend with the rigors of the real world, which can get noisy and can be unpredictable at times. For many years I was using Oktava MK-012's for these kinds of duties, and later Avant CK-1's, fantastic mikes indeed, but from now on it'll be the Lewitts. Since these are so lightweight, you'll want special shockmounts (I got the Rycotte Inv-6 softies). And if you still need convincing: check out ANY of the multiple Youtube videos where people put these to the test- music, voice, sound effects, whatever.

There is just something about the accuracy, the precision, the truthfulness of these things... you will be a believer, I guarantee.

5
06/06/2024

When I received these mics I had a slightly mixed first impression. The case was nice but the slots for the mics left them very slightly loose. The foam windscreens fit the mics perfect and are more uniform than many I've seen. The fit and finish of the spreader bar is less than stellar and the mic clips are pretty basic. The fit and finish of the mics themselves is excellent.

After just a bit of testing I was grinning and couldn't be happier with my purchase. The sound is silky smooth and very natural. I prefer a neutral sound from a mic, and these deliver. I haven't done a ton of testing yet, but from my initial testing I'm extremely pleased with the sound. What sound profile you prefer is fairly subjective, but I think these are going to be great for me.

The main thing that impressed me with these mics is the low noise floor. I tested these along side a Rode NT5. Based on the specs I hoped the noise floor would be better, but it's night and day. My NT5 has a noise floor that isn't terrible, but it never impressed me. Maybe I just got a poor sample. Either way, after making test recordings I listened first to the NT5. When I switched to the sE8 my eyes went wide because it was not a subtle difference. The sE8 has a far lower noise floor.


They are a bit heavier, if that's an issue for you.

With the adjustable pads and high-pass filters, smooth sound and low noise these mics are versatile and offer great performance. Not the cheapest out there, but highly recommended for the price.

5
05/06/2024

For those who work in a 'budget friendly' environment this is a terrific solution -- you get so much performance of the legendary 414 but at a really low cost.

5
25/05/2024

I did a lot of research for a matched pair of SDC mics that can get close to Neumann 184s in quality but for a LOT less money. These are it. They have a great neutral-sounding response, perfect for acoustic instruments. Recommended.

5
05/05/2024

Can't be. Beat for the price....speaking of price.....BH is the
Best. And so is their service. Ver very pleased.

5
19/04/2024

Exactly what was expected and needed for a piano recording session. Later used for violin and viola with great results.

5
07/04/2024

Great for Vocal and Instruments!

5

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