Enjoy audio from your source of choice with the white Genelec G Four 2-Way Powered Bookshelf Speaker. It features an XLR and an RCA input, allowing you to have two source devices connected for easy switching. The speaker has a 2-way design with one built-in Class-AB amplifier for the 6.5" woofer and one for the 0.75" metal-dome tweeter. The speaker features a 48 Hz to 20 kHz frequency response and has a die-cast aluminum cabinet with a rear-facing bass port.

Up to 180W Output    2-Way, Bass-Reflex Design    6.5" Woofer    0.75" Metal-Dome Tweeter    48 Hz to 20 kHz Frequency Response    1x XLR, 1x RCA Input    Class-AB Amplifiers    Die-Cast Aluminum Cabinet

The G Four is designed to reproduce the fine details and nuances of your favorite music and movies, so you can experience content the way the creators intended, even in challenging acoustic environments. With its generous SPL of ≥99 dB and frequency extension as low as 41 Hz, the G Four can match its precision with power.

The active speaker design removes the need for bulky external power amplifiers, since the amplifier is built into the speaker. This amplifier is optimized for the drivers they're feeding and enables you to simply connect your sound source directly to the G Four. With simple room compensation switches, you can tailor the sound to your unique acoustic environment for faithful sound in nearly any room.

• Active crossovers
• Directivity Control Waveguide (DCW) technology
• Intelligent Signal Sensing (ISS) technology
• Iso-Pod stand
• Minimum Diffraction Enclosure (MDE) technology
• Optimized amplifiers
• Protection circuitry
• Reflex port design
• Room response compensation
• Versatile mounting options available separately
• Short-term max SPL of ≥105 dB
• ≤10 dB of self-generated noise

Related Questions and Answers

Q: 1. Is there a student discount for college students who work with this film often in bulk? Just curious, thanks!

A: For more information in this regard, please contact the B&H EDU Advantage Team. Below is a direct link to the portal. a href= http://www.bhphotovideo.com/find/eduAdvantage.jsp target= _blank http://www.bhphotovideo.com/find/eduAdvantage.jsp/a

Q: 2. Is this film compatable with a magazine cine kodak 16mm camera?

A: If your camera works on one side perforation yes.

Q: 3. What Junior based boom will work well with the Para 133 with mono light.

A: Although this Kupo Big Boom would be suitable for the Broncolor Para 133 with a monolight attached, another option to consider is the Manfrotto 025BSL Super Boom ONLY, Black - 8.8' (2.7 m), BH # MA025BSL https://bhpho.to/3tZZiFW

Q: 4. What is the payload at minimum extension?

A: Unfortunately, the manufacturer was not able to provide a load capacity at the minimum extension. However, they state that being that boom can hold up to 13.2 lbs at maximum extension, it would have the ability to hold much more at the minimum.

Q: 5. Is there additional information on developing the film using d-76 developer?

A: D-76 is a negative film developer and thus cannot be used for Tri-X which is a reversal or positive image film. Motion picture film should only be developed by a professional motion picture laboratory. They have the machines and the staff experienced in that process. Doing this at home has been done but it is not recommended due to the great complexity and expense.

Q: 6. Is it possible to use the speaker with a media play instead of a computer, by using the USB port to connect the power to the wall and using the 3.5 audio port to connect to a media source?

A: Yes, it is possible to use the non-Bluetooth Line input for an external device without the use of a PC. In this case you are not using Bluetooth which does not require a BT capable device driving it, only one capable of pushing an analog signal out over a wire.

Q: 7. How much time is a 100ft?

A: At 24 fps, it will last a little under three minutes.

Q: 8. Does this work for an Agfa Tripar film camera

A: Sorry, I don't know. I used this film in a Bolex 16mm movie camera.

Q: 9. Where can you get the exposed film processed?

A: There are very few (if any) labs left in NYC, so I, like the other three posters, sent my footage to Cinelab in New Bedford, Massachusetts. They do great work with processing and telecine, plus they don't have minimum quantities so you can just send in a roll or two and they won't give you a hassle.

Q: 10. This is a expired film?

A: Nope.