With everything from realistic spatial simulation and traditional reverbs to sounds hitherto unknown, Reverb from Empress Effects offers stunning audio quality, versatility, and intuitive, menu-free operation. Along with ultralow-noise operation, stereo output, and a flexible Control Port, you get nearly unlimited creative potential.

Reverb sports 32 studio-quality reverb algorithms across 12 algorithm types, with some types also including multiple variations. A cabinet simulator is included with three variations, ideal for DI recording, practicing, or gigs without an amp. The incredibly flexible Control Port allows you to connect an expression pedal, external footswitch, CV device, MIDI device, or aux audio signal to Reverb, all via a single 1/4" input. And with selectable true or buffered bypass, you can maintain a pure, uncolored signal (true bypass) or a robust, lossless signal that resists long cable runs and complex pedalboards (buffered bypass).

12 Algorithm Types, 32 Algorithms Total    From Pristine Classic to Ambient Sounds    Up to 35 Presets and 2 Preset Modes    Intuitive, Hands-On Controls    Cabinet Simulator with 3 Variations    True or Buffered Bypass    Transformer Isolation on Output 2    Control Port for MIDI, Tap, CV, and Aux    Low-Noise Operation and Analog Dry Path    Updates via SD-Card Input

• Hall: emulation of a concert hall
• Plate: simulates electromechanical plate reverb
• Spring: based on electromechanical spring reverb, common in guitar amps
• Room: short-decay reverb based on a physical space with dense early reflections
• Sparkle: octave effect fed into a large-sounding tail
• Modulation: delay lines with modulation applied to each line for a warm, smooth, and huge sound
• Ambient Swell: detects breaks in your playing or triggers to apply a smooth, adjustable fade in
• Delay + Reverb: a classic combo that evokes the '80s
• Reverse: this ramps up your parts so they sound as if they're fading in
• Ghost: a smooth, spooky layer that is applied behind your dry signal and features a resonant, heavily modulated tail
• Lo-fi: in this mode, the dry signal is processed with raunchy filtering, distortion, and grainy discrete delays
• Beer: random glitch with gated reverb, for a chaotic and experimental sound

The advanced configuration menu lets you configure how your reverb works. Select from true or buffered bypass, 0 to 35 presets, MIDI configuration, Control port control (expression pedal, external tap, control voltage, and MIDI) as well as which style of preset system to use, input signal pad, output transformer enable, and more.

Reverb sports high-resolution 48 kHz sampling with 24-bit conversion and 32-bit internal DSP. This ensures pristine audio quality, free from aliasing and other digital artifacts that can arise from poor conversion tech.

With Reverb you can get hum-free operation when operating in stereo with two separate amps. With transformer isolation on Output 2, you can eliminate nasty ground loops.

Premium circuitry enables a very high signal-to-noise ratio of >104 dB, avoiding pesky noise from creeping into your reverb textures. The pedal also maintains a fully analog dry signal path, using an analog VCA to blend the dry signal with the wet signal, preventing the infamous zipper noise of many other FX pedals.

Related Questions and Answers

Q: 1. Does this mixer have midi in/out for fx sync?

A: The Soundcraft Signature 12 MTK does not feature any MIDI functionality or connections.

Q: 2. Does this light have any water resistance?

A: No, the Pixel G1s Bi-Color RGB Video Light with Built-In Effects does not have any water resistance rating.

Q: 3. This works with the autofocus motor for AF-D lenses?

A: The Fringer NF-FX II Nikon F Lens to FUJIFILM X Camera Adapter does not support autofocus with Nikon AF-D lenses.

Q: 4. Will this work effectively with a Fujifilm H2, and older autofocus Sigma Nikon mount lenses?

A: The Fringer NF-FX II Nikon F Lens to FUJIFILM X Camera Adapter is compatible with the FUJIFILM X-H2 Mirrorless Camera. On the adapter page it under compatibility it lists the specific lenses it can work with.

Q: 5. What is the height of this adapter? Can it be installed on a Fuji X-pro 3 without exceeding below? Cyrille

A: The Adapter is 3'' tall. The adapter will hang out from the bottom of an X-Pro 3 about 10mm.

Q: 6. Does it support IBIS for XT5?

A: Yes, the Fringer NF-FX II supports the Fuji XT5's IBIS.

Q: 7. Is any company planning to develop Nikon F lens mount to Fuji X mount adapter?

A: Hi--B&H currently carries 30 Nikon F to Fujifilm X lens adapters: https://www.bhphotovideo.com/c/search?q=lens%20adapter&filters=fct_camera-body-mount_1595%3Afujifilm-x-mount%2Cfct_lens-mount_1596%3Anikon-f%7Cnikon-f-g-type-lens

Q: 8. It seems users have had mixed results in regards to whether the standard adapter (without aperture ring) allows you to manually control exposure. Does anyone know whether the standard version allows for manual exposure control with the Fujifilm X-S10? Or does it only allow for auto exporsure?

A: The Fringer EF-FX II Lens Mount Adapter for EF- or EF-S-Mount Lens to Fujifilm X-Mount Camera is going to allow electronic aperture control, so you can use the X-S10 in manual exposure mode.

Q: 9. Is there a mic and line level switch for the outputs on this board?

A: No, the Soundcraft EFX 12-Channel Mixer has separate Mic and Line inputs.

Q: 10. What is the weight of the adapter itself? The specs only list the package weight.

A: The weight of Fringer NF-FX II Nikon F Lens to FUJIFILM X Camera Adapter is 180g or 6.3 ounces.