The Whirlwind MK4 Series Accusonic+2 Microphone Cable (1') is built with Accusonic+2 cable and fitted with Whirlwind XLR connectors for consistent peformance under the harshest conditions.

Highly Flexible    Resistant to Handling Microphonics    Braided Shield for Noise Rejection

Accusonic+2 cables feature finely stranded center conductors and a braided shield for superior noise rejection

MK cables are extremely flexible and reliable under the roughest conditions

Related Questions and Answers

Q: 1. Can you automatically match both channel gain simultaneously? to record stereo signal?

A: Set the audio dials to the same value.

Q: 2. Does Zoom make this in 32bit float wide dynamic range for Panasonic Lumix? (like an F3, but sync'd with no cables).

A: No, Zoom does not offer any XLR adapters for cameras and there are no XLR adapters that we are aware of that have the ability to record audio directly, the XLR adapters are simply used to provide an XLR connection for a camera that does not have XLR inputs. The resolution for recording audio is determined by the capabilities of the camera or a recorder. A recorder like the Zoom F3 Portable Field Recorder does have the ability to record audio at 32-bit, but it does not have the ability to connect to the camera without using cables and the audio recorded by the camera would be limited to the capabilities of the camera. So the F3 would be able to record 32-bit float but it would be recorded to an SD card. Unless the camera is capable of recording 32-bit float audio, the audio from the recorder would not be transferred at the same resolution to the camera, even if it were connected using a cable or cable-free connection. However, you can utilize the timecode functions on the F3 and a compatible camera to accurately sync audio and video in post production using timecode.

Q: 3. will this work with the fz2500?

A: Unfortunately no. It will only work on GH5 cameras.

Q: 4. So this actually receives an audio signal through the hot shoe? I don't need to plug a 1/8 cable into the camera like other mic adapters I use with the GH4?

A: You are correct.

Q: 5. What's the dynamic range?

A: The GH5, B&H # PADCGH5, which is the camera this item works with offers 10 stops of Dynamic Range. You can expand that to 12 stops with the V-Log Activation, B&H # PADMWSFU1VLO.

Q: 6. Is there possibilily of a 3 channel setup? Would you still be able to use a rode mic pro with headphone jack going to the camera mic input, then use the 2 XLRs for wireless lavs.

A: No, you cannot have a 3 channel setup.

Q: 7. If I connect this device to the hotshoe on a GH6 camera, how do I set the camera to receive the audio signal from it? Or does it automatically detect it?

A: Hi Larry! The camera will automatically detect the XLR adaptor and use the microphone. -G

Q: 8. I have a cage for my GH3 and would like to use it on the GH5. Will there be some type of adapter to plug the XLR1 in the mic port ?

A: The DMW-XLR1 will only work by attaching directly to the GH5's hot shoe mount. It is unlikely that you'll be able to use a form fitting cage for the GH3 with the GH5 and have this adapter connected. However once the GH5 is released it will only be a matter of time before 3rd Parties offer cages designed to handle the camera with the DMW-XLR1 attached to it. Please keep an eye on our website for new product listings.

Q: 9. Does this allow audio recording during VFR mode?

A: Sorry, audio recording is disabled when shooting at variable frame rates. If audio actually was recorded, it would be so slow as to be unusable. The audio you hear in films during slow motion sequences is created. I can say from many slo-mo shots I have participated on the sound generated in real time is not very interesting. However, you can then take that sound and create meaningful effects in your editing.

Q: 10. Would this work with Leica SL2 since it works well with S1 series cameras ?

A: No, this Panasonic DMW-XLR1 XLR Microphone Adapter would not work with s1 series cameras.