Point Source Audio Cr-8s Cardioid Earworn Microphone With Interchangeable 5-pin Mini Connector For Lectrosonics Transmitters (brown)
- Product Code: ga181921
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The brown CR-8S Cardioid Earworn Microphone from Point Source Audio is designed for high noise applications where more than one microphone is required such as for live performances and recordings. The cardioid pattern of the microphone will pick up sound from one direction, so it can be focused on the sounds of the person wearing the microphone. The unit features a 4mm diameter microphone element that can be positioned at the corner of the mouth to maintain an unobtrusive appearance.
The microphone features an unbreakable boom that can bend up to 360° and a flexible earhook that can be worn on either the left or the right ear. Alternatively you can utilize a dual-earset microphone clip to convert the earworn microphone so it can be worn on both ears for more support. The unit offers optimal gain amplification before feedback and can handle sounds with a maximum SPL of 135 dB. The microphone can connect to a wide range of wireless microphone transmitters using its interchangeable X-Connector system. This particular unit comes with an interchangeable 5-pin mini connector for Lectrosonics transmitters. The microphone also comes with a foam windscreen, a body clip, and a storage box.
Focused Cardioid Polar Pattern 4mm Diameter Microphone Element 135 dB Maximum SPL Unbreakable 360° Bendable Boom Left or Right Ear Fit Convertible to Earset Interchangeable X-Connector System Unobtrusive Appearance
Performance | |
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Maximum SPL | 135 dB |
Related Questions and Answers
Q: 1. Why does the black one cost more if it comes with less capsules than the original, are there any other differences?
A: The rubberized black body of the recorder is it's main difference. This allows for a more rugged build and functions better in harsh environments.
Q: 2. Is one able to receive a L+R from FOH and then still use the attached shotgun mic. Enabling the user to have a direct mix and then still have some room noise to mix in and out?
A: Yes. There are six channels, with two coming from the end-mount element. There are four XLR inputs, with dedicated channels and level controls. Any combination can be recording.
Q: 3. Can Zoom H5/H6 monitor both {mic inputs + Windows 10} simultaneously? I'd like to use XLR mics in my remote (virtual) presentations/meetings. I want to hear both myself (from the mic) and other attendees (system sound from Windows). In USB/interface mode, does the H5/H6 monitor jack simultaneously output (mix?) both my mic and Windows system sounds? Is that standard "interface" behavior? Do the H5 and H6 behave the same in this regard? (P.S. I wish to avoid "looping" or "overdubbing" or 3rd party mixers.) Thank you all kindly in advance.
A: Yes, but most video meeting software do not give you an option to monitor your own microphone signal.
Q: 4. What is the signal to noise ratio on the Zoom H6?
A: Zoom has elected not to publish this specification. There are no documents available to support this spec. Please feel free to contact Zoom directly:Tel: (631) - 542-5270Email: info@a href= http://zoom-na.com target= _blank zoom-na.com/aWebsite: a href= http://www.zoom-na.com target= _blank http://www.zoom-na.com/a
Q: 5. Does the H6 black have the same timecode feature as the H5? To output audio to the camera via line out 6400line in (ie Sony a6400) ? As well as sync with cameras timecode for post production purposes? I believe the H5 has this option? Where could I read up on this? I’m just getting into all of this. Hoping the post production process will be fairly straight forward.
A: The H6 and H5 have the same time code basically you would connect a Attenuator cable from the output of the recorder into your camera and it sends a secondary to your camera then you sync the audio with video in post,
Q: 6. can I use this with a usb mic?
A: No, the Zoom H6 All Black 6-Input / 6-Track Portable Handy Recorder with Single Mic Capsule will not support a connection from a USB microphone. In general, USB microphones are limited to direct connection to a computer.
Q: 7. Does the zoom h6 have zero latency monitoring through the headphone jack?
A: The Zoom H6 does offer latency free monitoring in both standalone and USB interface modes.
Q: 8. I am not sure if I got a defective Zoom h6. My device has this faint hissing noise even without any microphone plug in. if I set my gain to 6 and above and bump headphone volume to about 60 I can hear noises and I can also hear this noise in the record as well. Can someone confirm this with your device? - Thanks
A: Yeah this happens with mine as well. I haven't heard it too much in my recordings though. But if it makes you feel any better, I have noise when the gain is set to 6 or above too, even without a microphone plugged in.
Q: 9. Would this be an appropriate audio interface to hook up 2 XLR mics for recording instrument/piano to a dSLR/mirrorless camera via TRS 3.5 mm minijack? If so, with its own XY mic, can it be used as a 3 mic input? Knowing camera TRS mic input is only 2 channel stereo, would a 3rd mic be useless then? Sorry for the novice question.
A: This is a 6 channel recorder, Four XLR inputs plus the onboard stereo mic. You can connect the output to your camera and record the entire stereo mix to the camera, although you should still use the audio from the Zoom in your final cut.
Q: 10. What is the frequency response range for the included xy mic? It's not in the specs & it's not even on the zoom h6 website. thx
A: The manufacturer has not provided frequency response ratings for any of the Zoom mic capsules, but I would estimate it to be 20 Hz to 20 kHz.
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