Control your stage, studio, or live entertainment lighting system with the ChamSys QuickQ 30 Console. This intuitive lighting control console handles four DMX universes or 2048 DMX512 addresses on a maximum of 2048 control channels, 40 multifunction faders, and a 9.7" touchscreen display. Built-in Wi-Fi allows you to remotely control the unit from any Android, iOS, and Windows tablet devices using the free, downloadable QuickQ app.

The user-friendly interface leads you through setup, programming, and operation making it possible for the console to be easily operated by a novice user. It offers easy-to-understand buttons and faders, programmable color, intensity, and positioning tools with scrolling and zooming at your fingertips, and with simple cue/chase functions for playback. Free downloadable software that works with Mac or Windows operating systems provides offline programming that may be stored on an optional flash drive and later inserted into the QuickQ console for program recall and deployment.

Two dedicated hue and saturation encoders enable ample color control, and an HDMI port allows for optional external monitoring of the Output and Home console windows in resolutions up to 1920x1080. An extensive and continuously updated ChamSys personality library provides the QuickQ with access to over 30,000 personalities and QuickQ shows can be loaded into any MagicQ system for seamless compatibility with a wide range of even more advanced ChamSys MagicQ consoles. 

Intuitive Lighting Control Console    Integrated 9.7" Touchscreen Display    Built-In Wi-Fi for QuickQ App Control    Programmable Intensity, Color & Position    Controls Four DMX Universes    Offline Programming on Mac or Windows    Dedicated Hue and Saturation Encoders    Compatible with MagicQ Consoles    HDMI Port for External Monitoring

The console provides patching options for dimmers and multiparameter devices via built-in library of over 32,000 fixture profiles.

Integrated Wi-Fi enables connectivity to an iOS, Android, or Windows tablet device running a remote-control application to display and control any window independently of the console, which can used as a secondary display or wireless focus remote.

The console features a recovery system that allows for the operating system to be restored if required.

Two USB ports facilitate the show data being saved for archival backups or for transfer to other consoles or on a personal computer.

The console supports automatic patching and addressing of fixtures connected using Remote Device Management (RDM) on the local DMX/RDM port.

The DMX universes can be output either via the DMX ports or the Ethernet port on the console via network protocols of Art-Net or sACN.

The console features a dedicated master fader for overall level control.

Intensity, position, color, and beam effects are available via each attribute window and are customizable for speed, size, and parts controls.

Up to 5000 cues may be stored within a single show file on the console and multiple show files may be loaded and saved within the console memory.

Playback and Execute Window Items functions can be triggered automatically at scheduled times or days without further user interaction.

Related Questions and Answers

Q: 1. I'm using a 6" FeelWorld LUT6 monitor bounced off an Ikan Homestream teleprompter. I'm noticing that if the monitor has light colors on it, there is a visible wash-out effect on the image from the Z6 mirrorless camera. I'm wondering if laying a sheet of polarized film, turned to the correct orientation, would mitigate or eliminate what I assume is a spill of light off axis through the beamsplitter glass and then across the lens front element?

A: I believe you need a polarizer filter on you camera lens first and then put a polarizing gel on you monitor that should help alleviate these issues.

Q: 2. Will this work for iMovie (BigSur OS)?

A: At this moment the Loupedeck Live would support Final Cut Pro but not iMovie. https://bit.ly/3Ic1phF

Q: 3. Is there any difference in function or light transimission between the 0.3mm and 0.8mm versions?

A: Thicker films have more durability.

Q: 4. How deep are the racks?

A: The racks are 22 but open in the back. 15 max depth for equipment mounted in the top 2R.

Q: 5. What's the functional difference between the 0.3mm and 0.8mm versions? I'll be using this on a 600w Elinchrom strobe.

A: The thicker one is sort of like card stock. The thin one is like a sheet of paper. One is better when you need a slightly more rigid filter, the other is preferred when you need it to be more flexible.

Q: 6. Hello. Could I use this for creating FCPX shortcuts? I don't intend to use it for live content, but for video editing. Thank you.

A: Yes, this is compatible with FCP X and every button and dial, as well as the touchscreen, can be customized to your personal editing style.

Q: 7. Are the support mounts for the monitors / speakers supplied by Forecast or a third party vendor?

A: The support mounts for the monitors and speakers for the Forecast Consoles GC3-MR ImageMaster Edit Console are supplied by Forecast Consoles.

Q: 8. Will this work with the M1 processor of Apple?

A: currently there is no M1 compatibility but according to the manufacturer support for the M1 chip is in the works

Q: 9. Does it include a license for Davinci Studio?

A: A DaVinci Resolve Studio license is not included with the Blackmagic Design Fairlight Desktop Console USB Control Surface.

Q: 10. Does the release plate for the Sirui BCH-20 slide in the from the rear, or can it be side mounted? Side mount release plates are super convenient when you have rails and gear attached to the camera.

A: Hi,It can only be mounted from the rear. You cannot open the clamp enough to mount or remove the plate from the side.