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Intellijel Rainmaker 16-tap Stereo Spectral Rhythm Delay And Comb Resonator Eurorack Module (36 Hp)

Intellijel Rainmaker 16-tap Stereo Spectral Rhythm Delay And Comb Resonator Eurorack Module (36 Hp)
  • Product Code: ga170279
  • Availability: In Stock

$1,917.00 $2,607.12

Bring your umbrella and get ready for a deluge with the intellijel Rainmaker, an advanced 16-Tap stereo spectral rhythm delay and comb resonator in Eurorack format. Developed in collaboration with Cylonix, the Rainmaker allows individual control of any or all 16 taps-set timing, level, pan, filter type, cutoff and Q on each tap. The Comb Delay opens up further possibilities for complex comb filtering, along with resonator or reverb effects.

The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more. The module includes a ribbon power cable.

16-Tap Rhythm Delay Section    Comprehensive Control of Each Tap    Comb Delay: Up to 64-Tap Preset Patterns    Delay & Comb Clock In, Clock Out    96 kHz, 24-Bit Signal Processing    Tons of CV Control Over Parameters    Audio-Rate Randomization    128 Selectable Presets    Laser Mammoth Preset Librarian via USB    Includes Ribbon Power Cable

Key Specs
Sound GenerationDigital
Audio I/O2x 1/8" / 3.5 mm Input
2x 1/8" / 3.5 mm Output
MIDI I/ONo
CV/Gate I/O8x 1/8" / 3.5 mm TS CV Input
1x 1/8" / 3.5 mm TS Trigger Input
Patch Points13x 1/8" / 3.5 mm TS Input
3x 1/8" / 3.5 mm TS Output
Eurorack Current Consumption270 mA on +12 V Rail
24 mA on -12 V Rail
Horizontal Pitch36 HP
General
Item TypeEurorack Module
Sound GenerationDigital
Expression ControlsNo
Number of PadsNo
Number of Rhythm Pattern Presets128x Factory
Built-In Effects1x Delay: Digital Delay, Stereo (Rhythm), Digital Delay, Stereo (Comb)
Built-In SpeakerNo
Synthesis
Filters
Characteristic: Digital Stereo
Type: Comb
LFOsNo
Sequencing & Recording
SequencerNo
ArpeggiatorNo
Connectivity
Audio I/O2x 1/8" / 3.5 mm Input
2x 1/8" / 3.5 mm Output
MIDI I/ONo
CV/Gate I/O8x 1/8" / 3.5 mm TS CV Input
1x 1/8" / 3.5 mm TS Trigger Input
Control Voltage Level -5 to +5 V
0 to +10 V
Patch Points13x 1/8" / 3.5 mm TS Input
3x 1/8" / 3.5 mm TS Output
Sync I/O1x 1/8" / 3.5 mm Clock Output
2x 1/8" / 3.5 mm TS Clock Input
Power
Power RequirementsEurorack Power
Eurorack Current Consumption270 mA on +12 V Rail
24 mA on -12 V Rail
Physical
Horizontal Pitch36 HP
Included AccessoriesNo
Packaging Info
Package Weight1.165 lb
Box Dimensions (LxWxH)8.9 x 6.8 x 3.4"

  • 16-tap Rhythm Delay section with comprehensive control of each tap
  • Comb Delay section with up to 64 taps controlled by preset patterns, slopes, and filters.
  • Delay CLK IN, Comb CLK IN, CLK OUT and clock dividers allow for synchronization with other elements in your patches.
  • 96 kHz, 24-bit (32-bit internal) signal processing
  • Most parameters are controllable by external control voltages, either directly or through the two auxiliary modulation inputs (MOD A, MOD B)
  • Audio-rate randomization of all parameters, or selectable subsets of parameters
  • 128 Preset slots with online preset librarian via Laser Mammoth and USB connectivity

  • Each of the 16 taps has its own set of audio processors:
  • 2nd order resonant multimode filter (LP, BP, HP) with adjustable cutoff frequency and resonance
  • Level and Balance setting, with quick-mute capability
  • +/-1 octave granular pitch shifter. 1, 2, or 4 grains with adjustable grain size
  • Delay line feedback can be taken from any of the 16 taps (pre-filter) or from the sum of the 16 taps (post-filter)
  • Delay line feedback has its own granular pitch shifter and 1st-order tone filter
  • Global delay time can be set either by manual entry with the encoder, by an external clock with adjustable clock divider, or by tap tempo button
  • Individual tap delays are set according to one of 16 preset grooves
  • Global delay time modulation by an LFO with 8 selectable waveforms
  • Delay times range from 0.1 millisecond to 20 seconds
  • Delay buffer freeze and reverse
  • Taps can be piled on top of each other to give complex filtering and chord effects
  • Global pitch-shift control transposes the delay line output by +/-1 octave

  • Comb can have between 1 and 64 taps allowing for complex resonances
  • Three different nonlinear comb feedback structures for spectral shaping
  • Comb is pingable to give physically modeled guitar, sitar, and clarinet types of sounds
  • 16 different comb tap spacing patterns
  • Global comb time can be set either by manual entry with the encoder, or by an external clock (with adjustable clock divider), or by a 1V/oct control voltage
  • Global comb time modulation by an LFO with 8 selectable waveforms
  • Comb times range from 0.1 millisecond to 20 seconds

There are 128 nonvolatile memory slots into which you can store sets of parameter values. These can be recalled at any time by pressing the LOAD button, turning the rotary encoder to select the desired memory slot, and then pressing the rotary encoder to execute the loading operation. Although these memory slots can be overwritten by the user, they come prefilled from the factory with interesting preset configurations. These factory presets are listed and briefly described below. Presets 82 to 128 were created by Richard Devine.

  1. 1-Tap: Basic single tap (tap #4) delay with no filtering or pitch shifting, 120bpm
  2. Ping-Pong: Basic two-tap ping-pong delay (taps #2 and #4)
  3. BouncyPng: Bouncy ping-pong delay
  4. 4NoteSwing: 4-note swing delay
  5. Slap-Back: A very short slapback delay, good for vocals or drums
  6. Panner: Produces a set of echoes that pan across the stereo field
  7. 2 Swells: Echoes that rise then fall in amplitude, then rise and fall again
  8. 16tap Beat: 16 echoes with a beat that falls in amplitude as well as in filter cutoff
  9. 16tap Swell: 16 echoes that rise in amplitude
  10. 16tapDecay: 16 echoes that fall in amplitude as well as in filter cutoff
  11. Up Chirp: Delayed 160 msec up chirp, (MODA adjusts CUT, MODB adjusts Q).
  12. Spectrm Up: 80 msec spectral delay up chirp, (MODA adjusts CUT, MODB adjusts Q).
  13. Spectr Dwn: 80 msec spectral delay down chirp (MOD adjusts mod level and rate).
  14. Descender: Slow 2.8 sec spectral decay (MODA adjusts CUT, MODB adjusts Q).
  15. Rand Reflx: Echoes with random delay times (MODA adjusts CUT, MODB adjusts Q).
  16. VocalThick: Vocal thickener with two short slightly panned delays.
  17. Krellverb: Irregular echoes for alien reverbish effects
  18. Rev Swell: Reverse double swell delay
  19. Triller: Trill
  20. Takeoff: UFO takeoff rising pitch
  21. Fanfare: 5 note fanfare delay
  22. Devo Octav: Devo ring modulated octave repeats
  23. II-V-I: II-V-I chord progression using 4 piles of pitch-shifted taps to form chords
  24. 2Tap Res: Two-tap resonant lowpasses (MODA and MODB adjust filter cutoff frequencies).
  25. TechnoLoop: Techno beat looper
  26. Waltz Loop: Waltz beat looper
  27. FrmntChoir: Formant choir, using 4 piles with 3 high-Q bandpass filters each
  28. Chorus: Thick chorus
  29. FilterBank: Four-filter filterbank rhythm
  30. Up Gliss: Upsweeper (change the feedback pitchshift amount to get different effects)
  31. Down Gliss: Downward sweeping pitch shifts
  32. Sub Octave: Adds a delayed suboctave to the input
  33. Flanger: Flanger (MODA adjusts the depth, and MODB adjusts the rate)
  34. Resonator: 63-tap comb resonator and delay
  35. Woodwind: Another type of comb resonator sound
  36. Chorus Res: Chorus resonator
  37. Wobblebug: Wiggly wobbly comb resonator
  38. KarplusStr: Karplus-Strong String (use 1v/oct, full wet, ping with TRIGGER)
  39. 40tap Res: Slow 40-tap resonator beat
  40. Bouncy Res: Bouncy comb resonator
  41. Washboard: Washboard comb
  42. 1-Tap: Whalesong reverb
  43. Overdrive: Overdriven delay and resonator
  44. Dreamy Res: Ethereal, dreamy resonator
  45. WahVerb: Wah-wah reverb
  46. Pass Cars: Passing cars doppler shift
  47. Bubble Png: Bubbling pingpong delay and resonator
  48. Dual L/R: Delay on the left, comb on the right
  49. Steel Drum: A rattling steel drum delay
  50. Insects: Insect swarm
  51. Roar Surf: Roar of the surf
  52. NewAgeDrone: New age drone
  53. ResoBeat: Resonant beat loop
  54. Phantom Op: Phantom of the opera
  55. Psycho Rpt: Psycho repeats
  56. Tinny Beat: Tinny beat
  57. Funky Drum: Funky Drummer
  58. Psychedelc: Psychedelic beat
  59. Film Noir: Film noir soundtrack
  60. Very Slow: Very slow swell
  61. Vibration: Vibration
  62. ParaleVerb: Parallel reverb
  63. LongReverb: Long resonating reverb
  64. Symphony: Symphony warmup

 

65. Ping Arp: Trigger to ping a rising arpeggio. MODA shifts the frequencies.

66. Modal Ring: Modal synthesis. Use with no input, TRIGGER causes pinging. Play with the MOD A to change the pitch.

67. AllTapz: MODA selects different rhythm grooves

68. Delay*Size: Feedback time is set by COMB SIZE, use the encoder to change

69. Xmod Echo: Modulated delay. MODA controls mod level, MODB the mod rate.

70-81. ( empty ): Blank slots for you to fill with your masterpieces

82. Alienizer: Trigger randomizes tap mutes (i.e. randomly selects taps to hear)

83. Berserker: Trigger randomizes the delay parameters.

84. ShortWave: Trigger randomizes all comb and delay parameters.

85. PitchFrac: Trigger randomizes the tap pitch shifts.

86. Transform: Randomized tap pitch shifts.

87. RandomMute: Trigger randomizes mutes. MODA changes grain size.

88. Electrik: Modulated comb.

89. Mod Maker: MODB controls the comb modulation waveform

90. BrokenPins: Pinged pitch shifted delay and comb

91. GlitchFeed: Trigger randomizes comb parameters after a long delay

92. MachineCut: Trigger to ping delay/comb to give a breathy sound

93. WormHole: Slow chaos, randomization of comb

94. Plextrig: Trigger randomizes all the rhythm delay parameters

95. Spectras: Vibrating ping, with filter bank frequencies adjusted by MODB

96. Spreader: Spectral spreading delay

97. Spiral: Nightmarish spiraling pitch shifts

98. Tick Tock: Noisy grains with downshifted feedback

99. Waves: 16 repeats, giving waves of sound

100. SpineTaps: Filtered echos, rising in frequency

101. Chasers: MODB adjusts feedback pitch shift

102. VocosDecay: Four downshifted piles of vocal repeats

103. GettinAway: Upwardly mobile pitch shifts

104. Imperial: Five repeats with upward pitch shifted feedback

105. KingKarp: Another pingable Karplus-Strong, with Sitar nonlinearity

106. CombCutter: Pingable electronik resonator

107. CombRipple: Trigger a ping to generate Geiger counter ticks

108. DroneChord: Haunting drone creator

109. Weaver: Subtle pitch shifted repeats

110. CombDriper: Juicy ticking comb

111  SnareRolls: Comb resonator for multiplying snare hits

112. RandomFlux: Random comb repeats

113. Complexo: Two piles of long filtered pitch shifted echoes

114. ModCluster: Modulated comb

115. AlienMurk: Murky burbles, moving MODA makes bubbles.

116. CanyonLand: Land of the canyons

117. Tectonic: Whistling plates sliding past, MODA makes ticklets

118. CombGeos: Bright expressive reverb

119. 1V/Ripper: Tunable resonator

120. Steper Verb: Pingable cymbalism

121. GlitchComb: Hairy repeats stuck in the comb

122. SmearSmash: Smeared shifted delay

123. CombDeform: Filtered-Shifted-Deformed

124. Karp&Scuff: Many repeats into a high feedback comb - watch the levels!

125. Vertex: Two filterbank piles, MODA shifts filter cutoff, MODB makes clicks

126. Fade2Metal: Tunable heavy metal digeridoo

127. InvertComb: Fuzzy ping

128. Skip&Fold: 20th century symphonic dancing pitches

 

  • 36 HP Eurorack format module
  • Maximum depth: 1.7" (44mm)
  • Includes power ribbon cable with Eurorack power headers
  • Power: +12V: 270mA, -12V: 24mA

Related Questions and Answers

Q: 1. Will this work with the Lumix GH6? If so, how does it fit through the battery cover?

A: Yes the Kondor Blue DMW-BLK22 will work with the GH6. However, You may need to remove the battery door when using this cable.

Q: 2. What power adapter is needed with this item?

A: You will need a Kondor Blue Battery Plate and a block battery.

Q: 3. Can I use this with a Lanparte VBP-01 battery pinch? Would I use the 12 V output or the smaller size 7.4 V output?

A: Due to the size of the barrel, the Kondor Blue DMW-BLK22 Dummy Battery to DC 1.35/3.5mm Coiled Cable (16 to 36") would only connect to the LanParte VBP-01 V-Mount Battery Pinch's 7.4V power output.

Q: 4. Does using this adapter mean the lights stay at 150W equivalent? Or does it dim down to 50%, the way it would with AA batteries?

A: Yes, 12V give 100% light -same as AC power.I don't have a 12V battery yet, so I used my 12V car battery to check the answer to your question.P.S.On AA battery, the light look to my eyes, as dim down to 60% in wide angle, and 75% in the narrow-angle of the focus light lens.

Q: 5. Has anyone managed to sync their Einstein strobes at greater than 1/250s using the PowerMC2 on the Einstein and MiniTT1 transmitter and AC3 Zone Controller on their Nikon D700 or D800 cameras? I can't figure out how to make the HyperSync work with this combination.

A: HyperSync results vary by camera and flash. For the Einstein, you need to set the flash to full power and it needs to be in color mode. If you have trouble with your specific setup, you can check the PocketWizard Wiki and/or contact PocketWizard directly for help. Both of those cameras should be able to sync over 1/250 in HyperSync with an Einstein.

Q: 6. Is the Capture Pro Module basically a transmitter?If I understand this product right, I can wirelessly use the Pro Module to trigger speed lights with the addition of a Receiver Module with any of the four sensors? Is it also possible to trigger a camera with just the Pro Module and a Receiver Module?Last question, what would the Transmitter Module be used for for from this link, https://a href= http://www.bhphotovideo.com/c/product/1140337-REG/hahnel_hl_captur_n_capture_wireless_shutter_flash_trigger.html target= _blank www.bhphotovideo.com/c/product/1140337-REG/hahnel_hl_captur_n_capture_wireless_shutter_flash_trigger.html/a , is this something I would need to use the Pro Module?

A: from the link provided, the pro module would replace the transmitter, allowing you to trigger from the methods the pro module provides.

Q: 7. Will this work to power a lectrosonics srb dual receiver for a wireless hop?

A: This power cable is designed specifically for connecting a Rotolight Neo to a D-Tap power source, it may not work properly with a Lectrosonics product. For further help finding the right power solution for your receiver please email audio@a href= http://bhphotovideo.com target= _blank bhphotovideo.com/a directly. They will be able to assist you.

Q: 8. Will this dummy battery allow you to use all the recording options in the camera? For example the 5.7K recording options etc.

A: We do not believe there will be any limitations in the recording modes you work with when using the Kondor Blue DMW-BLK22 Dummy Battery cable.

Q: 9. Does the battery door remain open with this adapter?

A: More than likely yes, you will have to remove the battery door to use this dummy battery adapter.

Q: 10. can the Captur Pro be connected by cable directly to Nikon D810 with no other equipment required to capture sound?

A: yes this can be hooked up to a camera directly through the correct cable. the sound triggering will work through the captur pro module.

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