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Yamaha Emx 5 12-input Powered Mixer

Product Code: ga181060
Availability: In Stock

$2,099.97 $2,834.96

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The Yamaha EMX 5 is a 12-input powered mixer with an integrated 1260W amplifier, eight mic/line inputs, four stereo line inputs, and two Aux sends. The mixer features a Hi-Z guitar input on channel four and each channel offers a 3-band EQ for custom tailoring your sound. Channels 1-4 offer XLR-1/4" combo jacks. Channels 5 through 12 provide mono XLR inputs, with channels 5-8 offering 1/4" inputs and 9-12 offering an additional set of stereo RCA inputs. Channels 11/12 also include an 3.5mm stereo mini-jack for connecting portable music players.

The EMX 5 includes a single-knob compressor on channels 1-4, an integrated feedback suppressor, and a built-in multi-effects processor with SPX series algorithms. Additionally, the mixer offers a Master EQ, which provides a single knob to control the level of low end. At the far left, the speech setting cuts low frequencies, while the middle position is neutral for music playback. The far right setting provides a Bass Boost to enhance music playback. Optional accessories available include a foot switch for effects bypass and a rackmount kit. The EMX 5 ships with a standard IEC power cord.

Integrated 1260W Power Amplifier 8 Mono Mic/Line Inputs Four Stereo Inputs Hi-Z Input on Channel 4 Two Aux Sends with Dedicated Outputs 3-Band EQ on Each Channel Master EQ for Music Playback or Speech Integrated Feedback Suppressor Built-In SPX Multi-Effects Compatible with 4- / 8-Ohm Speakers

Analog Input Characteristics
Input Connectors	Channels 1-4: 4x Combo XLR-1/4" / 6.35 mm Channels 5/6: 1x XLR, 2x 1/4" / 6.35 mm Channels 7/8: 1x XLR, 2x 1/4" / 6.35 mm Channels 9/10: 1x XLR, 2x RCA Channels 11/12: 1x XLR, 2x RCA, 1x 1/8" / 3.5 mm stereo mini-jack
Load Impedance	Channels 1-4 (XLR Mic/Line): 3 kOhms actual, 50-600 Ohms nominal with mics Channels 1-4 (1/4" Mic/Line): 8 kOhms, 600 Ohms line Channel 4 (1/4", Hi-Z Engaged): 1 MOhms actual, 10 kOhms lines nominal Channels 5-12 (XLR): 2 kOhms actual, 50 - 600 Ohms lines nominal Channels 5-12 (1/4", RCA, 1/8"): 10 kOhms actual, 600 Ohms nominal
Input Level	Sensitivity Channel 1-4 (XLR, Mic): -60 dBu (0.775 mV) Channel 1-4 (XLR, Line): -30 dBu (24.5 mV) Channel 1-4 (1/4", Mic): -50 dBu (2.45 mV) Channel 1-4 (1/4", Line): -20 dBu (77.5 mV) Channel 4 (Hi-Z Engaged, Mic): -50 dBu (2.45 mV) Channel 4 (Hi-Z Engaged, Line): -20 dBu (77.5 mV) Channels 5-12 (XLR): -60 dBu (0.775 mV) Channels 5-8 (1/4"): -20 dBu (77.5 mV) Channels 9-12 (RCA, 1/8"): -8 dBu (316 mV) Nominal Channel 1-4 (XLR, Mic): -43 dBu (5.48 mV) Channel 1-4 (XLR, Line): -13 dBu (173 mV) Channel 1-4 (1/4", Mic): -33 dBu (17.3 mV) Channel 1-4 (1/4", Line): -3 dBu (548 mV) Channel 4 (Hi-Z Engaged, Mic): -33 dBu (17.3 mV) Channel 4 (Hi-Z Engaged, Line): -3 dBu (548 mV) Channels 5-12 (XLR): -43 dBu (5.48 mV) Channels 5-12 (1/4", RCA, 1/8"): -3 dBu (548 mV) Maximum Before Clip Channel 1-4 (XLR, Mic): -15 dBu (138 mV) Channel 1-4 (XLR, Line): +15 dBu (4.36 V) Channel 1-4 (1/4", Mic): -5 dBu (436 mV) Channel 1-4 (1/4", Line): +25 dBu (13.8 V) Channel 4 (Hi-Z Engaged, Mic): -5 dBu (436 mV) Channel 4 (Hi-Z Engaged, Line): +20 dBu (7.75 V) Channels 5-12 (XLR): -15 dBu (138 mV) Channels 5-12 (1/4", RCA, 1/8"): +25 dBu (13.8 V)
Analog Output Characteristic
Output Connectors	Stereo Out (L/R): 2x 1/4" / 6.35 mm balanced Aux Sends (1/2): 2x 1/4" / 6.35 mm balanced Rec Out (L/R): 2x RCA unbalanced
Impedance	Stereo Out (L/R): 600 Ohms actual, 10 kOhms Lines Aux Sends (1/2): 600 Ohms actual, 10 kOhms Lines Rec Out (L/R): 600 Ohms actual, 10 kOhms Lines
Output Level	Stereo Out (L/R): +4 dBu (1.228 V) nominal, +20 dBu (7.75 V) max before clipping Aux Sends (1/2): +4 dBu (1.228 V) nominal, +20 dBu (7.75 V) max before clipping Rec Out (L/R): -10 dBV (0.308 V) nominal, +18 dBV (7.75 V) max before clipping
Loudspeaker Outputs
Connectors	Speakers A/B: Neutrik speakON NL4, 1/4" / 6.35 mm phone jack
Impedance	Actual Source Impedance: < 0.1 Ohms For Use with Nominal: 4 Ohm speakers, 8 Ohm speakers
Output Level	4 Ohm Speakers: 500 W (1 Hz THD+N < 1%), 630 W (1 kHz THD+N < 10% [CEA2006]) 8 Ohm Speakers: 370 W (1 Hz THD+N < 1%), 460 W (1 kHz THD+N < 10% [CEA2006])
General Specifications
Output Power	1 kHz THD+N < 10% (CEA2006): 630 W + 630 W (4 Ohms), 460 W + 460 W (8 Ohms) 1 kHz THD+N < 1%: 500 W + 500 W (4 Ohms), 370 W + 370 W (8 Ohms)
Frequency Response	Frequency Response Refer to the nominal output level @ 1 kHz Input to Speakers: +1/-3 dB (40 Hz to 20 kHz) Input to Stereo Out, Aux 1/2 Send: +0.5/-1.0 dB (20 Hz to 20 kHz)
THD + N	Input to Speakers: 0.1% @ 10 W (40 Hz to 20 kHz), 0.05% @ 50 W (1 kHz) Input to Stereo Out, Aux 1/2 Send: 0.03% @ +14 dBu (20 Hz to 20 kHz), 0.007% @ +20 dBu (1 kHz)
Crosstalk	(1 kHz): -85 dB
Input Channels	Mono (Mic/Line): 8 Stereo: (Line): 4 Total: 12
Output Channels	Speakers: A/B Aux 1 Send Aux 2 Send Stereo Out: L/R Rec Out: L/R
Bus	Stereo: 1 Aux: 2 (including FX)
Pad	Channels 1-4: 30 dB
Hi-Z Input	Channel 4: Supported
HPF	High Pass Filter (Channels 1-3): 80 Hz, -12 dB/octave
EQ Section	High: 10 kHz +15/-15 dB Mid: 2.5 kHz +15/-15 dB Low: 100 Hz +15/-15 dB
Compressor	Single knob compressor
Audio Level Meter	7 points (-20, -10, -6, 0, +6, +10, Peak)
Built-in Effects	SPX Algorithm: 24 programs
Output Channel Function	Master EQ (Speech to Music) Monitor EQ Feedback Suppressor
Phantom Power	+48 V
Footswitch Input	Effect mute on/off
Protection	Load Protection: DC-fault Amplifier Protection: Overheat protection, overcurrent protection, integral power protection Power Supply Protection: Overheat protection, overcurrent protection
Power	Power Requirements: 100-240 VAC, 50/60 Hz Power Consumption: 42 W (Idle) / 210 W (1/8 power)
Operating Temperature	32 to 104°F / 0 to 40°C
Dimensions	18.3 x 12.1 x 12.8" / 464.8 x 307.3 x 325.1 mm
Weight	20.9 lb / 9.5 kg
Packaging Info
Package Weight	25.4 lb
Box Dimensions (LxWxH)	22 x 15 x 14"

1260-watt power amplifier for versatility in a wide variety of performance applications
Compatible with 4- and 8-ohm speakers
12-channel mixer with four mono mic/line and four mono/stereo line input channels, supporting a wide range of inputs
Channels 1-4 offer a single-knob compressor
Channels 1-3 offer an 80 Hz high-pass filter to reduce microphone rumble
Channel 4 offers a Hi-Z input for guitar
Two Aux sends via balanced 1/4" outputs. Aux 2 also sends to internal effects engine
Yamaha’s high-quality SPX multi-effects, providing optimum processing for instruments or vocals
Feedback Suppressor, which automatically cuts and prevents undesirable feedback noise
Independent three-band equalizer on each channel for tonal adjustment and sound control
Master EQ with setting for speech and music playback
Stereo output: Two balanced 1/4" outputs for connecting to powered speakers or an additional amplifier
Recording output: Stereo RCA for connecting to a recorder

Related Questions and Answers

Q: 1. Is there a maximum recording time per song?

A: With a 128 GB SDHC/SDXC Memory card, you can activate all 20 channels for recording and record for 10 hours and 56 minutes. Recording on just one channel yields 80 hours, 13 minutes. (2 channels = 60 hours 10 minutes) This is at a 44.1 kHz, 24 Bit rate and bit depth. At 96 khz, 24 bit, 1 track will run for 36 hours, 51 minutes and 20 tracks will record for 5 hours, 1 minute. If you want to use 48 kHz, 24 bits,, 1 track is 73 hours, 42 minutes and 20 tracks is 10Hr. 3 min. Recording at 16 bits? Multiply these times by 1.5. This is the total time for as many songs as you have. If they each run 4 minutes, you can record a lot of songs before you have to empty the memory card. I've found my machine to be a solid performer! Very clear recordings!

Q: 2. Is it possible to hook up this mixer to my a/v receiver (Denon AVR-4308CI) which I already connect to speakers? and how? Thanks

A: Yes, the Yamaha MG10XU could be connected to an AV receiver. You could connect the stereo outputs of the MG10XU to one of the receiver's audio inputs with a 1/4" to RCA stereo cable such as BH #HOHPR003X2.

Q: 3. Does this unit USB connect to a PC (like Behringer XR18) and DAW recording with multiple recording software? IF not is the XR18 the only unit out there that does?

A: No, The USB connection are used for software updates, snapshots, play audio files and recording. I don't know of a unit at this price that will what the XR18 does with the USBs. There are others but they are more expense.

Q: 4. Is this mixer good for video live production to bring the audio to my switcher?

A: Yes, that would be a use for this mixer.

Q: 5. is the songs inbuilt ?

A: Songs are not built into this device. You would want to stream music from a mobile device and connect that to an hdmi tv input, or from a smart tv itself, and run the audio out of the tv to the karaoke receiver. Then you'd run the audio out of the receiver into the RCA or 1/8'' audio input of your speaker/ home receiver.

Q: 6. is the songs avialable inbuilt?

A: No song library included with this device, this is just a mixer and wireless system, Not a Karaoke player.

Q: 7. There is Fx in aux section ?

A: Yes. #5 on Page 23 in the manual shows how you can assign and send the internal effects on the Yamaha MG20XU to your aux. https://www.bhphotovideo.com/lit_files/622736.pdf

Q: 8. Do all tracks bypass onboard effects when recording 20 separate tracks to a SD card for import into a DAW for post production? I want to mix live with effects to FOH and monitors, but record all tracks without any effects for later import and mixing.

A: All individual tracks will be recorded without any effects applied. If recording on the Master track, all effects will be heard on the recording to the Master track, but not on the individual tracks. The individual tracks can be set to record pre or post compressor in the Menu of the L-20.

Q: 9. Can you bypass all of the onboard effects and record straight from the pres to the SD card?

A: Yes you can bypass effects also record to sd card all of your recordings save to SD card

Q: 10. Are the 1/4 inputs on channels one through four balanced TRS?

A: Channels 1-4 on the mixer are XLR and XLR can be balanced or unbalanced. Depends entirely on how you choose to output the mic channels.

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