Utilizing a nano coating process for consistent color rendition from lens to lens, the Rokinon 10mm T3.1 Cine DS Lens answers the challenge of assembling a set of lenses over time. The lens comes in Sony E mount, and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 10mm lens produces a 109.5° angle-of-view when used on cameras with APS-C-sized sensors. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 7.9" from the lens. A built-in petal shaped lens hood provides flare protection when shooting without a matte box.

10, 16, 24, 35mm Lenses Cover APS-C    24 & 35mm Lenses Cover Full Frame    Consistent Color Multi-Coating    Standard Gearing for Focus and Iris    De-Clicked Iris    Dual Side Focus Scales

Nano Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard, eliminating the need to acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories, such as follow focus units or iris motors, don't have to be re-positioned.

The lens features an internal focus mechanism, so the front of the lens doesn't rotate when changing focus, allowing you to use filters and clip-on matte boxes without vignetting as you change (pull) focus.

The lens features a 6-bladed iris that provides round out of focus highlights and a natural looking Bokeh. The declicked aperture ring allows for smooth iris pulls.

A built-in lens hood provides flare protection without a matte box.

Related Questions and Answers

Q: 1. Would this lens be compatible with the Black Magic Studio Camera (not the 4K)? I don't see it listed in the Compatibility section, but if it's MFT...shouldn't it fit?

A: Yes this lens is compatible with the Blackmagic Studio Camera.

Q: 2. I see this isn't listed as a full frame lens, I own a Canon 5d mark IV any issues for full frame cameras?

A: While you could mount this on your 5D Mark IV, it is not recommended for you to do so. That is because the resultant image will have severe blackening of the corners known as vignetting. There are no affordable 16mm full frame lenses. But your are in luck in that there are 14mm full frame lenses available. Here is one we can recommend. Rokinon 14mm T3.1 Cine DS Lens for Canon EF Mount B&H # RO1431C.

Q: 3. what is the difference between the Rokinon 16mm T2.2 Cine DS Lens for Micro Four Thirds Mount for APS-C and the Rokinon 16mm T2.2 Cine Lens for Micro Four Thirds?

A: B&H Number RO1622MFT is the DS Model, where as B&H Number RO1622TM43DS is the Original Model. DS stands for dual sided meaning the DS Model has focus and iris markers on both sides of the lens. The DS model is also newer with improved optics over the original version of the lens.

Q: 4. WHAT is the AOV of this lens on a BMPCC super 16 sensor ??

A: The original Pocket Cinema Camera has a 2.88x crop factor. This would be the equivalent of a 46mm lens on that camera.

Q: 5. Will this lense work with the Nikon D3100?

A: The Nikon D3100 is an DX/APS-C size sensor camera and this is a DX/APS-C lens so you are good to go.

Q: 6. Does it fish eye at all - or just a solid wide lens?

A: There is some barrel distortion that will be seen in shooting straight lines and doing pans. However, it is not severe and is in keeping with other wide angle lenses of this focal length. In other words, no fish-eye effect.

Q: 7. Hello there, can this lens be used with a cmos sensor?

A: Yes, this lens can be used with a CMOS sensor.

Q: 8. I should get this as opposed to the 14mm full frame for a c300 me llamo?

A: The c300 has a super 35 sensor which is roughly equivalent to APS-C, therefore an APS-C lens would be the best fit for that camera.

Q: 9. A 16mm APS-C lens on a APS-C camera, is the equivalent of a 16mm full frame lens on a full frame camera? OR the equivalent of a 16mm full frame lens on a APS-C camera? I think the angle of view of a 16mm full frame lens on an APS-C camera is 82°50 and a 16mm full frame lens on a full frame camera is 106°60?

A: Lenses are listed by their focal length and from there they are subject to the crop factor of the camera. This lens will be subject to the standard 1.5x crop factor of an APS-C Sensor and will be the equivalent of a 24mm lens.

Q: 10. Will this lens work on a Super 35 Sensor camera such as a C100/C300?

A: Although the lens has not been tested specifically on the two cameras listed, APS-C and S35 are close in dimension and the lens won't have any issue mounting to those cameras. If suffering slight vignetting on the C100 with this lens, the camera offers an EF-S lens mode option which crops into image slightly to remove that vignetting.