Schoeps Mk 5 Microphone Capsule (matched Pair, Matte Gray)
- Product Code: ga173333
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The matte gray MK 5 Microphone Capsule from Schoeps comes as a matched pair, and offers 2 selectable directional patterns, but uses only a single membrane, a no-compromise approach. The fact that full response is maintained to the high audible frequencies is unusual for a switchable-pattern microphone.
In its omnidirectional setting, this MK 5 Microphone Capsule is a true pressure transducer with smooth, extended low-frequency response, low sensitivity to most wind and breath noise, handling noise or mechanical vibration, and no proximity effect. This capsule has a cardioid setting that retains its full directionality even at very low frequencies. The benefits of this design are in its purity and clarity of sound which is immediately audible. This capsule has a slight high-frequency emphasis.
The MK 5 Microphone Capsule is nearly an all-purpose capsule. It is recommended for those starting out with the Colette series.
Parameters | |
---|---|
Frequency Range | Omni: 20 Hz to 20 kHz Cardioid: 40 Hz to 20 kHz |
Sensitivity | Omni: 10 mV/Pa Cardioid: 13 mV/Pa |
Equivalent Noise Level | Omni: 14 dB-A (A-weighted) 15 dB-A (A-weighted) Cardioid: 26 dB (CCIR) 24 dB (CCIR) |
Signal-to-Noise Ratio | Omni: 80 dB-A (A-weighted) Cardioid: 79 dB-A (A-weighted) |
Maximum Sound Pressure Level (SPL) | Omni: 133 dB-SPL at 0.5% THD Cardioid: 132 dB-SPL at 0.5% THD |
Dimensions | 0.79 x 1.06" (20.00 x 27.00 mm) |
Weight | 0.88 oz (25.00 g) |
Packaging Info | |
Package Weight | 0.4 lb |
Box Dimensions (LxWxH) | 6.5 x 4.6 x 1.5" |
Comes in a pack of 2
Omni and cardioid patterns, mechanically switchable
Slight emphasis of the high frequencies
Broad range of applications
In the Cardioid Setting: For use with singing or speaking voices or most instruments, as a spot microphone, and for stereo recording with coincident, ORTF or M/S microphone arrangements
In the Omni Setting: For recording instruments, singers, and more at relatively close range
Related Questions and Answers
Q: 1. I'm wondering: is the SSH-6 as good as the SGH-6 in terms of directional 'power'? Or do i need to move it closer to the subject than with the SGH-6?
A: I conducted several tests using both the SGH-6 and the SSH-6. The SSH-6 is 1 inch longer than the SGH-6. The end of the microphone was moved back by 1 inch for each SSH-6 test. So, the distance from the end of the microphone to my mouth was always the same for both. I conducted the tests at 6 inches, 1 foot, 2 feet, and 3 feet. In each case to achieve a level above 12 dB but below 6 dB I adjusted the gain on the microphone. In all cases the two microphones required the same gain. The side stereo level on the SSH-6 was set to 0 dBfor all test. So, I would say to your question, Yes, the power and beam for the shotgun portion of the two microphones are the same.
Q: 2. Is the zoom VRH-8 ambisonic microphone compatible with the zoom H-6?
A: No, it is not.
Q: 3. Will this mic fit in the skb 1209 case? I read here that it won't due to its longer length compared to the other model shotgun mic
A: The SKB iSeries Waterproof Case for Zoom H6 Recorder and Mic Modules available on our site is customized to fit the Zoom SGH-6 Shotgun Microphone which is slightly smaller than the Zoom SSH-6 Stereo Shotgun Microphone.
Q: 4. The ssh model is described as having an hyper-cardioid polar pattern and the sgh a super-cardioid polar pattern. Is there a functional difference?
A: The main difference between the two models is that the SGH-6 uses three internal mic capsules and has a supercardioid polar pattern for a tight, focused response and dual-mono output. The SSH-6 is a stereo mid-side shotgun microphone with two internal mic capsules which each pickup sound from a different direction in order to create a wider stereo image with more ambience than a mic that picks up sound from one direction. One capsule from the SSH-6 is extremely focused on picking up sound on center and can be combined with its bidirectional capsule which is able to pickup sound from the left or right side to create a spacious stereo image that can be mono-compatible. For example, you can record dialogue with the center microphone and then mix in the desired amount of ambient sound captured by the side microphone. Both models are very good for picking up dialog. The SGH-6 is for one direction and SSH-6 is also capable of stereo imaging.
Q: 5. Can you directly ship it to Kathmandu, Nepal? I am paying it from Australia Please.
A: You may calculate your actual shipping options/order totals by adding the items you want to a shopping cart. It will then list the shipping options, descriptions, ETA's and fees to your location.
Q: 6. Is it compatible with the new H8 ?
A: Yes.
Q: 7. Will this work the Zoom H8?
A: Yes, this will work with the H8.
Q: 8. It is a internally a 48V powered microphone?
A: The SGH-6 is powered by the Zoom recorder, but it is not 48V.
Q: 9. Can this remote be used for the Zoom H6?
A: The correct remote to be used with the Zoom H6 is the Auray RC-ZH6. The RC-ZH5 is designed for the H5.
Q: 10. Does this mic record to three tracks; the mid to one, and the stereo side to two? If not, how would one go about mixing dialogue with ambient sound in post?
A: It is only 2 tracks. The mono mic will pick up the dialog as any shotgun would straight ahead. Then the desired amount of side can be mixed in accordingly.
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