The Audio-Technica ATW-T3202 is a 3000 Series (4th generation) handheld transmitter compatible with ATW-R3210 and ATW-R3210 Networked receivers. It features an interchangeable microphone capsule design and is offered without a capsule included, so you can choose the appropriate capsule (available separately) for your application. With a rugged metal housing that offers low handling noise, the transmitter provides natural audio for presenters, clergy, lecturers, and performers working in business and educational settings, houses of worship, or on musical stages.

The ATW-T3202 operates on a wide 60 MHz UHF tuning range with 2395 selectable frequencies to choose from for interference-free audio transmission in an increasingly congested RF environment. It provides up to 9.5 hours of operation on two AA NiMH rechargeable batteries (available separately), with a selectable 10/30mW RF power output for overcoming interference in difficult RF environments. The transmission range is up to 330'.

For 3000 Series Receivers    Interchangeable Mic Capsule Design    2395 Auto-Scan Frequencies    Selectable 10/30mW RF Power    Mute Switch, Backlit OLED    Adjustable Input Level Control    9.5-Hour NiMH Batteries

• The transmitter's interchangeable microphone capsule design (with an industry-standard thread) allows you to choose the mic capsule that’s ideal for your application and simply screw it onto the transmitter—including the ATW-C510, ATW-C4100, ATW-C6100, ATW-C3300, and ATW-C5400 capsules as well as capsules from other manufacturers.
• The transmitter's gain ranges from -10 to +20 dB and can be adjusted in 2 dB increments.
• The bright OLED screen presents comprehensive setup and operating information, including battery indicator, mute status, and operating frequency. Setup functions are menu driven via soft-touch controls, which are covered to prevent accidental changes.
• The multifunction button can be programmed to act as a mute switch.
• In case of interference, the programmable multifunction button can also be used to switch to a clean, backup frequency, with minimal interruption.
• The transmitter easily syncs to the receiver via infrared with a quick press on the Sync button.
• Two RF power output settings are available: the low-level setting extends battery life while the high level offers a stronger RF signal link.
• The durable metal chassis is equipped a secure, locking battery compartment door.

• The transmitter operates for up to 9 hours on two AA alkaline batteries and up to 9.5 hours on two rechargeable AA NiMH batteries.
• Charging terminals on the base of the transmitter work with the optional ATW-CHG3 charging dock or ATW-CHG3N networked charging dock (both available separately) to recharge AA NiMH batteries while inside the transmitter.
• To protect against misuse, the dock automatically shuts off if alkaline or damaged batteries are detected in the transmitter.
• The ATW-CHG3N networked dock allows users to monitor the charging status of the transmitter.

Related Questions and Answers

Q: 1. Can any 5-Pin XLR Female to 1/8" 3.5mm Stereo Jack can be used to connect the AT BP4029 to Canon R5 camera? If so, which one do you recommend?

A: The Audio-Technica BP4029 (AT835ST) - Stereo Shotgun Microphone requires power from 3-Pin XLR inputs to operate properly and cannot connect directly to a 3.5mm input on a camera such as the Canon R5. A small camera mixer such as BH #SASRPAX1 Saramonic SR-PAX1 Two-Channel Audio Mixer, Preamp, Microphone Adapter would work to achieve this setup properly.

Q: 2. Does this have phantom power!

A: Yes, the SKP500 transmitter included in this kit can supply 48 volts phantom power, to mics that require it.

Q: 3. Does this connect to Zoom H5?

A: Yes if connected via the included 24 (0.61 m) Cable (5-Pin XLR-F to Two Standard XLR-3M Connectors)

Q: 4. When shooting on a camcorder in the field, if I wanted only the center channel, so I could use the 2nd audio input on the camcorder for a wireless mic or some other input, which of the channels is mid if the mic is set to M/S and NOT doing an internal stereo matrix?

A: It ships with a 5-Pin xlr to 2 3-Pin xlrY-Cable. While It typically it is not marked on the cable which of the 3-pin xlr cable corresponds to which of the capsules, a quick and easy trial and error by independently testing each of the -pin xlr connectors, you should be able to figure it out in no time and with ease. I wish I would have a clear cut answer.

Q: 5. I just bought this unit. Works great till I plug in headphones then unit gets hot, batteries die, then it turns off. I wait for a minute, don't plug in headphones, all is good. Same batteries. Has anyone seen this before? I have 4 other G4s that are great.

A: Although we have not heard of this issue with the Sennheiser EW 500 BOOM G4 Camera-Mount Wireless Plug-On Microphone System with No Mic before, I would speculate that perhaps the headphones connected require more signal strength than the receiver can provide, or perhaps there is an impedance mismatch. I would recommend trying another pair of headphones to see if the issue persists. If it does, we may need to consult Sennheiser for further clarification on this scenario.

Q: 6. What is the width of the stereo pattern?

A: Unfortunately Audio Technica does not provide detailed specs regarding width of the pattern. The manual, which is available on the Audio Technica website does include some polar pattern diagrams at different frequency ranges that may help.

Q: 7. what connection is used on the back side of the plate?

A: Connections are three set screws bearing down on silver plates...tin your wires and trim to a quarter inch, then inserrt each under the plate and tighten down the set screws...could not be easier...first you might place a heat shrink tube on the cord (heat shrink inside diameter large enuff to fit over the set screw mounting) and that will help prevent the cord from being yanked out...

Q: 8. How do I choose between the AW+ and GW1 models?

A: If you are using this in USA, and you are only using a few wireless systems on set, either of the frequency ranges which we carry of the Sennheiser EW 500 G4 wireless microphone systems will work reliably for you. If you are using many systems on one location, you will get best results by dividing between the available ranges. If you need something that can work internationally, please contact us so we can help you find the best option.

Q: 9. Are there any compatible antennas for this to extend the range?

A: No. The Sennheiser EW 500 BOOM G4 Camera-Mount Wireless Plug-On Microphone System includes the bodypack-style EK 500 G4 Pro Wireless Camera-Mount Receiver, which has an integrated/molded antenna, the receiver cannot be used with an external antenna. If you swap the EK 500 receiver and use the Sennheiser EM 300-500 G4 Wireless Receiver (such as B&H # SEEM3005MGAP for AW+: 470 to 558 MHz frequency band), you will be able to use remote mount antennas or half-wave antennas for extended range. However, the EM 300-500 requires AC power and is not camera-mountable, so that could be a drawback if you need to have a portable, battery-powered system.

Q: 10. How is the quality of this microphone compared to a similarly priced mono shotgun? I realize it can't possibly be as good since it is a jack of all trades, but does it compare reasonably well against the rode NTG3 or even the Sennheiser MKE 600?

A: The audio and build quality of the Audio-Technica BP4029 are very good. There are differences in design between the stereo BP4029 and the mono Rode NTG3 and Sennheiser MKE 600 microphones and in the way that they capture sound. Mono and stereo mics are typically used for different applications. The NTG3 and MKE 600 each have one cardioid mic element for a very focused pattern which picks up sound from directly in front of the mic. The stereo BP4029 has a mid-side configuration with separate cardioid and figure-8 mic elements which work together to create a stereo image. The cardioid element is used for "mid" and faces the sound source while the figure-8 element is the "side" mic which is typically aimed at a 90 degree angle from the sound source and creates the left and right split. ​The BP4029 offers three selectable settings -- M-S direct, LR wide, and LR narrow. In M-S mode, the BP4029 provides a traditional stereo sound. In addition to the basic M-S pattern, the BP4029 also offers LR wide mode to pick up more of the ambient sounds for a wider stereo image while the LR narrow mode picks up less of the ambient sound for a more narrow stereo image. The three settings allow the mic to be adjusted based on the recording environment in order to capture the best possible audio. So the mic you select should be based on the application it will be used for, the direction of the audio source, as well as the recording environment.