High Pass Filter Frequency Audio

Lewitt Mtp 840 Dm Dynamic Supercardioid Performance Microphone

Product Code: ga17280
Availability: In Stock

$807.00 $1,041.03

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Description
Reviews (6)

The MTP 840 DM Dynamic Supercardioid Performance Microphone by Lewitt Audio is for capturing audio in various environments, including applications such as live sound, studio recording, lead vocals, background vocals, conference rooms, lecture halls, boardrooms and more. It features a switchable sensitivity, a multi-step high-pass filter, supercardioid pickup pattern and a frequency response of 40 Hz to 18 kHz. This makes for a unique tool for onstage and in the studio.

The MTP 840 DM's high-pass filter directly influences proximity effect, allowing adaption of the mic to an individual's requirement. The built-in three-position switchable amplifier allows lossless recording of far off sources. Built-in LEDs that can be turned off make checking this mic's numerous settings a simple matter, even in the dark.

This microphone is powered by 48V phantom power. It has an integrated acoustic pop and windshield built-in for protection without compromising high-frequency clarity. It is also built with a solid full metal die-cast body for rough daily touring. It features a corrosion-resistant gold-plated 3-pin XLR output connector. A shock mount and carrying pouch are included.

For Live Sound and Recording High Pass Filter 3-Position Switchable Amplifier 40 Hz to 18 kHz Frequency Response LED Indicators for Microphone Status 48V Phantom Power Built-In Wind and Pop Filter Gold-Plated 3-Pin XLR Connector Shock Mount is Included Carrying Pouch is Included

Key Specs
Element Type	Dynamic
Polar Pattern	Supercardioid
Controls	Gain/Sensitivity, Low Cut/HPF
Frequency Response	40 Hz to 18 kHz
Maximum SPL	140 dB (.5% THD)
Analog Output	1x XLR 3-Pin
Power Sources	Phantom Power
Microphone
Sound Field	Mono
Element Type	Dynamic
Polar Pattern	Supercardioid
Orientation	End Address
Circuitry	Solid-State
High-Pass Filter	150 Hz, 12 dB/Octave 250 Hz, 12 dB/Octave
Filter & EQ	Low-Cut Filter: 150 Hz, 12 dB/Octave / 250 Hz, 12 dB/Octave
Gain Adjustment	0 dB to 12 dB
Controls	Gain/Sensitivity, Low Cut/HPF
Performance
Frequency Response	40 Hz to 18 kHz
Maximum SPL	140 dB (.5% THD)
Sensitivity	3.5 mV/Pa / -49 dBV (Passive Mode) 7 mV/Pa / -43 dBV (Active Mode) 14 mV/Pa / -37 dBV (Active Mode)
Dynamic Range	135 dB (A-Weighted, Passive) 121 dB (Active, Min Gain) 115 dB (Active, Mid Gain) 109 dB (Aactive, Max Gain)
Equivalent Noise Level	19 dB (A-Weighted)
Connectivity
Analog Output	1x XLR 3-Pin
Power
Power Sources	Phantom Power
Operating Voltage	48 V
Physical
Color	Black
Mounting Thread Size	5/8"-27 Female (3/8"-16 Female with Included Adapter)
Dimensions	ø: 2 x L: 7.2" / ø: 51 x L: 183 mm
Weight	11.85 oz / 336 g
Packaging Info
Package Weight	1.745 lb
Box Dimensions (LxWxH)	9.7 x 7.6 x 3.25"

3-position switchable high-pass filter for direct adjustment of proximity effect according to application and artist

Illuminated indication of microphone settings for quick and easy handling even in dark environments

Effective integrated acoustic pop and windshield offers excellent protection without compromising high-frequency clarity

The frequency response is shaped specifically for demanding vocal applications, with brightened midrange and bass roll-off

Uniform supercardioid pickup pattern for maximum isolation of the main sound source

Optional active mode provides superior dynamic range of 121 dB-A and extremely low self-noise of 19 dB-A for ear-catching realism and distortion-free sonic depth

Hardened steel mesh grille to prevent wear and abuse

Great for lead and background vocals and demanding live and studio applications

Related Questions and Answers

Q: 1. Does this require batteries?

A: No

Q: 2. how does this compare to SM58?

A: Similar but different, depending upon the experience and vocal technique of the talent. A better choice where feedback is an issue. Same tough build quality!

Q: 3. Does this mount directly to the drum or does it require a mic stand for use?

A: A drum mount is included.

Q: 4. I already own the e945 it,s a beauty but i need to get some pop socks can somone please assist me?.....

A: Click the accessories buttonJImC

Q: 5. Could this microphone work with a Behringer U-Phoria UM2 audio interface, and if so would it have issues with it being too quiet?

A: The V7 will work well with the UM2. There is gain control on the UM2, so no, it will not be too low.

Q: 6. will this work with the ProFX12v2 sound board?

A: This can connect to the ProFX12v2 mixer via an XLR cable.

Q: 7. Is this compatible with the Shure blx wireless?

A: Because the Shure BLX-2 transmitter features an integrated capsule design (non-removable), the Telefunken M80 wireless dynamic microphone capsule is not compatible.

Q: 8. Compare Shure sm57

A: The Polsen DM-USX1 can function as an XLR connection handheld microphone or a USB microphone connected directly to a computer. The Shure SM57 is an XLR connection microphone only.

Q: 9. Is the grill removable for cleaning ?

A: No it is not. But you can get a sanitizing product called Goby Labs Sanitizer Spray for Microphones. This is the B&H part number B&H # GOGLS104B.

Q: 10. will this mesh with Sure SM58 Wireless?

A: This capsule will work with all the Shure wireless transmitter handheld microphones, just make sure the capsule on your microphone can be removed in order to add the Telefunken M80 capsule in it's place.

Steve	23/09/2024
Have only used it on a high gain guitar cab so far, but my first impression is that it does a great job capturing the amp tone, but sounds smoother than a 57 without sounding dull. I have it paired with a Royer 101 and after about 2 minutes of mic placement, it sounds killer. Overall, just seems to do what a 57 does, but with less harshness. Sometimes you may want that harshness though so, of course, you should have both. :) 5

Red	15/09/2024
I have a whole box full of nady mic's they all treat me well. I use a 18 bass drum 99% of the time in the studio and my D6 is just to chubby sounding with it I was using an old sm57 which suddenly conked out. Got this one a whim as I have several nady 460's and like them a lot. I leave this kit mic'd up most of the time so need quite a few mic's In my tool box. Am very pleased sounds better than the sm57 in this app. Has a good slap and enough bottom without having to eq some out. Just add a gate and I have a great bass drum sound. 5

Jason	11/09/2024
Great on guitars! I record mostly heavy rock and metal. Does a great job 5

More Like Me	28/05/2024
We are a 3 piece band with a lot of big vocal harmonies. When we first plugged in our Lewitt mics we were very impressed with their quality, and the full range of sound that they produce. They are quiet, clear, and very responsive. A noticable improvement to the mics we were using before (the ones most bands use). If you want an absolutely great quality performing mic, you can't beat a Lewitt!!! Jared, Justin, and Jordan from More Like Me 5

James	27/05/2024
Replaced the older AKG D190's on my rack toms with these Lewitts and really noticed the difference when it came to mixing the drums. Great frequency response helps with little EQ adjustments. 5

Miss Sing	12/05/2024
I have sung all over the world on many different microphones, and have found only 2 brands of microphones that I love. Lewitt is one of them. The sound is crystal clear, and it picks up all my dynamics. Highly recommended. 5