The DTS Neural Surround Collection from Waves is a bundle of post-production tools for audio engineers who work in broadcast, video, or film scenarios. The various components of the bundle provide real-time processing for up-mixing stereo sources to surround, down-mixing surround sources to stereo, and converting mono content to stereo with full spectral accuracy. The plug-ins are excellent software replacements for the legacy hardware that many broadcast facilities, OB vans, and post-production studios currently use, delivering a compact and modern workflow.

DTS Neural Mono2Stereo    DTS Neural Surround DownMix    DTS Neural Surround UpMix    AAX Native, Audio Units, RTAS, VST3    Mac, Windows

Real-time conversion of stereo audio to surround, surround to stereo, and mono to stereo

Developed under license from DTS

Includes DTS Neural Surround UpMix, DTS Neural Surround DownMix, and DTS Neural Mono2Stereo

Industry standard for television and radio broadcasting and film/TV post-production

Plug-and-play – easy to integrate and use immediately

Streamlined interfaces

SoundGrid-compatible

Compatible with all popular DAWs/hosts

Related Questions and Answers

Q: 1. Can I use this lens with a canon camera?

A: Ricoh GW-4 Wide Conversion Lens is a very small lens. Rear thread is only 49mm diameter. It would require a Canon camera that has a lens with 49mm filter thread for it to work.

Q: 2. How bad is the self noise level when connected to a Sony a6600 camera? Which microphone has the least self noise; this one or the SMX-30?

A: The Azden SMX-30V Stereo/Mono Mixable Video Microphone and the Azden SMX-30 Stereo/Mono Switchable Video Microphone have similar specifications in reference to self noise, with an identical signal to noise ratio spec of 82 dB (1kHz). While we have not tested either mic directly with the Sony a6600 Mirrorless Camera, they should both work well, although a bit of self noise is expected in general.

Q: 3. Can I use this mic with my computer? I have an iMac and want to use it with my screen recording software to create tutorials. I purchased the audio jack to USBC cable to connect to my computer, but the computer isn't recognizing it.

A: You need to go TRRS into the computer for your computer to be able to see it through the mini to USB-C adapter that you are using. So you can either use the Rode SC4 adapter with the cable that was included with your SMX-30V microphone, or you can use the Rode SC7 cable as a replacement to go from the microphone into the adapter that you have connected to your computer.

Q: 4. Can I use the Ewa-Marine U-A100 or U-B100 Underwater Housing with this lens? I am planning to attach this to my 28mm lens + my Sony a7rii

A: The Sony 16mm Fisheye Conversion Lens for FE 28mm f/2 Lens does not have filter threads so the Ewa-Marine cannot attach to the lens thus this is not usable. Please write our Underwater department so that we can get the gear that will work for you. uw@bandh.com

Q: 5. Hi; I'd like to confirm that this lens fits (and works properly) when attached to a Canon VIXIA HF G30 Full HD Camcorder?Sorry for the dumb question, but I'd rather be sure before ordering a product online.Tkx, Steve.

A: This lens will work with the Canon HF G30. The included 58mm adapter ring must be used.

Q: 6. Can you put a UV filter on this GW-4 thingy? Thanks.

A: Unfortunately, the Ricoh GW-4 Wide Conversion Lens does not have front filter threads to accept a UV filter.

Q: 7. What is the size of the rear lens cap?

A: The rear lens cap of the 16mm Fisheye Conversion Lens is a bayonet-style mount and does not have a traditional size. If you're looking for the diameter, it's 2-7/16" across.

Q: 8. Can I use this for a Sony Dschx300?

A: The converter is specifically made for the 28mm f2 lens which is an e-mount lens. The DSCHX300 is not an interchangeable lens camera and you will not be able to use this lens and converter for it.

Q: 9. Is it possible to add filters to this? If so, what size?

A: Unfortunately, the Sony 16mm Fisheye Conversion Lens for FE 28mm f/2 Lens does not have filter threads to allow you to connect filters to the front of the conversion lens.

Q: 10. are you able to tilt the microphone up or down at all?

A: No -the microphone is in a fixed positon when mounted on a bracket or in the camera's shoe.