Boom Library World War Ii Firearms (construction Kit)
- Product Code: ga170192
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This boom LIBRARY World War II Firearms (CONSTRUCTION KIT) audio library provides you with sounds to add classic weapopns for sound design in a game, film, movie, or podcast that broaches the subject of World War II. The sounds were captured on a hill-top near a forest; the natural outdoor reverb providing ultracrisp and full tails. The CONSTRUCTION KIT records everything from reloading, changing magazines, pickups, cocking actions, and dry fire. boom LIBRARY even managed to capture bipod sounds for some guns.
25 x WWII Firearm Sounds Included Handling Sounds 96 kHz, 24-Bit WAV Files Windows and macOS Compatible
Parameters | |
---|---|
Delivery Format | Download |
License Type | Standard: Perpetual License |
User Support | 1 User |
System Compatibility/Requirements | Operating System: Windows/macOS |
Related Questions and Answers
Q: 1. will this work (fit) on Sony PXW-Z150 4K XDCAM Camcorder?
A: Yes, The ECM-VG1 will work with any camera that has an XLR input and can provide phantom power, including the Sony PXW-Z150 4K XDCAM
Q: 2. Will this work with the ax 53?
A: This camera cannot power the microphone, so it does not work. If this is the microphone you would like to use you will also need a audio a recorder or audio mixer in order to power it. If you rather not use extra equipment I recommend buying a microphone that runs on battery.
Q: 3. What are the benefits of connecting it via XLR (to an audio interface) vs connecting it to the computer via USB?
A: Using the Shure MV7 Podcast Microphone's XLR output connection allows for customizing your signal chain for use with an interface of your choice and a clean recording of the microphone's audio signal. The advantage of the USB connection is the elimination of an external interface and direct connection to a computer for recording.
Q: 4. Does this fit into the FS5 mic holder?
A: No, the mic holder on the camera is larger than the diameter of the microphone, but this is not uncommon at all. You will use a couple of rubber O-Rings to give the mic enough girth to snugly fit into the holder. https://www.bhphotovideo.com/c/product/341475-REG/Sanken_ROCS_ROCS_Rubber_O_Rings_f_CS_1.html
Q: 5. If I want to use the MV7 with the Zoom H6 would I need a cloudlifter?
A: A Cloudlifter is recommended, as this Mic has low sensitivity and requires a lot of gain, which may increase noise. It does depend on the Mic Pre; see below. At a sensitivity of -55 dBv, the Shure MV7 would require 55dB of gain to achieve the same level as what is "heard" by MV7 diaphram. As an example, a Focusrite Solo has Mic Pre gain of: "Up to" +56 dB this means the Mic Pre Gain would have to be fully cranked to achieve unity gain. Please note that the higher the negative dBV, the lower the sensitivity. That is, a mic with a sensitivity of -56dBV is less sensitive than a mic with a sensitivity of -38dBV, but more sensitive than a mic with a sensitivity of -65dBV. A more logical way to look at it is to think about how much gain will be required to amplify the test signal up to a level of one volt (One Volt is the "Unity Gain" number), the level as supplied "Into" the microphone.
Q: 6. Will this work with the fx6 top handle without having to add an adapter to the shotgun mount?
A: You can use Sanken O-Rings (B&H # SAROCS) to be able to fit the ECM-VG1 securely into the shotgun mic holder on the Sony FX6.
Q: 7. How does the sound quality compare to the diety d3 pro?
A: Both mics will provide high quality sound and they differ a bit in their features. The ECM-VG1 is designed to deliver a smooth and natural sound with a flat and wide frequency response range of 40 Hz to 20 kHz, low noise level of 18 dB and a high sensitivity of -33 dBV. It also has a two-position low-cut switch to reduce ambient reduce and can handle loud sounds up to 127 dB SPL. The D3 Pro is designed to deliver a clean and clear sound with low noise. It has a frequency response range of 50 Hz to 20 kHz, a low noise level and high sensitivity of -24 dBV. It also has a two-position low-cut switch and can handle loud sounds up to 130 dB SPL. Additionally, the D3 Pro has a gain knob that provides up to 20 dB which gives you better control of the mic's level. Other things to consider between the two mics are the powering options. The ECM-VG1 operates with phantom power only while the D3 Pro has a built-in rechargeable battery and the automatic on/off feature requires plug-in power from the camera or recorder. All of these factors are important to be aware of depending on the camera or recorder you will be using and its capabilities for input and powering.
Q: 8. What adapter would one use to mount their camera to this for an overhead shot?
A: You can use a ball head or similar tripod head.
Q: 9. How does this mic compare to something like the Blue Yeti Pro?
A: There is no comparison, the Yeti Pro has 3 capsules and can be used for Mono or Stereo applications, the MV7 is a podcast microphone , with a single cardioid voice coil, and the output is Mono only.
Q: 10. is it the male or female end xlr?
A: The microphone's body offers a 3-pin male XLR connection. This agrees withe universal convention for microphones.
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